{"title":"Gifts Under $30","description":"\u003cp\u003eASP has a gift for every budget! Shop our picks of gifts under $30 this holiday season.\u003c\/p\u003e","products":[{"product_id":"little-red-yellow-black-book-4th-edition","title":"The Little Red Yellow Black Book","description":"\u003cdiv class=\"clear-fix\"\u003e\n\u003cp\u003eShortlisted for the Australian Publishers Association Educational Awards, 2009.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eOriginally published in 1994, \u003cem\u003eThe Little Red Yellow Black Book\u003c\/em\u003e has established itself as the perfect starting point for those who want to learn about the rich cultures and histories of Australia's First Peoples. Written from an Indigenous perspective, this highly illustrated and accessible introduction covers a range of topics from history, culture and the Arts, through to activism and reconciliation.\u003c\/p\u003e\n\u003cp\u003eIn this fourth edition, readers will learn about some of the significant contributions that Aboriginal and Torres Strait Islander peoples have made, and continue to make, to the Australian nation.\u003c\/p\u003e\n\u003cp\u003eCommon stereotypes will be challenged, and the many struggles and triumphs that we've experienced as we've navigated through our shared histories will be revealed. Readers will also learn about some of the key concepts that underpin Aboriginal and Torres Strait Islander worldviews including concepts such as the Dreaming, the significance of Ancestral Heroes and Country.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Little Red Yellow Black Book\u003c\/em\u003e is for readers of all backgrounds and provides an opportunity to discover more about the diverse, dynamic and continuing cultures of Australia's First Peoples.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e210mm x 135mm x 15mm\u003c\/li\u003e\n\u003cli\u003e228pp\u003c\/li\u003e\n\u003cli\u003eReleased September 2018\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e9780855750527\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eWelcome \u003cbr\u003eIntroduction \u003cbr\u003eWho we are\u003cbr\u003eHow we live\u003cbr\u003eOur achievements\u003cbr\u003eOur shared history\u003cbr\u003eOur leadership and activism\u003cbr\u003eLet's celebrate\u003cbr\u003eTimeline \u003cbr\u003eMaps \u003cbr\u003eReferences and further reading \u003cbr\u003eAcknowledgments \u003cbr\u003eIndex\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout the author\u003c\/h6\u003e\n\u003cp\u003eThe vision of the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) is that the cultures and knowledge of Australia’s Indigenous peoples are maintained, respected, celebrated, and valued throughout the nation and the world.\u003c\/p\u003e\n\u003cp\u003eThe Institute undertakes and encourages scholarly, ethical, community-based research, holds a priceless collection of films, photographs, video and audio recordings, and the world’s largest collections of printed and other resource materials for Indigenous Australian Studies, as well as having its own publishing house.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBruce Pascoe is a Yuin, Bunurong and Tasmanian man who lives in East Gippsland, Victoria. He published and edited \u003cem\u003eAustralian Short Stories\u003c\/em\u003e magazine from 1982 to 1999 and has received numerous awards for his fiction and non-fiction writing. He won the New South Wales Premier’s Book of the Year Award in 2016 for \u003cem\u003eDark Emu, Black Seeds: Agriculture or Accident\u003c\/em\u003e (2014) a history of Aboriginal agriculture, which was performed by Bangarra Dance Theatre in 2018.\u003c\/p\u003e\n\u003cp\u003eHis other non-fiction works include \u003cem\u003eConvincing Ground: learning to fall in love with your country \u003c\/em\u003eand \u003cem\u003ethe Little Red Yellow and Black Book,\u003c\/em\u003e in its 4th edition. Pascoe’s fiction writing is also acclaimed. He won the Prime Minister’s Literature Award for Young Adult fiction for \u003cem\u003eFog a Dox\u003c\/em\u003e (2012) in 2013. His children’s books \u003cem\u003eMrs Whitlam\u003c\/em\u003e (2016) and \u003cem\u003eYoung Dark Emu\u003c\/em\u003e (2019) were shortlisted in the Children’s Book Council of Australia Awards and the latter won the Booksellers Choice Award for 2020.\u003c\/p\u003e\n\u003cp\u003eHis other works include\u003cem\u003e Night Animals, Shark, Ocean, Cape Otway \u003c\/em\u003eand his recent novels are \u003cem\u003eBloke\u003c\/em\u003e (2009) and \u003cem\u003eChainsaw File\u003c\/em\u003e (2010). He was awarded the Lifetime Achievement in Literature Award by the Australia Council in 2018.\u003c\/p\u003e\n\u003ch6\u003eAbout the Cover\u003c\/h6\u003e\n\u003cp\u003eFront cover: (Left) Murray Island Dance Group members (l–r) Sarah Mabo, Suramina Tabo, Jezebel Gisu, Tanya Wailu and Lilimea Mabo perform at the opening of Cairns NAIDOC Week 2017 at Fogarty Park. Photo: Stewart McLean. (Right) Samuel Brazel,\u003cbr\u003eAnaiwan, Management\/Indigenous Consultant, Tyrone Bean, Kabi-Kabi\/Bindal,\u003cbr\u003eSecondary School Teacher and Liam Coe, Wiradjuri, Architecture Student. Photo courtesy of Samuel Brazel.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBack cover: (Left) Members of the Gumatj clan added a red V and the no. 37 to their\u003cbr\u003etraditional paint as a show of support for Adam Goodes at Garma 2015 in northeast\u003cbr\u003eArnhem Land. Courtesy Melanie Faith Dove\/Yothu Yindi Foundation. (middle) Nolia\u003cbr\u003eNapangati Ward burning. Photo: Dr Rachel Paltridge. (right) Bush tucker found in\u003cbr\u003eQueensland. Photo: Tourism Australia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33173492990088,"sku":"9780855750527","price":22.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/66f332aa-04b9-4cdc-88d0-1fd92efc0f9f.png?v=1764030862"},{"product_id":"melbourne-dreaming-a-guide-to-important-places-of-the-past-and-present-second-edition","title":"Melbourne Dreaming","description":"\u003cp\u003eWithin its busy urban presence, Melbourne has a rich and complex Aboriginal heritage. Amongst the city landscape lie layers of a turbulent history and an ongoing vibrant culture. But you need to know where to look.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMelbourne Dreaming\u003c\/em\u003e allows you to take guided tours, or to plan your own self-guided walk, from 30 minutes to a whole day.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe first edition of \u003cem\u003eMelbourne Dreaming\u003c\/em\u003e established itself as an informative and culturally appropriate guidebook. This new edition has been updated with new sites and illustrations. While it's an authoritative guidebook with clear maps, travelling instructions and stories and images of significant people and events, it's also an alternative social history, told through precincts of significance to the city's Aboriginal people.