{"title":"Gifts under $60","description":"\u003cp\u003eASP has a gift for every budget! Shop our picks of gifts under $60 this holiday season.\u003c\/p\u003e","products":[{"product_id":"alices-daughter-lost-mission-child","title":"Alice's daughter","description":"\u003cp\u003eMy story is not about blame. It's about sharing history that belongs to all of Australia. I needed a push, but I am happy to finally give little Rhonda a voice, so that my words will live on after I leave this world.'\u003c\/p\u003e\n\u003cp\u003eIn 1954, aged three, Rhonda Collard-Spratt was taken from her Aboriginal family and placed on Carnarvon Native Mission, Western Australia. Growing up in the white world of chores and aprons, religious teachings and cruel beatings, Rhonda drew strength and healing from her mission brothers and sisters, her art, music and poetry, and her unbreakable bond with the Dreaming.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlice's Daughter\u003c\/em\u003e is the story of Rhonda's search for culture and family as she faces violence, racism, foster families, and her father's death in custody; one of the first deaths investigated as part of the Royal Commission into Aboriginal Deaths in Custody.\u003c\/p\u003e\n\u003cp\u003eWritten in Rhonda's distinctive voice, \u003cem\u003eAlice's Daughter\u003c\/em\u003e is fearless, compelling and intimate reading. Coupled with her vibrant and powerful paintings and poetry, Rhonda's is a journey of sadness, humour, resilience and ultimately survival.\u003c\/p\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e230mm x 152mm x 12mm\u003c\/li\u003e\n\u003cli\u003e196pp\u003c\/li\u003e\n\u003cli\u003eReleased April 2017\u003c\/li\u003e\n\u003cli\u003eISBN 9781925302936\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003eExcerpt\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eWhen I say they controlled our lives, I mean we had to live on the fringes of towns and on native missions and reserves. The missions were run either by the government or different churches. You couldn’t marry who you fell in love with; you had to get permission from the government. You also had to get a permit to move from place to place. When you worked, they stole your wages. If you wanted to buy anything, you had to virtually beg for your money. You had to write a letter to the government to ask if you could buy a dress or shoes or stockings.\u003c\/span\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eCultural warning\u003c\/p\u003e\n\u003cp\u003eMap\u003c\/p\u003e\n\u003cp\u003eAcknowledgments\u003c\/p\u003e\n\u003cp\u003ePreface\u003c\/p\u003e\n\u003cp\u003eAuthor’s note\u003c\/p\u003e\n\u003cp\u003eChapter 1: A black girl in a white world\u003c\/p\u003e\n\u003cp\u003eChapter 2: Childhood games and mission ways\u003c\/p\u003e\n\u003cp\u003eChapter 3: The birds and the bees\u003c\/p\u003e\n\u003cp\u003eChapter 4: Finding country\u003c\/p\u003e\n\u003cp\u003eChapter 5: Scared in the city\u003c\/p\u003e\n\u003cp\u003eChapter 6: A family at last\u003c\/p\u003e\n\u003cp\u003eChapter 7: Death in custody\u003c\/p\u003e\n\u003cp\u003eChapter 8: Terrorised\u003c\/p\u003e\n\u003cp\u003eChapter 9: The brolga and other stories from Mother\u003c\/p\u003e\n\u003cp\u003eChapter 10: Sorry business\u003c\/p\u003e\n\u003cp\u003eChapter 11: Finding identity\u003c\/p\u003e\n\u003cp\u003eChapter 12: Through Yamatji eyes\u003c\/p\u003e\n\u003cp\u003eEpilogue: Speaking my truth\u003c\/p\u003e\n\u003cp\u003eGlossary\u003c\/p\u003e\n\u003cp\u003eBibliography\u003c\/p\u003e\n\u003cp\u003eNotes\u003c\/p\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003eRhonda Collard-Spratt is a strong Yamatji and Noongar woman from Carnarvon, Western Australia. A visual artist, storyteller, poet, singer-songwriter, dancer, and art teacher, Aunty Rhonda speaks out against injustices against her people and Mother Earth. Rhonda conducts cultural and art workshops at high schools and has worked in prisons with young women around suicide prevention, helping them reconnect with their Aboriginality.\u003c\/p\u003e\n\u003cp\u003eAs a representative of the Stolen Generations, Rhonda officiates at National Sorry Day events in Brisbane and Ipswich. In 1954, aged three, Rhonda was taken from her Aboriginal family and placed on Carnarvon Native Mission in Western Australia. Despite growing up in the white world of chores and cruel beatings without family, culture or love, Rhonda has emerged as a strong Aboriginal woman who has found her voice.\u003c\/p\u003e\n\u003cp\u003eIn 2013, Rhonda began writing her life story, \u003cem\u003eAlice’s Daughter: Lost mission child \u003c\/em\u003e(2017), in honour of her mission brothers and sisters. She hopes they too might find healing, and that those working in health, justice, and community services become more aware of the trauma of Australia’s Stolen Generations and the transgenerational impacts that these policies have on every Aboriginal person today.\u003c\/p\u003e\n\u003cp\u003eBrisbane-based writing coach and editor Jacki Ferro of Raw Memoirs specialises in non-fiction, especially memoir, self-help, spiritual, and business genres. She believes in the power of well researched stories to both educate and entertain, and in the importance of preserving our memories and stories for future generations. Through structural and copy edits, appraisals and co-writing, Jacki helps writers produce high quality books and reach their publishing goals. Jacki clarifies messages, develops themes, and uncovers transformative lessons that inspire personal growth and social change, while remaining respectful of each author’s raw voice. A highly-skilled communication professional, together with Rhonda Collard-Spratt, Jacki is the co-author of \u003cem\u003eAlice’s Daughter: Lost Mission Child\u003c\/em\u003e (2017).\u003c\/p\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003cp\u003eFront cover: 'Treasured Memories' (2015); Rhonda aged sixteen.\u003c\/p\u003e\n\u003cp\u003eBack cover artwork: 'Coming Together' (2011). This artwork is about coming together as people, and resecting each others differences; taking the time to sit around and hear each others stories without judgement. It's about finding  that we are the same in many ways, and trying to bridge that gap between us on a cultural level. It's about understanding each others different journeys in life and how that has shaped us. Listen with your heart then go on your different path from our sacred circle where we have passed on what we've learnt from each other.\u003c\/p\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33173486043272,"sku":"9781925302936","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Alices_Daughter_Lost_Mission_Child.jpg?v=1593585715"},{"product_id":"our-mob-served","title":"Our mob served","description":"\u003cp\u003e\u003cem\u003eOur Mob Served\u003c\/em\u003e presents a moving and little-known history of Aboriginal and Torres Strait Islander war time and defence service, told through the vivid oral histories and treasured family images of Aboriginal and Torres Strait Islander people.\u003c\/p\u003e\n\u003cp\u003eThis unique book shares lively and compelling stories of war, defence service and the impact on individuals, families and communities, sometimes for the first time.\u003c\/p\u003e\n\u003cp\u003eAboriginal and Torres Strait Islander people have not forgotten their involvement in the national histories of war and service.