\u003c\/p\u003e\n\u003cp\u003eThe precincts include both physical and cultural sites. With their accompanying stories and photographs, they evoke an ancient past and a continuing present.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e240mm x 170mm x 12mm\u003c\/li\u003e\n\u003cli\u003e256pp\u003c\/li\u003e\n\u003cli\u003eReleased September 2014\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e9781922059710\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eDedication \u003cbr\u003eAbout the author \u003cbr\u003eAbout this book \u003cbr\u003eAcknowledgments \u003cbr\u003eAcknowledgments (1997 edition) \u003cbr\u003eIntroduction \u003cbr\u003ePrecincts\u003cbr\u003eCity centre \u0026amp; surrounds, sites 1–11\u003cbr\u003eEast, sites 12–17\u003cbr\u003eInner north, sites 18–22\u003cbr\u003eOuter north, site 23\u003cbr\u003eWest, sites 24–28\u003cbr\u003eSouth, sites 29–32\u003cbr\u003eMornington Peninsula, sites 33–36\u003cbr\u003eList of organisations \u003cbr\u003eGlossary \u003cbr\u003eReference list \u003cbr\u003eIndex\u003c\/p\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003eMeyer Eidelson lives in Melbourne. He is the author of seventeen books and documentaries. These include guide books, local history, children's books and biography. Meyer is also the owner of a walking tour company exploring the history, environment and Indigenous landscapes of Melbourne.  He is a member of several historical societies and active in a range of projects promoting natural and built heritage. He is also the Melbourne street artist known as 'Minime.' \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33173493219464,"sku":"9781922059710","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Melbourne_Dreaming_a_guide_to_important_places_of_the_past_and_present_second_edition_2ce8b5e3-f72b-447f-afc4-4c673228b70d.jpg?v=1593585717"},{"product_id":"aboriginal-sydney-a-guide-to-important-places-of-the-past-and-present-second-edition","title":"Aboriginal Sydney","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDespite its bustling urban presence, Sydney has a rich and complex Aboriginal heritage. Hidden within its burgeoning city landscape, lie layers of a vibrant culture and a turbulent history. But, you need to know where to look.\u003c\/p\u003e\n\u003cp\u003eThis book supplies the information. The popular first edition established itself as both authoritative and informative; it is both a guide book and an alternative social history, told through precincts of significance to the city's Indigenous people.\u003c\/p\u003e\n\u003cp\u003eThe sites within the precincts, and their accompanying stories and photographs, evoke Sydney's ancient past, and allow us all to celebrate the living Aboriginal culture of today.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e240mm x 170mm x 15mm\u003c\/li\u003e\n\u003cli\u003e200pp\u003c\/li\u003e\n\u003cli\u003eReleased November 2010\u003c\/li\u003e\n\u003cli\u003eEnglish edition ISBN \u003cspan\u003e9780855757120\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eChinese edition ISBN\u003cspan\u003e \u003c\/span\u003e\u003cspan mce-data-marked=\"1\"\u003e9781922059482\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eAbout the authors \u003cbr\u003eAbout this book \u003cbr\u003eForeword to first edition, Russell Taylor \u003cbr\u003eAcknowledgments from first edition \u003cbr\u003eSeeing the past in the present \u003cbr\u003e\u003cstrong\u003eTHE CENTRAL BUSINESS DISTRICT SITES 1–8\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003eOTHER SITES\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAROUND THE HARBOUR SITES 9–16\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003eBalls Head Reserve sites 10–11\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003eSydney Harbour National Park sites 12–14\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003eNORTH OF SYDNEY SITES 17–21\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003eKu-ring-gai Chase National Park sites 18–20 \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eINNER SOUTH SITES 22–26 \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eRedfern sites 22–23 73\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eOTHER SITES\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSOUTH OF SYDNEY SITES 27–34 \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eKamay Botany Bay National Park, Kurnell Peninsuala sites 27-29\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eLa Perouse sites 30–34\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eWEST OF SYDNEY SITES 35–42 \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eParramatta sites 35–36\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eParramatta Park sites 37–38\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eOld Blacktown sites 39–40\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSOUTH-WEST OF SYDNEY SITES 43–45\u003c\/strong\u003e\u003cbr\u003eOrganisations \u003cbr\u003eReferences \u003cbr\u003eIndex\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003eWiradjuri\/Ngunnawal photographer, Alana Harris was born in Penrith, Sydney in 1966 and raised in Cowra NSW. She completed her Higher School Certificate at Cowra High School and went on to receive a Diploma in Photography at the ACT Institute of TAFE in 1988.\u003c\/p\u003e\n\u003cp\u003eIn 1989 Harris became the Senior Photographer at the Australian Institute of Aboriginal Studies in Canberra. Harris is quoted in her artist statement in the Narragunnawali catalogue saying that “as an Aboriginal photographer I feel it is important to portray Aboriginal Australia whether it be in portraits, landscapes or documentary photography as I know it to be.” She was the Senior Photographer with the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) for 12 years and has worked as the Access Manager in the Archives and Production Program with AIATSIS. \u003c\/p\u003e\n\u003cp\u003eMelinda Hinkson is an associate professor of anthropology at the Alfred Deakin Institute for Citizenship and Globalisation, Deakin University. She also directs the independent Institute of Postcolonial Studies, Melbourne. Much of Melinda’s work is informed by longstanding research relationships with Warlpiri people.\u003c\/p\u003e\n\u003cp\u003eShe has published widely on Aboriginal visual culture and the politics of representation, the life work of WEH Stanner, the contested cultural politics of the Northern Territory Intervention, and processes of displacement and practices of place-making.