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\"The 180 stories are diverse, but they frequently have a common core. Enlistment was often difficult, though once achieved was met with equality and mateship rather than discrimination. Post-conflict treatment was far less equitable. However, most have a very favourable memory of their defence service.\u003cbr\u003e- Mike O’Brien, The Royal United Services Institute of Victoria\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e230mm x 170mm x 25mm\u003c\/li\u003e\n\u003cli\u003e320pp\u003c\/li\u003e\n\u003cli\u003eReleased February 2019 \u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e9780855750718\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eAcknowledgments\u003cbr\u003eContributors\u003cbr\u003eMaps\u003cbr\u003eAbbreviations\u003cbr\u003eChapter 1: It starts with stories- by Allison Cadzow and Mary Anne Jebb\u003cbr\u003eChapter 2: Conflicts and wars – an overview- by Allison Cadzow and Mary Anne Jebb\u003cbr\u003eChapter 3: Opportunity\u003cbr\u003eChapter 4: Mates\u003cbr\u003eChapter 5: Equal\u003cbr\u003eChapter 6: Country\u003cbr\u003eChapter 7: Taken away\u003cbr\u003eChapter 8: Identities\u003cbr\u003eChapter 9: Healing\u003cbr\u003eChapter 10: Found, told and treasured\u003cbr\u003eChapter 11: Recognition\u003cbr\u003eNotes\u003cbr\u003eArchival Sources\u003cbr\u003eName Index\u003c\/p\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003eAllison Cadzow is an historian and researcher. She has co-authored several works including Rivers and Resilience: Aboriginal people on Sydney’s Georges River (2009) with Heather Goodall and co-edited and contributed chapters for Nelson Aboriginal Studies (2013) with John Maynard and Brokers and Boundaries: Colonial Exploration in Indigenous Territory (2016) with Tiffany Shellam, Maria Nugent and Shino Konishi.\u003c\/p\u003e\n\u003cp\u003eAllison has worked at University of Technology, Sydney developing a website, community history exhibition and publications about cultural diversity and park use. She has also worked in curatorial at the National Museum of Australia, Canberra and was a research associate and research fellow at the Australian National University.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"column\"\u003eMary Anne Jebb has written, edited and compiled several historical works of non-fiction, including the award-winning book Blood Sweat and Welfare: A History of White Bosses and Aboriginal Pastoral Workers, (2002 reprinted 2014) which received the Hancock Award for History and was short listed for several literature awards.\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003eShe edited and compiled Emerarra: A Man of Merarra published in 1996 and Mowanjum: Fifty Years Community History in 2008. She is known for her histories of inclusion that reinterpret and enrich written historical records through collaborative oral history. She is an Honorary Research Fellow in History at the Australian National University and the Australian Institute of Aboriginal and Torres Strait Islander Studies.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"column\"\u003eCover image: 'The Last Stand' by Lee Anthony Hampton\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33173493842056,"sku":"9780855750718","price":54.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Our_Mob_Served_34e9e515-c588-4dfe-a334-fdd506e25fc2.jpg?v=1593585718"},{"product_id":"calling-the-shots","title":"Calling the Shots","description":"\u003cp\u003eAboriginal photographies focuses on the interactions between photographer and Indigenous people, and the living meanings the photos have today. The result is a fresh perspective on Australia's past, and on present-day Indigenous identities.\u003c\/p\u003e\nThe book includes researchers who are using this rich cultural archive to explore Aboriginal history, to identify relatives, and to reclaim culture.\u003cmeta charset=\"utf-8\"\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e230mm x 155mm x 20mm\u003c\/li\u003e\n\u003cli\u003e256pp\u003c\/li\u003e\n\u003cli\u003eReleased April 2014\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e9781922059598\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eAcknowledgments \u003cbr\u003eContributors \u003cbr\u003eLanguage and style \u003cbr\u003eChapter 1: Introduction: the photographic encounter \u003cbr\u003e\u003cstrong\u003eTASMANIA\u003c\/strong\u003e\u003cbr\u003eChapter 2: Forgotten lives — the first photographs of Tasmanian Aboriginal people\u003cbr\u003e\u003cstrong\u003eNEW SOUTH WALES\u003c\/strong\u003e\u003cbr\u003eChapter 3: Photographing Indigenous people in New South Wales\u003cbr\u003eChapter 4: Picture who we are- representations of identity and the appropriation of photographs into a Wiradjuri oral history tradition\u003cbr\u003e\u003cstrong\u003eVICTORIA\u003c\/strong\u003e\u003cbr\u003eChapter 5: Photographing Kooris- photography and exchange in Victoria\u003cbr\u003e\u003cstrong\u003eQUEENSLAND\u003c\/strong\u003e\u003cbr\u003eChapter 6: Aboriginal people and four early Brisbane photographers\u003cbr\u003e\u003cstrong\u003eSOUTH AUSTRALIA\u003c\/strong\u003e\u003cbr\u003eChapter 7: Photographing South Australian Indigenous people- ‘far more gentlemanly than many’\u003cbr\u003eChapter 8: ‘It’s that reflection’- photography as recuperative practice, a Ngarrindjeri perspective\u003cbr\u003e\u003cstrong\u003eWESTERN AUSTRALIA\u003c\/strong\u003e\u003cbr\u003eChapter 9: Photographing Aboriginal Australians in West Australia\u003cbr\u003e\u003cstrong\u003eNORTHERN TERRITORY\u003c\/strong\u003e\u003cbr\u003eChapter 10: Photographing the outback: the last frontier?\u003cbr\u003eChapter 11: The ‘Myalls’ ultimatum’- photography and Yolŋu in Eastern Arnhem Land, 1917\u003cbr\u003eIndex\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJane \u003c\/span\u003eLydon is a Professor and the Wesfarmers Chair of Australian History at The University of Western Australia. Her research centres upon Australia’s colonial past and its legacies in the present. She is interested in the ways that popular and especially visual culture has shaped ideas and debates about race, identity and culture that persist today.\u003c\/p\u003e\n\u003cp\u003eIn particular, she is concerned with the history of Australia’s engagement with anti-slavery, humanitarianism, and ultimately human rights. Her books include \u003cem data-mce-fragment=\"1\"\u003eEye Contact: Photographing Indigenous Australians\u003c\/em\u003e (2005), \u003cem data-mce-fragment=\"1\"\u003ePhotography, Humanitarianism, Empire\u003c\/em\u003e (2016), and the edited \u003cem data-mce-fragment=\"1\"\u003eCalling the Shots: Aboriginal \u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003ePhotographies\u003c\/em\u003e (2014) and \u003cem data-mce-fragment=\"1\"\u003eVisualising Human Rights\u003c\/em\u003e (2018).\u003c\/p\u003e\n\u003cp\u003eFrom 2011 she has led the \u003cem data-mce-fragment=\"1\"\u003eReturning Photos\u003c\/em\u003e project aiming to re-connect historic photograph archives held in European anthropological museums with Aboriginal and Torres Strait Islander descendants and relatives in Australia.\u003c\/p\u003e\n\u003cp\u003eContributors include Julie Gough, Jane Lydon, Sari Braithwaite, Shauna Bostock-Smith, Lawrence Bamblett,  Michael Aird, Karen Hughes and Aunty Ellen Trevorrow, Donna Oxenham, Laurie Baymarrwangga and Bentley James. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003cp\u003eFront cover: Aboriginal man of Pooninde, Ambrotype. With the permission of Special Collections, University of Bristol Library, Papers of Mathew Blagden Hale, DM130\/239.