\u003c\/p\u003e\n\u003cp\u003eAmong Melinda’s publications are \u003cem data-mce-fragment=\"1\"\u003eSee How We Roll: Enduring Exile Between Desert and Urban Australia\u003c\/em\u003e (forthcoming, 2021), \u003cem data-mce-fragment=\"1\"\u003eRemembering the Future: Warlpiri Life Through the Prism of Drawing\u003c\/em\u003e (Aboriginal Studies Press, 2014), \u003cem data-mce-fragment=\"1\"\u003eCoercive Reconciliation: Stabilise, Normalise, Exit Aboriginal Australia\u003c\/em\u003e (co-edited with Jon Altman, 2007) and \u003cem data-mce-fragment=\"1\"\u003eAboriginal Sydney: A Guide to Important Places of the Past and Present\u003c\/em\u003e (with photographs by Alana Harris, 2001). .\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003cp\u003eFront cover: (top from left) see p. 21, p. xix and p.4; (bottom from left) see p.147 and p.13.\u003c\/p\u003e\n\u003cp\u003eBack cover: (from left) Sydney Opera House, Tourism Australia and see p.58.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"English","offer_id":34238487658632,"sku":"9780855757120","price":29.95,"currency_code":"AUD","in_stock":true},{"title":"Chinese","offer_id":34238487691400,"sku":"9781922059482","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Aboriginal_Sydney__a_guide_to_important_places_of_the_past_and_present_second_edition.jpg?v=1593585720"},{"product_id":"being-black","title":"Being Black","description":"\u003cp\u003eThis volume brings together results of research by anthropologists, linguists and historians on the social life of people who used to be labelled 'part-Aborigines' or 'urban Aborigines'.\u003c\/p\u003e\n\u003cp\u003eIssues discussed include bases of identity, ties of family, structure of community, ways of speaking, beliefs and feelings about country, and attitudes to the past.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e240mm x 170mm x 20mm\u003c\/li\u003e\n\u003cli\u003e288pp\u003c\/li\u003e\n\u003cli\u003eReleased January 1991\u003c\/li\u003e\n\u003cli\u003eISBN\u003cstrong\u003e \u003c\/strong\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Aptos; mso-ligatures: standardcontextual; mso-ansi-language: EN-AU; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e9780855751852 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eAcknowledgements\u003cbr\u003eForeword by Marie Reay\u003cbr\u003eContributors\u003cbr\u003eIntroduction\u003cbr\u003eChapter 1: Aborigines of Victoria\u003cbr\u003eChapter 2: Dhan-gadi resistance to assimilation\u003cbr\u003eChapter 3: 'Am I too black to go with you?'\u003cbr\u003eChapter 4: Ambiguity, style and kinship in Adelaide Aboriginal identity\u003cbr\u003eChapter 5: They don't speak an Aboriginal language, or do they?\u003cbr\u003eChapter 6: Kinship, mobility and community in rural New South Wales\u003cbr\u003eChapter 7: All one family\u003cbr\u003eChapter 8: A grammar of exchange\u003cbr\u003eChapter 9: A Wiradjuri fight story\u003cbr\u003eChapter 10: Medicine Square\u003cbr\u003eChapter 11: A litany for land\u003cbr\u003eChapter 12: Myth as history, history as myth\u003cbr\u003eIndex\u003c\/p\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eAfter training and working in the visual arts, Ian Keen gained a BSc in anthropology at University College London (1973) and a PhD in anthropology at The Australian National University (1979). He has conducted anthropological fieldwork in northeast Arnhem Land, the Alligator Rivers region, and McLaren Creek in the Northern Territory of Australia, and in Gippsland, Victoria. He is the author of \u003c\/span\u003e\u003cem\u003eKnowledge and Secrecy in an Aboriginal Religion\u003c\/em\u003e\u003cspan\u003e (Clarendon Press 1994), and \u003c\/span\u003e\u003cem\u003eAboriginal Economy and Society\u003c\/em\u003e\u003cspan\u003e (Oxford 2004) as well as many articles in journals and edited books, and he edited \u003c\/span\u003e\u003cem\u003eBeing Black: Aboriginal Cultures in ‘Settled’ Australia\u003c\/em\u003e\u003cspan\u003e and other collections of essays. His research interests have included Yolngu kinship and religion, Aboriginal land rights, Aboriginal economy, and language and culture. His current research includes the diversity and typology of Australian Aboriginal kinship systems as part of the Austkin project, and the language of property. He has lectured and supervised postgraduate students at the University of Queensland and The Australian National University, where he is now a Visiting Fellow.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003cp\u003eFront cover: Painting by Willie Gudubi, Alawa. Southwest Arnhemland, NT, born c. 1917.\u003c\/p\u003e\n\u003cp\u003eAlawa sacred sites at Llangabun. 1987\u003c\/p\u003e\n\u003cp\u003eSynthetic ploymer paint on canvas, 840mm, 320mm.\u003c\/p\u003e\n\u003cp\u003eCollection Australian- National Gallery, Canberra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33598503583880,"sku":"9780855751852","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/23_127-ASP-Being-Black-Shopify-Cover-Image_720x720px.jpg?v=1700698596"},{"product_id":"milbi","title":"Milbi","description":"\u003cp\u003eA long time ago, on the Country of Guugu Yimithirr people, ancient creatures hunted, danced, played and gathered food. The Magpie brothers chased the giant Dingo; the greedy White Cockatoo stole food from two Night Owl sisters; Storm threw lightning at Frill Lizard; and Eagle walked on the ground. As they roamed about, they disturbed the land, making rivers, lagoons and mountains, spreading plants and changing the colour of animals — creating the land we see today.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTulo Gordon grew up on this Country and knew the old stories. A gifted storyteller and illustrator, Tulo Gordon retells them here in Guugu Yimithirr and English.\u003c\/p\u003e\n\u003ch6\u003e\n\u003cb\u003eProduction Details\u003c\/b\u003e\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e279mm x 250mm\u003c\/li\u003e\n\u003cli\u003e52 pp\u003c\/li\u003e\n\u003cli\u003eReleased July 2021\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-922102-90-4\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/h6\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eMungurru Bula Jirimathirr \/ Mungurru, the Scrub Python, and the Endeavour River \u003cbr\u003eJibuul \/ Jiibuul, the Bat \u003cbr\u003eGujal \/ How Gujal, the Eagle, got his wings \u003cbr\u003eGanhaarr Bula Jiiral Nhangu \/ Ganhaarr, the Crocodile, and his wife \u003cbr\u003eDindurr \/ The giant Dindurr Eel\u003cbr\u003eNhinhinhi Gurra Bamawi Guugu \/ How the giant NHinhinhi Fish changed the languages\u003cbr\u003eBunja Bula Gaanhaal Jin.gurr Bulaan Jilbi Wunay \/ The two Night Owl sisters and the Jilbi Tree\u003cbr\u003eGambagamba Bula Gamintharr Nhangu \/ The old woman and her grandson on a lonely island\u003cbr\u003eDiimuur Bula Gabul \/ The Forest Spirit and his ten beautiful daughters\u003cbr\u003eBunjul \/ Frill Lizard and the honey\u003cbr\u003eDurrgin \/ Durrgin, the Water Rat\u003cbr\u003eWurrbal Bula Tharramali \/ Fog and Storm\u003cbr\u003eNgamungaatharr Yabarraban \/ The giant Dingo\u003cbr\u003eDugul Bula Gaanhaal Jin.gurr \/ The two Dugul sisters\u003cbr\u003eBamaal Gunbu Dumbi \/ The big dance and the angry old woman\u003cbr\u003eA map of where the stories come from\u003cbr\u003eGuugu Yimithirr spelling and pronunciation \u003cbr\u003eBehind the stories\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout The Author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eTulo Gordon was born about 1918 in a camp on the shores of the Endeavour River, upstream from Cooktown where he learned the stories in this book from his mother and other elders. \u003cbr\u003eTulo lived through an era of transformation of the lives of bama (as Aboriginal people call themselves in Guugu Yimitihirr language). He was educated on a mission near Cooktown, then was exiled south during World War II. He returned in the 1950s to a new community and established a family. He finally was recognised as an Australian citizen in the 1960s. \u003cbr\u003eTulo recorded the stories and illustrated them for a children’s book, published in English in 1978. Tulo Gordon died in 1989, but his retellings of the ancient stories live on in this new edition. Alongside the English translations, are his original words in Guugu Yimithirr, the language of the Cooktown area where Tulo’s descendants still live today. \u003cbr\u003eJohn Haviland is a linguistic anthropologist whose research with speakers of Mayan languages of Chiapas, Mexico, and of Paman languages of north Queensland, Australia, centres on the social life of languages: how speakers use their words as resources for negotiating social worlds, including their families, their neighbours, their communities, and the evolving local and global environments where they live.\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cstrong\u003e\u003cb\u003eAbout The Cover\u003c\/b\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eCover image: Tulo Gordon\u003c\/p\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":39289355239560,"sku":"9781922102904","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/21_016MilbiShopifyCoverImage_720x720px_D02.jpg?v=1617247753"},{"product_id":"luwa-tara-luwa-waypa","title":"luwa tara luwa waypa","description":"\u003cblockquote\u003eniyakara is leaving the village to hunt tara, kangaroo.On his mind is the chief’s daughter, tuminana, who is at the water with the women, collecting shells and working.  But down on the beach, niyakara hears three thuds...boom boom boom\u003c\/blockquote\u003e\n\u003cp\u003eWith rhythmic intensity, \u003cem\u003eluwa tara luwa waypa\u003c\/em\u003e tells the captivating story of niyakara’s journey from boy to man, a story of courage and transformation.\u003c\/p\u003e\n\u003cp\u003eDave mangenner Gough’s powerful words and Samantha Campbell’s expressive artwork bring to vivid life the ancestral spirit and enduring strength of the palawa people of Tasmania.\u003c\/p\u003e\n\u003cp\u003eHear the author read the book via the QR code.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYou may also be interested in the accompanying \u003c\/span\u003e\u003ca href=\"https:\/\/shop.aiatsis.gov.au\/products\/luwa-tara-luwa-waypa-teacher-s-notes-and-learning-sequence\" title=\"https:\/\/shop.aiatsis.gov.au\/products\/luwa-tara-luwa-waypa-teacher-s-notes-and-learning-sequence\"\u003eteaching resource\u003c\/a\u003e\u003cspan\u003e, aligned with the Australian Curriculum (version 9) area of Humanities and Social Science for Years 4 and 5.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e‘Gough and Campbell have created an important book that plays a part in bringing all Australians together using vivid and evocative storytelling.’ – Kids’ Book Review\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eProduction details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003eHardback\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003esize\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e32pp\u003c\/li\u003e\n\u003cli\u003eReleased July 2022\u003c\/li\u003e\n\u003cli\u003eISBN 9781922752062\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEbook is available on Amazon and other online booksellers:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRRP $14.95\u003c\/li\u003e\n\u003cli\u003eISBN 9781922752079 \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eQR code to author reading luwa tara luwa waypa\u003c\/p\u003e\n\u003cp\u003eluwa tara luwa waypa\u003c\/p\u003e\n\u003cp\u003ePalawa word list and sounds in book\u003c\/p\u003e\n\u003cp\u003eAbout the author and illustrator\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eDave mangenner Gough\u003c\/strong\u003e is a celebrated artist, curator and cultural practitioner dedicated to practising and demonstrating Tasmanian Aboriginal culture for all Australian people, to bring communities together and preserve our traditional culture.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs a proud trawlwoolway — descended from Bungana (chief), manalargenna’s oldest daughter, \u003cspan\u003eworetemoeteyenner\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eof north-east Tasmania — Dave has a strong personal connection to lutruwita Tasmania and its people.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs an artist, he has exhibited nationally and internationally. He has also curated a number of significant exhibitions. With Dave as writer, director, producer, performer, luwa tara luwa waypa has been performed in Tasmania as part of mapali dawn gathering, launching the 2021 Ten Days on The Island art festival.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSamantha Campbell\u003c\/strong\u003e grew up in the Northern Territory and lives in Alice Springs. She is descended from the Dagoman people from Katherine and as a child lived in remote communities across the Top End. Her first book, Alfred’s War, written by Rachel Bin Salleh, was shortlisted for the NSW Premier’s Literary Awards and the\u003cbr\u003eSpeech Pathology Australia Awards. Her other books include Aunty’s Wedding by Miranda Tapsell and Joshua Tyler, Brother Moon by Maree McCarthy Yoelu and Freedom Day by Rosie Smiler and Thomas Mayor.\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the cover\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eIllustration by Samantha Campbell.\u003cbr\u003e\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":40212052377736,"sku":"9781922752062","price":26.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/22_008-ASP-Luwa-Tara-Shopify-Cover-Image_720x720px_D01_1.jpg?v=1652780294"},{"product_id":"auntie-rita-revised-edition","title":"Auntie Rita","description":"\u003cp\u003e\u003cem\u003eAuntie Rita\u003c\/em\u003e, written by Rita and her daughter Jackie Huggins, is a revised edition of the bestselling and award-winning memoir of Aboriginal woman Rita Huggins first published in 1994. Rita battled dispossession, poverty, personal tragedy and racism to create a rich meaningful life, lived out during the momentous changes of the 20th century.