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33598505844872,"sku":"9781922059598","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Calling_The_Shots.jpg?v=1593585722"},{"product_id":"dont-ask-for-stories","title":"don't ask for stories","description":"\u003cp\u003eThis collection of histories, in both written and illustrative form tells the story from 'first missionary coming', atomic bomb tests in 1950 to commercial success in the 1990s. The beautiful batiks from Ernabella are exhibited throughout the world and the artists are sought after as teachers in Australia and internationally.\u003c\/p\u003e\n\u003cp\u003eErnabella Arts is one of the oldest centres of contemporary Aboriginal art, best known for its distinctive design and its use of new and innovative media, like textile art. When asked to explain their designs by those who are unaware of their non-representational nature, the artists say\u003cem\u003e 'don't ask for stories'.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e270mm x 210mm x 7mm\u003c\/li\u003e\n\u003cli\u003e88pp\u003c\/li\u003e\n\u003cli\u003eReleased January 1999\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e9780855753108\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eHow this project came into being\u003cbr\u003eList of contributors\u003cbr\u003eCompiler’s note\u003cbr\u003eMaps\u003cbr\u003eChapter 1: Living in the Bush\u003cbr\u003eChapter 2: White Man is Coming (Nura Rupert’s story)\u003cbr\u003eChapter 3: About Mission Times\u003cbr\u003eChapter 4: The Story of Ernabella Arts\u003cbr\u003eChapter 5: Our Lives as Artists\u003cbr\u003eGlossary of terms\u003c\/p\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003eThe publication of this book is timely as the art centre at Ernabella celebrated its 50th anniversary in 1998. With its beginning in the drawing class of the first mission school, which had opened in 1940, and the foundation of the craftroom in 1949 (incorporated in 1974), the Ernabella women’s art school is one of the longest established centres of contemporary Aboriginal art in Australia. It is best known for its outstanding and pioneering achievements in the batik medium, a technique that artists from Ernabella have taught in other Aboriginal communities in isolated areas.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003cp\u003ePhotocollage by Nyuwara Tapaya\u003c\/p\u003e\n\u003cp\u003eKey to front cover illustration\u003cbr\u003e1. Hooked floor rug by Nyukana Baker, 1990s (Ernabella Arts collection)\u003cbr\u003e2. Gouache on canvas, by Alison Carroll, 1990s (Michelle Swanborough collection, photograph Ute Eickelkamp)\u003cbr\u003e3. Painting, acrylic on canvas by Unurupa Kulyuru, late 1980s or early 1990s (Ernabella Arts collection)\u003cbr\u003e4. Silk painting (detail), by Alison Carroll, 1995 (Ernabella Arts collection, photograph Ute Eickelkamp)\u003cbr\u003e5. Recent acrylic painting on paper, by Tjunkaya Tapaya (Ernabella Arts collection, photograph Ute Eickelkamp)\u003cbr\u003e6. Acrylic painting on board, by Makinti Minutjukur, late 1960s or early 1970s (Ernabella church collection, photograph Ute Eickelkamp)\u003cbr\u003e7. Acrylic painting on board, by Makinti Minutjukur, late 1960s or early 1970s (Presbyterian Church Trust Corporation collection, Victoria, photograph Ute Eickelkamp) \u003cbr\u003e8. Silk batik, by Margaret Dagg, 1994 (photograph Ernabella Arts)\u003cbr\u003e9. Batik by Atipalku Intjalki, 1993 (National Museum of Australia collection)\u003cbr\u003e10. Batik by Nyukana Baker, 1989\u003cbr\u003e11. Batik by Nungalka Stanley, 1989 (Ernabella Arts collection)\u003cbr\u003e12. Batik, artist unknown\u003cbr\u003e13. Birds, feathers and nests\/Tjulpuku nyalpu munu manngu, by Nyuwara Tapaya, offset lithographic print on paper (Ernabella Arts collection)\u003cbr\u003e14. Old man waiting for the rain to stop\/Tjilpi ngurangka nyinanyi kapiku patara, by Elsie Taylor, offset lithographic print on paper\u003cbr\u003e(Ernabella Arts collection)\u003cbr\u003e15. Night-time, by Elsie Taylor, offset lithographic print on paper (Ernabella Arts collection )\u003cbr\u003e16. My best design\/Ngayuku walka wirunya, by Angkuna Kulyuru, 1990s, lithographic offset print on paper (Ernabella Arts collection)\u003cbr\u003e(Most works created in 1989 and 1996 with the exception of 6 and 7, which were probably done in the early 1970s.)\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33598513610888,"sku":"9780855753108","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Don_t_Ask_for_Stories.jpg?v=1593585730"},{"product_id":"the-dhurga-dictionary","title":"The Dhurga Dictionary and Learner's Grammar","description":"\u003cp\u003e\u003cem\u003eThe Dhurga Dictionary and Learners Grammar: A South-East Coast NSW Aboriginal Language\u003c\/em\u003e is an overdue and extremely valuable resource for the Dhurga speaking people of Yuin Country and of any person wanting to learn the traditional language.\u003c\/p\u003e\n\u003cp\u003eThe Dhurga language is spoken from south of Nowra to Narooma and west to Braidwood and Araluen. This publication is the most concise compilation of the Dhurga language to date with over 730 words including informant and recorder details as validation of authenticity. The dictionary is user-friendly for all literacy levels and readers, it is the very first of its kind and in high demand.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003ch6\u003e\u003c\/h6\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e240mm x 170mm x 20mm\u003c\/li\u003e\n\u003cli\u003e128pp\u003c\/li\u003e\n\u003cli\u003eReleased June 2020 \u003c\/li\u003e\n\u003cli\u003eISBN 9781925302608\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContents\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eAcknowledgements\u003cbr data-mce-fragment=\"1\"\u003eChapter 1: Introduction- Kerry Boyenga and Jane Simpson\u003cbr data-mce-fragment=\"1\"\u003eChapter 2: Yuin People and the South-East Coast Languages- Patricia Ellis\u003cbr data-mce-fragment=\"1\"\u003eChapter 3: Using this Dictionary- Eleanor Jorgensen\u003cbr data-mce-fragment=\"1\"\u003eChapter 4: Dhurga Pronunciation and Spelling\u003cbr data-mce-fragment=\"1\"\u003eChapter 5: Guide to Parts of Speech\u003cbr data-mce-fragment=\"1\"\u003eChapter 6: How to Make a Sentence\u003cbr data-mce-fragment=\"1\"\u003eChapter 7: How to Find the Sources of Words in the Dictionary\u003cbr data-mce-fragment=\"1\"\u003eChapter 8: Dhurga to English Dictionary \u003cbr data-mce-fragment=\"1\"\u003eChapter 9: English to Dhurga Word Finder\u003cbr data-mce-fragment=\"1\"\u003eChapter 10: English to Dhurga Word Finder by Categories\u003cbr data-mce-fragment=\"1\"\u003eChapter 11: Author Biographies\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout The Author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eSiblings Patricia Ellis, Kerry Boyenga and Waine Donovan are all teachers with over 80 years’ experience collectively in the education system. All three have been teaching the Dhurga language since early 2000.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThey are extremely passionate and proud of their Aboriginal culture and language and have worked tirelessly in their efforts to see the publication of \u003cem\u003eThe Dhurga Dictionary and Learners Grammar: A South-East Coast NSW Aboriginal Language\u003c\/em\u003e. This is their gift to their language community.