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e‘Most people call me Auntie Rita, whites as well as Aboriginal people. Auntie is a term of respect of our older woman folk. You don’t have to be blood-related or anything. Everyone is kin. That’s a beautiful thing because in this way, no one is ever truly alone, they always have someone they can turn to.’\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRita Huggins was born on Bidjara\/Bidyara country at Carnarvon Gorge in central Queensland. As a child in the 1920s, she met white men for the first time: troopers who forced her family into cattle trucks and drove them south to Barambah, later Cherbourg Aboriginal Reserve. At Cherbourg ‘we had to stay in one place now, while the white men could roam free.’\u003cbr\u003eThere were some happy times, but the only way out of Cherbourg for First Nations people was work. Rita worked as a housekeeper all over Queensland before meeting and marrying Jack Huggins. After Jack’s untimely death, Rita struggled with grief and the challenges of being a single parent to three young children, and caring for extended family and community. As the 1960s unfolded, Rita watched the rise of First Nations activism — the 1967 Referendum, the Freedom Rides, new Aboriginal political organisations — and knew she wanted to make something better for herself, her family and for all Indigenous people. She joined Queensland’s One People of Australia League and was an active member till her death in 1996.\u003cbr\u003eIn Auntie Rita, Rita’s words — interspersed with reflections from her daughter Jackie — reveal a life shaped by personal tragedy, the dramatic changes of the twentieth century and personal resilience. This moving memoir has been enjoyed by readers around the world since it was first published in 1994.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e230mm x 150mm\u003c\/li\u003e\n\u003cli\u003e200pp\u003c\/li\u003e\n\u003cli\u003eReleased May 2023\u003c\/li\u003e\n\u003cli\u003eISBN 9780855751128\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eForeword by Lillian Holt\u003cbr\u003eForeword by Alison Ravenscroft\u003cbr\u003eWriting the book\u003cbr\u003eChapter 1. Don’t cry, gunduburries\u003cbr\u003eChapter 2. Growing up Cherbourg\u003cbr\u003eChapter 3. Servitude or slavery?\u003cbr\u003eChapter 4. Summertime\u003cbr\u003eChapter 5. The Grand experience\u003cbr\u003eChapter 6. The Natives are getting restless\u003cbr\u003eChapter 7. Coming back to Earth\u003cbr\u003eChapter 8. The Old Rugged Cross\u003cbr\u003eChapter 9. Journeying\u003cbr\u003eChapter 10. Barambah gone now\u003cbr\u003eChapter 11. Brand new day\u003cbr\u003eChapter 12. The gathering of the clan\u003cbr\u003eHaving the last say\u003cbr\u003eAfterword by Jackie Huggins\u003cbr\u003eGlossaries\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout the author\u003c\/h6\u003e\n\u003cp\u003e\u003cstrong\u003eRita Huggins\u003c\/strong\u003e was a Bidjara\/Bidyara woman from the Carnarvon Gorge\/Springsure area of central Queensland. As a young girl she was forcibly removed to Cherbourg Aboriginal Mission. At 14 years of age, she was sent to work on cattle stations as a domestic. She continued this work in Brisbane after receiving an exemption certificate. She married Jack Huggins and they moved to Ayr, North Queensland, where the last three of her five children were born. After Jack’s early death in 1958 she returned to Brisbane and became active in Aboriginal affairs. She lived out her days, until her death in 1996, as a wise and deeply respected Elder, loved by black and white alike.\u003cbr\u003e\u003cstrong\u003eJackie Huggins\u003c\/strong\u003e is a Bidjara\/Birri Gubba Juru woman from Queensland. She is a historian and author, and has worked in Aboriginal Affairs for over four decades in areas of reconciliation, history, the arts, environment, literature, leadership, education, prison reform, domestic and family violence, and many other social justice initiatives. She has held many leading positions including on the Stolen Generations Inquiry, and at Queensland State Library, AIATSIS and University of Queensland. Her previous books are Sister Girl and Jack of Hearts QX11954 (UQP).\u003c\/p\u003e\n\u003ch6\u003eAbout the cover\u003c\/h6\u003e\n\u003cp\u003eCover photograph of Auntie Rita by Angela Bailey; cover photograph of Carnarvon Gorge by Dominic Carmody\/Alamy.\u003c\/p\u003e\n\u003cp\u003eCover design by Peter Long.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":41096235253896,"sku":"9780855751128","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/23_036ASPAuntieRita_ShopifyCoverImage_720x720px_D01.jpg?v=1776646279"},{"product_id":"fight-for-liberty-and-freedom-1","title":"Fight for Liberty and Freedom","description":"\u003cp\u003eShortlisted for the 2008 Victorian Premier's History Award, this important book has been revised and expanded.\u003c\/p\u003e\n\u003cp\u003eThe Australian Aboriginal Progressive Association (AAPA), began life in 1924. Although less known today, current Aboriginal political movements are drawn from these roots.\u003c\/p\u003e\n\u003cp\u003eIn this passionate exploration of the life of founder, Fred Maynard, John Maynard reveals the commitment and sacrifices made by these Aboriginal heroes.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback and digital\u003c\/li\u003e\n\u003cli\u003e230mm x 155mm x 10mm\u003c\/li\u003e\n\u003cli\u003e196pp\u003c\/li\u003e\n\u003cli\u003eReleased April 2024\u003c\/li\u003e\n\u003cli\u003eISBN 9781922752017\u003c\/li\u003e\n\u003cli\u003eEbook ISBNs 9780855751722 (ePDF), 9780855751661 (ePUB), 9780855751678 (Kindle)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eForeword \u003cbr\u003eAcknowledgments \u003cbr\u003eChapter 1: Introduction \u003cbr\u003eChapter 2: Fred Maynard’s Early Years \u003cbr\u003eChapter 3: Inspiration and Influences \u003cbr\u003eChapter 4: Political Mobilisation \u003cbr\u003eChapter 5: The Rise and Impact of the ‘Freedom Club’ \u003cbr\u003eChapter 6: A Year of Consolidation \u003cbr\u003eChapter 7: 1927- The Struggle for Liberty \u003cbr\u003eChapter 8: The Final Curtain \u003cbr\u003eChapter 9: Conclusion \u003cbr\u003eBibliography \u003cbr\u003eNotes \u003cbr\u003eIndex\u003c\/p\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003eEmeritus Professor John Maynard is a Worimi man from the Port Stephens region of New South Wales. He has held several major positions and served on numerous prominent organisations and committees, including Deputy Chairperson of the Australian Institute of Aboriginal and Torres Strait Islander Studies and the Executive Committee of the Australian Historical Association. He was the recipient of the Aboriginal History (Australian National University) Stanner Fellowship 1996, the New South Wales Premier’s Indigenous History Fellow 2003, Australian Research Council Postdoctoral Fellow 2004, and University of Newcastle Researcher of the Year 2008 and 2012. He is a member of the Australian Social Sciences Academy and a Fellow of the Australian Academy of the Humanities. His PhD examines the rise of early Aboriginal political activism, and he has worked with urban, rural and remote Aboriginal communities. His writing investigates the intersections of Aboriginal political and social history, and the history of Australian race relations. He is the author of fifteen books, including \u003cem\u003eAboriginal Stars of the Turf\u003c\/em\u003e and \u003cem\u003eSocceroos: A World Cup Odyssey\u003c\/em\u003e (Volumes 1 and 2).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003cp\u003eCover by Design by Committee.\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":41907734413448,"sku":"9781922752017","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/24_011-Fight-Liberty-digital-suite_shop-product-Image_720x720px.jpg?v=1733187362"},{"product_id":"asp-tote-bag","title":"ASP Tote Bag","description":"\u003cp\u003eThis cotton tote bag features the Aboriginal Studies Press logo and is sturdy enough to carry all your books around.\u003c\/p\u003e\n\u003cp\u003ePerfect as reusable gift wrapping for an ASP book.\u003c\/p\u003e\n\u003cp\u003eShow your support for Australia's leading publisher of Indigenous studies, producing  quality books for 60 years.\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003ch6\u003e \u003cb\u003eProduction details\u003c\/b\u003e\n\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003eTote bag\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli;\"\u003e38cm x 42cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli;\"\u003eCalico bag \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli;\"\u003e140gsm cotton\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003e\n\u003cb\u003eAbout the design\u003c\/b\u003e\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eThe design featured on this tote bag is the logo of Aboriginal Studies Press.\u003c\/p\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":42424738152584,"sku":"ASP-Tote","price":6.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/ASPToteBag.png?v=1776655090"},{"product_id":"giwang","title":"giwang","description":"\u003cp class=\"MsoNormal\"\u003eThe dry central western region of New South Wales is Wiradjuri Country. Here, the landscape slips from one weather cycle into another as hot, dry and windy times soften into crisp chill.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMeet the animals you can find on Wiradjuri Country in this intricately illustrated introduction to the Wiradjuri Language by two Wiradjuri creatives.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIn\u003ci\u003e giwang, \u003c\/i\u003eWiradjuri animals are shown along with Wiradjuri Language and English translations. Belinda Bridge’s words weave an unpredictable cycle onto the page against beautiful paintings by Wiradjuri artist Peta-Joy Williams.  \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThis evocative resource speaks to readers of all ages. It is rich with cultural meaning and is a significant Wiradjuri title to add to bookshelves\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW96148789 BCX8\"\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW96148789 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e‘\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003eHere, you can meet the animals that \u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW96148789 BCX8\"\u003ecall\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e Wiradjuri Country home, and this is a glorious, illustrated introduction to Wiradjuri language by Belinda Bridge and Peta-Joy Williams.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW96148789 BCX8\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW96148789 BCX8\"\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW96148789 BCX8\"\u003egiwang\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW96148789 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003eis a brilliant introduction to the six weather cycles that people experience \u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW96148789 BCX8\"\u003eon\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e Wiradjuri Country, and the animal\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003es\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e seen there.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW96148789 BCX8\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW96148789 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003eExperience fantastic Wiradjuri art by Peta-Joy Williams in a fabulous language and weather resource for primary schools, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003echildren\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e and language learners. And the best thing? This book, \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW96148789 BCX8\"\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW96148789 BCX8\"\u003egiwang\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW96148789 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e, has been written b\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003ey\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e a Wiradjuri Language teacher who loves sharing her language.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW96148789 BCX8\" data-ccp-props=\"{}\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW96148789 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e- Ashleigh Meikle, The Book Muse \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW96148789 BCX8\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW184259501 BCX8\"\u003e\n\u003cblockquote\u003e\n\u003cp class=\"Paragraph SCXW184259501 BCX8\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW184259501 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW184259501 BCX8\"\u003e‘For those who are focused on a future of walking together, and who are developing their own First Nations collections mindfully, this is an extremely valuable resource.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW184259501 BCX8\"\u003eIt’s\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW184259501 BCX8\"\u003e\u003cspan\u003e \u003c\/span\u003ea fabulous book conceived and executed with skill by two Wiradjuri creators … outstanding.’