\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout The Cover\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eCover art: Waine Donovan \u003c\/p\u003e\n\u003ch6\u003e\u003c\/h6\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":34063861285000,"sku":"9781925302608","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/25_025-ASP_shop-product-image-Dhurga_720x720px.jpg?v=1742428003"},{"product_id":"black-white-and-exempt","title":"Black, White and Exempt","description":"\u003cp\u003eIn 1957, Ella Simon of Purfleet mission near Taree, New South Wales, applied for and was granted a certificate of exemption. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eExemption gave her legal freedoms denied to other Indigenous Australians at that time: she could travel freely, open a bank account, and live and work where she wanted. In the eyes of the law she became a non-Aboriginal, but in return she could not associate -with other Aboriginal people – even her own family or\u003cbr\u003ecommunity.\u003c\/p\u003e\n\u003cp\u003eIt ‘stank in my nostrils’ -- Ella Simon 1978.\u003c\/p\u003e\n\u003cp\u003eThese personal and often painful histories uncovered in archives, family stories and lived experiences reveal new perspectives on exemption. Black, White and Exempt describes the resourcefulness of those who sought exemption to obtain freedom from hardship and oppressive regulation of their lives as  Aboriginal Australians. It celebrates their resilience and explores  how they negotiated exemption to protect their families and increase opportunities for them. The book also charts exemptees who struggled to advance Aboriginal rights, resist state control and abolish the exemption system.\u003c\/p\u003e\n\u003cp\u003e \u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/505090921\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003e\n\u003cb\u003eProduction Details\u003c\/b\u003e\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e230mm x 152mm\u003c\/li\u003e\n\u003cli\u003e224pp (8 pages of photos)\u003c\/li\u003e\n\u003cli\u003eReleased January 2021\u003c\/li\u003e\n\u003cli\u003eISBN 9781925302332\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eExcerpt\u003c\/b\u003e\u003c\/h6\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eIntroduction: Histories and Lived Experiences of Aboriginal\u003cbr\u003eExemption in Australia.\u003cbr\u003e1. Exemption: The Official and Unofficial Impact.\u003cbr\u003e2. The Poisoned Chalice: Exemption Policies in Twentieth Century Australia and the Writing of ‘History’.\u003cbr\u003e2.1 The Genealogy of Exemption Policies.\u003cbr\u003e2.2 The ‘Lived Experience’ of Exemption.\u003cbr\u003e2.3 The Archives of Exemption and Their Challenge to the (my) Writing of ‘History’.\u003cbr\u003e3. Creating the Space for Exemption in New South Wales.\u003cbr\u003e4. ‘Playing the Game’: Aboriginal Exemption in Queensland and New South Wales.\u003cbr\u003e5. ‘I intend to go off the Boards hands altogether’.\u003cbr\u003e5.1 ‘We would all rather battle on out among white people’.\u003cbr\u003e6. Destination of Pupil ‘Unknown’: Indigenous Mobility between Schools in Victoria and New South Wales.\u003cbr\u003e7. Ella Simon’s Certificate of Exemption.\u003cbr\u003e8. Exemption, Mobility, Migration: Indigenous Australian Women’s Marriages to American Servicemen in the World War Two.\u003cbr\u003e9. Smash the Exemption System!\u003cbr\u003eReferences\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout The Author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eDr Lucinda Aberdeen is an Adjunct Senior Research Fellow, School of Humanities and Social Sciences at the Shepparton campus La Trobe University. Lucinda’s research interests include ageing, assistive technology, human rights, policy evaluation, racism and the Australian state and youth transitions. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAssoc. Prof. Jennifer Jones is a Senior Lecturer in Interdisciplinary Studies at La Trobe University’s Albury Wodonga campus. Jennifer’s research interests include Indigenous Australian history and biography, Indigenous Australian Literature, cross cultural collaboration, rural and religious history and histories of education.\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cstrong\u003e\u003cb data-mce-fragment=\"1\"\u003eAbout The Cover\u003c\/b\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eCover photograph of Daisy Smith with her daughter Valma, circa 1950, courtesy of Judi Wickes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003e\u003c\/h6\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":34568991965320,"sku":"9781925302332","price":35.96,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/BWEBOTMProductImage.png?v=1793568883"},{"product_id":"nomad-girl","title":"Nomad Girl","description":"\u003cp\u003e‘There are so many stories to tell of my life, and sometimes I think they are not of importance, but they are, because often it is the little details that are the most important. I still remember every detail. [Like] Oodnadatta Country – I can still see it, in my mind’s eye, exactly as it was back in my time. The Country still calls me back to where I was born, a very exposed and stony land, but I still love it. That’s where my spirit is.’\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e'An inspiring, sprawling family story told by a remarkable woman in a time of extraordinary change.'\u003cbr\u003e- Rachel Perkins\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eKanakiya Myra Ah Chee was born at Oodnadatta in remote South Australia in 1932. When her mother tragically died Myra was only eight. Her grieving father gathered up the remaining family and walked north – away from her childhood home. They spent years as nomads, travelling with the camels that were her father’s livelihood, up and down the Finke River. Her father sought work where and when he could, while he looked after his children, teaching them about the bush, their culture and life. It was a childhood of freedom, bush tucker, bush games, fires, stories at night and sleeping under the stars – at times idyllic but, at other times, terrifying and tragic. Myra’s father was a safe and reassuring presence, but when he decided education was the key to his children’s future, Myra’s life was changed forever.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e‘My family pulled all their strengths together from the bush life and from school education. We have shown how it is possible to be successful in life, bringing both sides of our cultures into line. We managed to do it. I’ve straddled the old life and the new.’ \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e'Told through the powerful words of Kanakiya Myra Ah Chee\u003cbr\u003eNomad Girl is a moving story of strength and resilience. Recounted in meticulous detail, this story follows the life of a woman born on the Oodnadatta in remote south Australia through her education on Country, to the western class, to her life as a translator of various Western Desert languages and founder the Institute for Aboriginal Development Interpreter Training program and a well-known artist. This is a story that the nation needs to read.'