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW184259501 BCX8\" data-ccp-props='{\"134233117\":false,\"134233118\":false,\"201341983\":0,\"335559738\":0,\"335559739\":160,\"335559740\":276}'\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW184259501 BCX8\" data-ccp-props='{\"134233117\":false,\"134233118\":false,\"201341983\":0,\"335559738\":0,\"335559739\":160,\"335559740\":276}'\u003e- \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW184259501 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW184259501 BCX8\"\u003eKids’ Book Review\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW184259501 BCX8\" data-ccp-props='{\"134233117\":false,\"134233118\":false,\"201341983\":0,\"335559738\":0,\"335559739\":160,\"335559740\":276}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003ePicture book, softcover\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e213 mm x 276 mm (portrait)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e32pp + cover\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eReleases \u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e1 November 2025 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e9781922752031\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"Tabletext\"\u003e\u003cspan style=\"mso-bidi-font-size: 10.0pt;\"\u003eFront matter introducing the Wiradjuri Cycle\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Tabletext\"\u003e\u003cspan style=\"mso-bidi-font-size: 10.0pt;\"\u003e14 spreads of fully illustrated pages featuring original art of 18 Australian animals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Tabletext\"\u003e\u003cspan style=\"mso-bidi-font-size: 10.0pt;\"\u003eGlossary of Wiradjuri words used\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003eBack matter about Wiradjuri language and people\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBelinda Bridge\u003c\/strong\u003e is a proud Wiradjuri woman living in Western Sydney, with strong Matriarchal lines across Wiradjuri Country. She is a mother always learning more of her Language and Culture.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAs a teacher, Belinda shares that knowledge — teaching Wiradjuri Language at TAFE and across all age groups. She has a degree in Creative Writing and Professional Writing and a postgraduate qualification in Wiradjuri Language, Heritage, and Culture.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBelinda’s inspiration to learn and speak Wiradjuri Language comes from her family and a deep desire to stay connected to her Ancestors.\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the Illustrator \u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePeta-Joy Williams\u003c\/strong\u003e is a proud Wiradjuri Yinaa (woman), born in Sydney, whose identity bridges the inland rivers of her ancestors and the saltwater cultures of the place she calls home. Drawing inspiration from both, PJ creates artwork that reflects the richness and diversity of her ancestry.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eEncouraged by her Wiradjuri grandmother Eileen, she began painting Aboriginal art early in life and has since formalised her practice with a Certificate IV in Aboriginal Art and Cultural Practices and a Diploma in Fine Arts. Formerly a cultural arts teacher, PJ is now a full-time artist and the founder of Wiradjuri Wave.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eHer work has been exhibited in major galleries across Australia, and her large-scale murals feature throughout New South Wales.\u003c\/p\u003e\n\u003ch6\u003eAbout the cover\u003c\/h6\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli;\"\u003eCover\/text design: Keisha Leon, Cause\/Affect\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli;\"\u003eIllustrator: Peta-Joy Williams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli;\"\u003eIllustration technique: Acrylic paint on canvas with sand from Wambuul \u003c\/span\u003e\u003cspan style=\"font-family: Muli;\"\u003e(Macquarie River) and water from both the river and Goan waterhole near \u003c\/span\u003e\u003cspan style=\"font-family: Muli;\"\u003eTrangie mixed into the paint.\u003c\/span\u003e\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":43802790887560,"sku":"9781922752031","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/be8c4007-13e6-40d0-bd30-db593cb7ee92.jpg?v=1752187699"},{"product_id":"meb-ata","title":"Meb Ata","description":"\u003cdiv class=\"OutlineElement Ltr SCXW96148789 BCX8\"\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW184259501 BCX8\"\u003e\n\u003cp class=\"Paragraph SCXW184259501 BCX8\" style=\"text-align: left;\"\u003e‘Meb Ata lives in the night sky and his light makes the sea glitter.  Meb Ata watches over our people in the Torres Strait, our totems the  Wanpun, the Daumer, Dabor and Kebi Nam.’ On the Great Barrier Reef, there is a beautiful island with a hill shaped  like a dugong. The island is called Murray Island and the hill is called  Gelam. All around the island are colourful reefs, fish and sea animals.  One special day, Swana and her grandmother Kaied go night fishing  near the eye of Gelam. Meb Ata, Grandfather Moon, is full and the fish are biting …  \u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW184259501 BCX8\" style=\"text-align: left;\"\u003eA rich and joyful story of the Torres Strait, with stunning illustrations.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Verdana',sans-serif;\"\u003eWith its stunning illustrations that take the reader right to that tropical paradise, Merwez Whaleboat  not only celebrates the island's beauty and the special feelings that envelop the soul as only fishing on the beach by moonlight can, but the special relationships that Swana has with both her female relatives and the creatures that she shares this paradise with. – The Bottom Shelf\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6 style=\"text-align: left;\"\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul style=\"text-align: left;\"\u003e\n\u003cli style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003ePicture book, Hardcover\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e250 mm x 270 mm \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e32pp + cover\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eReleases \u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e10 October 2026 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eISBN 781922752239\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\" style=\"text-align: left;\"\u003e\u003cb\u003eAbout the author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cstrong\u003eMerwez Whaleboat\u003c\/strong\u003e is a Torres Strait Islander woman from Murray Island in the Eastern district of the Torres Strait. Her first language is Meriam Mir and she has a deep love of storytelling, always informed by women’s stories about kinship and connection among women, and largely set against the beautiful sea and land of the Torres Strait. Merwez, who has a double degree in Arts and Education from Deakin University, majoring in drama and literature, is a teacher, actor, poet and cultural advisor. She sings traditional action songs, tells stories, and imparts cultural learning to children.  A passionate reader, her dream is to publish children’s books to improve learning and literary outcomes for Aboriginal and Torres Strait Islander children.Merwez was nominated for an AFI nomination for Best Supporting Actress for RAN: Remote Area Nurse in 2006, followed by roles in Warwick Thornton’s The Darkside and several television productions. Her poetry features in Mangoes on Fire, an anthology published by the Tropical Writers Group of Cairns\u003c\/p\u003e\n\u003ch6 class=\"p1\" style=\"text-align: left;\"\u003e\u003cb\u003eAbout the Illustrator \u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cstrong\u003eSharon Phineasa \u003c\/strong\u003eis a Torres Strait Islander artist and proud descendant of the Ayth-Koedal (Crocodile) and Dhoeybaw (Wild Yam) clans of Dauan and Saibai Islands in the Top Western Torres Strait Sharon’s artistic practice is deeply inspired by Kulba Adhil (traditional stories), myths and legends shared by Island Elders, particularly her grandfather, a respected artefact carver. Her childhood experiences on her Island home have nurtured a strong cultural connection to her ancestors, heritage and identity.Drawing on the vibrant colours of the Islands and the intricate detail characteristic of Torres Strait Islander art, Sharon works across a range of mediums including painting, printmaking, collage, sculpture and carving. Her artworks are represented in significant collections, including the National Gallery of Australia.Alongside her creative practice, Sharon works in education support,where she is committed to empowering Aboriginal and Torres Strait Islander young people. Through culturally responsive and holistic support, she helps create pathways that foster personal growth, leadership development and future professional opportunities.\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":46441491759240,"sku":"9781922752239","price":27.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/26_033ASPMebAtaproductimage_720x720px_300dpi.png?v=1787632574"},{"product_id":"mulaka-makalina","title":"mulaka makalina","description":"\u003cdiv class=\"OutlineElement Ltr SCXW96148789 BCX8\"\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW184259501 BCX8\"\u003e\n\u003cp class=\"Paragraph SCXW184259501 BCX8\" style=\"text-align: left;\"\u003eThe story of nupiri and riyawina and their epic encounter with a rogue stingray. From the creators of \u003ca href=\"https:\/\/shop.aiatsis.gov.au\/products\/luwa-tara-luwa-waypa\" title=\"Luwa tara luwa waypa\"\u003eluwa tara luwa waypa\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW184259501 BCX8\" style=\"text-align: left;\"\u003eriyawina’s grandmother warns her: ‘Look out for makalina, stingray! Don’t go swimming or diving when you’re sad or crying or else makalina will sense you are vulnerable and may attack you as prey.’ But when riyawina discovers that nupiri has broken his promise to her, she is angry and upset. She heads out alone to dive for shellfish and forgets her grandmother’s warning. In the deep, the stingray makalina senses her tears and comes for her…\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW184259501 BCX8\" style=\"text-align: left;\"\u003eAs nupiri races to save riyawina, he calls on moinee, the great creator, and the ancestral warriors in the Milky Way to hunt down makalina, the rogue stingray. mulaka makalina is a dramatic Tasmanian Aboriginal story, with evocative illustrations from the team that created luwa tara luwa waypa\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6 style=\"text-align: left;\"\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul style=\"text-align: left;\"\u003e\n\u003cli style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003ePicture book, Hardcover\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e250 mm x 270 mm \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e32pp + cover\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eReleases 5\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e November 2026 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eISBN 9781922752215\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\" style=\"text-align: left;\"\u003e\u003cb\u003eAbout the author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cstrong\u003eDave mangenner Gough\u003c\/strong\u003e is a celebrated artist, curator and cultural practitioner dedicated to practising and demonstrating Tasmanian Aboriginal culture for all Australian people, to bring communities together and preserve traditional culture.\u003cbr\u003eA proud trawlwoolway man – descended from bungana (chief) manalargenna’s oldest daughter woretemoeteyemer of north-east Tasmania – Dave has a strong personal connection to lutruwita Tasmania. Dave is Chair of the Tasmanian Aboriginal Heritage Council.\u003cbr\u003eDave is an artist who has exhibited nationally and internationally. He has also curated some significant exhibitions. Dave’s first picture book, luwa tara luwa waypa, illustrated by Samantha Campbell, was published in 2022 and was shortlisted for the Education Publishing Awards Australia in 2023.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003eDave created a performance of mulaka makalina which was shown at the Mapali sunset gathering during the 2023 Ten Days on the Island festival.\u003c\/p\u003e\n\u003ch6 class=\"p1\" style=\"text-align: left;\"\u003e\u003cb\u003eAbout the Illustrator \u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cstrong\u003eSamantha Campbell \u003c\/strong\u003egrew up in the Northern Territory and lives in Alice Springs. She is descended from the Dagoman people from Katherine and as a child lived in remote communities across the Top End. Samantha is a contemporary artist and illustrator of many books including Big, Big Love by Lisa Fuller, winner of the 2025 ACT Literary Awards, Children’s Literature (younger readers). Her first book, Alfred’s War, written by Rachel Bin Salleh, was short-listed for the Premier’s Literary Awards and the Speech Pathology Awards. Her other books include Aunty’s Wedding, by Miranda Tapsall and Joshua\u003cbr\u003eTyler, Brother Moon by Maree McCarthy Yoelu, Freedom Day by Rosie Smiler and Thomas Mayo, Bidhi Galing by Anita Heiss, My Deadly Boots by Carl Merrison and Hakea Hustler, and Brave Like Bunji by Jake Gablonski. She also co-owns and operates Coolamon Creative, a creative services business.\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":46554624557192,"sku":"9781922752215","price":27.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/26_043ASPmulakamakalinaproductimage_720x720px_300dpi.png?v=1789953345"}],"url":"https:\/\/shop.aiatsis.gov.au\/collections\/gifts-under-30.oembed","provider":"AIATSIS Shop","version":"1.0","type":"link"}