\u003cbr\u003e- Associate Professor Jeanine Leane, The University of Melbourne, Wiradjuri writer, poet and academic\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cp\u003e 'From the lively child travelling with her father and siblings along the Lhere Pirnte (Finke) river, to the proud grandmother, artist and interpreter of today, the robust, engaging voice of Myra Ah Chee braids together the many strands of a wonderfully well-lived life. This is, more than anything, a story of family – of a father caring for his motherless children, of older siblings caring for younger, of a web of relationships that nurture and protect and mitigate the impacts of racism and inequity. It is also the story of how family is woven into country, and different ethnicities are subsumed into an all-embracing Aboriginal identity.\u003cbr data-mce-fragment=\"1\"\u003eIt’s a book for our times, and an important addition to the growing literature of Indigenous storytelling.'\u003cbr data-mce-fragment=\"1\"\u003e- Kim Mahood\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003ch6\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e230mm x 153mm\u003c\/li\u003e\n\u003cli\u003e256pp (16 pages colour)\u003c\/li\u003e\n\u003cli\u003eReleased 1 November 2021\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-922059-83-3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContents\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eList of Illustrations\u003cbr\u003ePrologue\u003cbr\u003eChapter 1: My Desert Rivers People\u003cbr\u003eChapter 2: Growing up in Stone Country\u003cbr\u003eChapter 3: Everything Changes\u003cbr\u003eChapter 4: Walking with Camels\u003cbr\u003eChapter 5: Big Country, Big Family\u003cbr\u003eChapter 6: Colebrook Home Days\u003cbr\u003eChapter 7: Getting out in the World\u003cbr\u003eChapter 8: Return to the Centre\u003cbr\u003eChapter 9: It is all Tjukur\u003cbr\u003eChapter 10: Last Words\u003cbr\u003eNotes\u003cbr\u003eMy Family\u003cbr\u003eAfterword by Linda Rive\u003cbr\u003eAcknowledgments\u003cbr\u003eAbout Kanakiya Myra Ah Chee\u003cbr\u003eAbout Linda Rive\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout The Author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cstrong\u003eKanakiya Myra Ah Chee\u003c\/strong\u003e was born in the Australian Inland Mission Hospital in Oodnadatta in 1932 and grew up living in a watuti (lean-to) on the fringes of Oodnadatta township. Fluent in her language – Matuntjara – Myra is an interpreter and translator of the various dialects of the Western Desert Language, and worked for many years training interpreters. She is an artist, inspired by her unique life amongst the gibber plains, sand dunes, river systems and stony deserts of her father’s, mother’s and grandparents’ traditional country. Myra has just turned 89 years old and is now retired. She has three grandchildren and lives in Alice Springs.\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout The Cover\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eFront cover photos: Myra aged nineteen at Morialta Falls in the Adelaide Hills, c. 1951. (AI-0110234, Myra Ah Chee collection); gibber country in the Oodnadatta region (Photo: Jocelyn McConnell, AI-0109967, Jocelyn McConnell Collection); small image of Myra’s father Dick Taylor and his second wife Maggie and their son Robert with camels at Titjikala, 1957 (AI-0110358, Myra Ah Chee Collection).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBack cover photos: Photo of Myra taken for her 21st birthday, 1953 (AI-0110390); and Fred Ah Chee with his Indian motorbike and sidecar with friend George Tongerie riding pillion and his wife Maude in sidecar with son Peter, early 1950s (AI-0174119) (both Myra Ah Chee collection).\u003c\/p\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":39511763058824,"sku":"9781922059833","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/22_065-Nomad-Girl-Shopify-Cover-Image_720x720px_acbc502b-516c-47a6-82d6-4c4a8f14c435.jpg?v=1776728679"},{"product_id":"ngirramanujuwal","title":"Ngirramanujuwal","description":"\u003cp\u003eNgirramanujuwal is one who adds colour.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWalmajarri man Jimmy Pike (c. 1940–2002) manifests colour as strokes of ink on paper: the saturated hues of the desert sky at dusk, and the glimmers of the sun on the water’s surface. His vivid and exceptional drawing, painting and printing skills reveal the desert as a place teeming with colourful life, history and stories.\u003cbr\u003e\u003cem\u003eNgirramanujuwal: The Art and Country of Jimmy Pike\u003c\/em\u003e is a specially curated selection of the internationally renowned artist’s work from the Australian Institute of Aboriginal and Torres Strait Islander Studies collection. It invites the reader to journey through the Great Sandy Desert, experiencing the Walmajarri seasons – makurra, parranga, yitilal and jutalkarra – as revealed through Pike’s art and intimate relationship with Country.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLonglisted for the 2023 Mar\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"ui-provider ga b c d e f g h i j k l m n o p q r s t u v w x y z ab ac ae af ag ah ai aj ak\" dir=\"ltr\" data-mce-fragment=\"1\"\u003egaret and Colin Roderick Literary Award\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003ch6\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003eHardback\u003c\/li\u003e\n\u003cli\u003e279 x 240 mm\u003c\/li\u003e\n\u003cli\u003e144pp\u003c\/li\u003e\n\u003cli\u003eReleased 1 April 2022\u003c\/li\u003e\n\u003cli\u003eISBN 9781922752000 (hb)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eForeword by Craig Ritchie, Chief Executive Officer, AIATSIS\u003cbr\u003eYarringarnujangka: praise\u003cbr\u003eYirrawu: Look out\u003cbr\u003eKurntikujarra Jimmy Pike by Pat Lowe\u003cbr\u003eNgurrara\u003cbr\u003eMakurra\u003cbr\u003eParranga\u003cbr\u003eYitilal\u003cbr\u003eJurtalykarra\u003cbr\u003eList of illustrations\u003cbr\u003eSelected Walmajarri and Juwaliny wordlist\u003cbr\u003eFurther reading and references\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eSince its founding in 1964, the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) has developed and cared for the most contextualised collection of Aboriginal and Torres Strait Islander materials in the world.\u003cbr\u003eAs custodian of these materials, AIATSIS documents the cultural practices, expressions, histories, lives, and experiences of Australia’s First Nations peoples. Through our collections, research, education and publications we tell the stories of Aboriginal and Torres Strait Islander peoples and create opportunities for all to encounter, engage and be transformed by that story.\u003c\/p\u003e\n\u003ch6\u003eAbout the cover\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eInspired by the colourful work of Jimmy Pike.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":39964709781640,"sku":"9781922752000","price":49.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/22_003-Jimmy-Pike-Shopify-Cover-Image_720x720px_D02.jpg?v=1645058112"},{"product_id":"monumental-disruptions","title":"Monumental Disruptions","description":"\u003cp data-mce-fragment=\"1\"\u003eWhat is the place of Australia’s colonial memorials in today’s society? Do we remove, destroy or amend? \u003cem data-mce-fragment=\"1\"\u003eMonumental Disruptions \u003c\/em\u003einvestigates how these memorials have been viewed, and are viewed, by First Nations people to find a way forward.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn June 2020, on the heels of Australia’s James Cook anniversary commemorations and statue-toppling Black Lives Matter protests in the USA, dozens of police were sent to guard a statue of Cook in Hyde Park, Sydney. Despite the police presence, two women spraypainted ‘sovereignty never ceded’ across the statue.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eScenes like this are being repeated around the world as societies reassess memorials that no longer reflect today’s values. Should they be removed, destroyed or amended? \u003cem data-mce-fragment=\"1\"\u003eMonumental Disruptions \u003c\/em\u003elooks for answers. It investigates why commemorations were erected, their meaning for Aboriginal people in Australia, both then and now, and it compares Australia’s experience with that overseas.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThose who question colonial commemorations have been called ‘UnAustralian’; but, in Australia, Aboriginal and non-Aboriginal communities are working together to forge new ways to mark the past. This timely book is essential reading for anyone interested in how a society commemorates and acknowledges its complex history.\u003c\/p\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003eProduction details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e368 pp (including 16 pp of colour)\u003c\/li\u003e\n\u003cli\u003eReleased 20 February 2023\u003c\/li\u003e\n\u003cli\u003eISBN 9780855751159\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan dir=\"ltr\" class=\"ui-provider cby cbz c d e f g h i j k l m n o p q r s t cca ccb w x y z ab ac ae af ag ah ai aj ak\"\u003eISBN 9780855751197 (ePub)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003eContents\u003c\/h6\u003e\n\u003cp\u003eWarning\u003cbr\u003eTerminology\u003cbr\u003eList of images\u003cbr\u003eAcknowledgments\u003cbr\u003eChapter 1: Introduction-it takes courage to challenge colonial commemorations\u003cbr\u003eChapter 2: An agenda of Black erasure and white permanence\u003cbr\u003eChapter 3: Disrupting 'discovery'\u003cbr\u003eChapter 4: Dishonouring murderers, thieves and intruders\u003cbr\u003eChapter 5: Recognising the Frontier Wars\u003cbr\u003eChapter 6: Calling out other colonial fictions\u003cbr\u003eChapter 7: Acknowledging atrocities\u003cbr\u003eChapter 8: 'To Native courage, honesty and fidelity'\u003cbr\u003eChapter 9: Aboriginal assertions of survival and continuity\u003cbr\u003eChapter 10: Conclusion-the 'unsettled' fates of colonial commemorations\u003cbr\u003eNotes\u003cbr\u003eReferences\u003cbr\u003eIndex\u003c\/p\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003eAbout the authors\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e\u003cstrong\u003eProfessor Bronwyn Carlson\u003c\/strong\u003e is an award-winning Aboriginal author, researcher and academic who lives on Dharawal Country in New South Wales. Bronwyn is the author of The politics of identity: who counts as Aboriginal today? and a well known commentator on the place of colonial monuments. She is the founder and editor of The Journal of Global Indigeneity and the Director of the Centre for Global Indigenous Futures, Head of the Department of Indigenous Studies at Macquarie University and a Fellow of the Australian Academy of the Humanities.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDr Terri Farrelly\u003c\/strong\u003e is a settler researcher and author whose work has been dedicated to Aboriginal suicidologies and addressing racism and discrimination through truth-telling. She lives on the coast of New South Wales with her family where she is a keen year-round ocean tidal-pool swimmer, and knits things for everyone she knows (whether they want them or not). \u003c\/p\u003e\n\u003ch6\u003e About the Cover\u003c\/h6\u003e\n\u003cp\u003eFront cover image: Tony Albert, You Wreck Me #9, 2020. Printed photographs\u003cbr\u003eand vintage Captain Cook ephemera on archival paper, 24.5 cm × 24.5 cm. Courtesy of the artist. Photography: Rhett Hammerton\u003cbr\u003eBack cover image: Jason Wing, Captain James Crook, 2013.\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":40922817560712,"sku":"9780855751159","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/22_080Monumental-Disruptions_Shopify-Cover-Image_720x720px_D01.jpg?v=1670301081"},{"product_id":"yawulyu","title":"Yawulyu","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Muli;\"\u003eLong listed for the 2026 Margaret and Colin Roderick Literary Award\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"fdtbh\"\u003eWarlpiri people commemorate and maintain their relationship with their ancestors and the natural order of the cosmos by re-enacting the events of the Jukurrpa (the Dreaming). They do this, in part, by painting up while singing pertinent songs, as well as performing dances and ritual actions sanctioned by the Jukurrpa.\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW214742915 BCX8\"\u003e\n\u003cblockquote\u003e\n\u003cp class=\"Paragraph SCXW214742915 BCX8\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW214742915 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003e“\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003ea magnificent\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003ebook\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003e...\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003eas much about art as it is about song\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003e.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003e” \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW214742915 BCX8\" data-ccp-props=\"{}\"\u003e - \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW214742915 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003eAndrew Ford, The Music Show, ABC R\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003eadio National\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"ebmkg\"\u003eFrom May 1981 to June 1982, ethnochoreologist Megan Morais lived in Willowra in the Northern Territory, working with the Warlpiri community. The Warlpiri women and Megan worked as an impromptu team documenting their dances as performed in yawulyu – women’s ceremony – as well as documenting traditional movement patterns.\u003c\/p\u003e\n\u003cp data-block-key=\"bg26v\"\u003eWarlpiri women in Willowra generously and with trust, shared their music, songs, dances, designs and associated knowledge of yawulyu which is now being returned to them.\u003c\/p\u003e\n\u003cp data-block-key=\"67p90\"\u003eA recent collaboration between Megan and musicologist Myfany Turpin and the Willowra community has resulted in this book which provides the means for current and future generations to access the knowledge shared by the Warlpiri women.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp data-block-key=\"67p90\"\u003e\u003cspan data-contrast=\"none\" lang=\"EN-AU\" class=\"TextRun SCXW267790507 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW267790507 BCX8\"\u003e‘An excellent book. These ladies are the backbone of some of our Warlpiri \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW267790507 BCX8\"\u003eyawulyu\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW267790507 BCX8\"\u003e\u003cspan\u003e \u003c\/span\u003eperformances in years gone by and they should be well remembered by all.’ -\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-AU\" class=\"TextRun SCXW267790507 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW267790507 BCX8\"\u003eWarren Williams,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-AU\" class=\"TextRun SCXW267790507 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW267790507 BCX8\"\u003eWarlpiri, Chair Central Land Council\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW267790507 BCX8\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp data-block-key=\"fu8ii\"\u003eWomen of land-owning groups who have inherited sovereignty, and other important women in the community, have granted permission to publish the designs, songs and jukurrpa stories in this book. More than that, they urged publication so they would have a resource to teach their children and grandchildren. The co-authors each contributed to the book according to their authority, knowledge and strengths.\u003c\/p\u003e\n\u003cp data-block-key=\"24c3d\"\u003eProceeds from sales of the book will be returned to the Warlpiri community.\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW192252979 BCX8\"\u003e\n\u003cblockquote\u003e\n\u003cp class=\"Paragraph SCXW192252979 BCX8\"\u003e\u003cspan class=\"TextRun SCXW192252979 BCX8\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003eFirst Nations women's strength in c\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW192252979 BCX8\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003eultural preservation shines through in the groundbreaking new book \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW192252979 BCX8\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW192252979 BCX8\"\u003eYawulyu\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003e: Art and song in Warlpiri women's ceremony\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW192252979 BCX8\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003e. This powerful collaboration between the late Lucy \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW192252979 BCX8\"\u003eNampijinpa\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003e Martin, eleven other Warlpiri women with cultural authority, and \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW192252979 BCX8\"\u003eethnochoreologist\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003e Megan Morais \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003edemonstrates\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003e how women's knowledge systems continue to be \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003emaintained\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003e and strengthened through innovative approaches.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":false,\"134233118\":false,\"335559738\":0,\"335559739\":0}' class=\"EOP SCXW192252979 BCX8\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW192252979 BCX8\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW192252979 BCX8\"\u003e- Wiyi\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003e Yani U \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW192252979 BCX8\"\u003eThangani\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003e Institute for First Nations Gender Justice’s newsletter, ANU\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP SCXW192252979 BCX8\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003ch6\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eHardback\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e250x210mm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e336pp\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eReleased \u003cspan\u003e15 April 2025\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-922102-81-2\u003c\/li\u003e\n\u003cli\u003eePub \u003cspan\u003e9781922102829\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eForeword\u003cbr\u003eList of figures, tables and maps\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart 1. Warlpiri Country and People\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. Situating the Warlpiri\u003cbr\u003e2. The performance of ceremony\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePart 2. Yawulyu art and song\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e3. Yawulyu for country\u003cbr\u003e4. Yawulyu for ancestral beings\u003cbr\u003e5. Yawulyu for events\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePart 3. Yawulyu for the future\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e6. Conclusion\u003cbr\u003e\u003cbr\u003eAppendix – country, owners and jukurrpa\u003cbr\u003eAppendix B – songs and archival material held at AIATSIS\u003cbr\u003eAppendix C – additional information to the designs\u003cbr\u003eGlossary\u003cbr\u003eNotes\u003cbr\u003eBibliography\u003cbr\u003eIndex\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the authors\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp data-block-key=\"yqamv\"\u003e\u003cb\u003eMegan Morais\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis an ethnochoreologist and teacher of dance and religion. Through various grants, she has documented dances of several Indigenous Australian groups, including Nunggubuyu, Wanindilyaugwa (Anindilyakwa), Antikirinya, Yanyuwa and Warlpiri. She was a visiting researcher at the University of New England and The University of Sydney and has published several articles in academic journals and encyclopedias.\u003c\/p\u003e\n\u003cp data-block-key=\"d7t75\"\u003eThe late\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eLucy Nampijinpa Martin\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003ewas an integral part of the women’s business (ritual ceremony and activity) documented in 1981-82. She has been essential in the repatriation of materials to the community. As one of the leading business women in Willowra she was the one who knew the songs, designs and dances. Lucy’s work features throughout this book – it includes the designs she drew from 1981-82 and the songs she sang then, and sang later for recording purposes. Sadly, Lucy passed away in 2024. Her legacy lives on in the ceremonial knowledge she has shared in this book\u003c\/p\u003e\n\u003cp data-block-key=\"5m7qv\"\u003e\u003cb\u003eMyfany Turpin\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis a musicologist, linguist and associate professor at The University of Sydney where she conducts fieldwork on languages and songs of Central Australia. She has published extensively on Aboriginal song-poetry and publishes in the fields of music, linguistics and ethnobiology. She is the co-author of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eYaru! Gudjal learner’s guide and dictionary\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(Aboriginal Studies Press 2023).\u003c\/p\u003e\n\u003ch6\u003eAbout the cover\u003c\/h6\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000; font-family: Muli;\"\u003eFront cover photo: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #000000; font-family: Muli;\"\u003eHilda Napaljarri, Cathy Nangala Sampson, Millie Nangala and Maudie Nungarrayi (left to right) during a women's ceremony at Pawu. Photo by Megan Jones Morais.\u003cb\u003e©\u003c\/b\u003e\u003cstrong\u003e \u003c\/strong\u003eat AIATSIS: DAIL_JONES.M01.CS-000075202_RW F157\u003cbr\u003e\u003cstrong\u003eBack cover images:\u003c\/strong\u003e Yawulyu designs. Top: Pirnki, Lungkarda. Bottom: Ngurlu, Ngatijirri.\u003c\/span\u003e\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":43226720174216,"sku":"9781922102812","price":59.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/YAWULYU_COVER_FINAL_2.jpg?v=1784006987"},{"product_id":"redtails","title":"Redtails in the Sunset","description":"\u003cp data-block-key=\"24c3d\"\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eRedtails in the Sunset follows the story of an Aussie rules football team from \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eCentral Australia fighting to enter the game’s final frontier and play in the \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ePremier League in Darwin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"24c3d\"\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eThis book tells the gripping tale of a mighty four-year effort to take a rag-tag \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ebunch of footy part-timers and community Countrymen head-to-head against \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003etheir semi-professional city-cousin counterparts. Coming up against the \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e‘butterfly effect’ of a rising bloc of South Asian nations, a footy chief whose \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003einbox was redlining, flight timetable changes and a Red Centre ‘jewel’ that sat \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eso close yet so agonisingly far, local representative football has never been so \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ethrilling.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW54822294 BCX8\"\u003e\n\u003cblockquote\u003e\n\u003cp class=\"Paragraph SCXW54822294 BCX8\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW54822294 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW54822294 BCX8\"\u003e‘A snapshot of the Northern Territory in all its glory, power plays and contradictions is found in\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW54822294 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW54822294 BCX8\"\u003eRedtails in the Sunset\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW54822294 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW54822294 BCX8\"\u003e\u003cspan\u003e \u003c\/span\u003ean entertaining and revealing examination of football and life.’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW54822294 BCX8\" data-ccp-props=\"{}\"\u003e - \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW54822294 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW54822294 BCX8\"\u003eBarry Nicholls, The\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW54822294 BCX8\"\u003eFooty Almanac\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW54822294 BCX8\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"24c3d\"\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eWadjarri-Tharrgari man and long-time sportswriter Darren Moncrieff brings together his journalistic skills, love for Australian rules football and keen eye for humour to tell the inspiring story of the Redtails. To this day, the Redtails legacy lives on through the Redtails Pinktails Right Tracks Foundation, which mentors and helps young people in Alice Springs, Tennant Creek and remote communities gain employment and become community leaders. Now a Central Australian success story, this is where its story began.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW222896454 BCX8\"\u003e\n\u003cblockquote\u003e\n\u003cp class=\"Paragraph SCXW222896454 BCX8\"\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW222896454 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW222896454 BCX8\"\u003e‘An\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW222896454 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW222896454 BCX8\"\u003eoutstanding book on the importance of grassroots football to Aboriginal community inspiration and wellbeing.’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW222896454 BCX8\" data-ccp-props='{\"134233117\":false,\"134233118\":false,\"335559738\":0,\"335559739\":0}'\u003e - \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW222896454 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW222896454 BCX8\"\u003eJohn Maynard\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW222896454 BCX8\"\u003e, historian,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW222896454 BCX8\"\u003eauthor\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW222896454 BCX8\"\u003e\u003cspan\u003e \u003c\/span\u003eand Emeritus Prof\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW222896454 BCX8\"\u003eessor\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW222896454 BCX8\"\u003e\u003cspan\u003e \u003c\/span\u003eat the University of Newcastle\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW222896454 BCX8\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003ch6\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003epaperback\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e230 mm x 152mm,\u003c\/li\u003e\n\u003cli\u003e272 pp + cover\u003c\/li\u003e\n\u003cli\u003eReleases 1 September 2025\u003c\/li\u003e\n\u003cli\u003eISBN 9780855752064\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eChapter 1: Something good must come of this\u003cbr\u003eChapter 2: They might be Giants\u003cbr\u003eChapter 3: Forks in the road\u003cbr\u003eChapter 4: Adapting to colonisation\u003cbr\u003eChapter 5: Building a blueprint\u003cbr\u003eChapter 6: ‘Show me the money!’\u003cbr\u003eChapter 7: Big Sky Country\u003cbr\u003eChapter 8: Football’s seismic shifts\u003cbr\u003eChapter 9: The ‘Code Wars’ – A condensed history\u003cbr\u003eChapter 10: Putting the hard word on Darwin\u003cbr\u003eChapter 11: Key personnel\u003cbr\u003eChapter 12: Redtails’ First 22\u003cbr\u003eChapter 13: Televising the Revolution\u003cbr\u003eChapter 14: A happy afterglow\u003cbr\u003eChapter 15: Scores on the board\u003cbr\u003eChapter 16: Show-cause just because\u003cbr\u003eChapter 17: Survey surprise\u003cbr\u003eChapter 18: Charting a new flight path\u003cbr\u003eChapter 19: Cricket schmicket\u003cbr\u003eChapter 20: Bloc of Nations\u003cbr\u003eChapter 21: Erasure\u003cbr\u003eChapter 22: The ‘Butterfly Effect’\u003cbr\u003eChapter 23: Top End — The Sequel\u003cbr\u003eChapter 24: Roll up! Roll up!\u003cbr\u003eChapter 25: These numbers don’t run\u003cbr\u003eChapter 26: Fingers pointing in all directions\u003cbr\u003eChapter 27: Credence\u003cbr\u003eChapter 28: Touching the Sun\u003cbr\u003eChapter 29: What impact did Right Tracks have?\u003cbr\u003eChapter 30: Regrets? There’s been a few\u003cbr\u003eChapter 31: When those stars align\u003cbr\u003eAppendixes with scoreboards, goal kicking ladder boards and more.\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp data-block-key=\"5m7qv\"\u003e\u003cstrong\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eDarren Moncrieff\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eis a Wadjarri-Tharrgari man and a long-time sportswriter \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003efrom Western Australia. He had a front-row seat to the Redtails phenomenon as \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ethe sportswriter for the\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eNational Indigenous Times\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ecovering the Northern \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eTerritory, and as an Aussie rules player, in the NTFL in Darwin at the same time \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eas the Redtails’ presence in the Top End.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"5m7qv\"\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eA lifelong footy fan, Darren has played Aussie rules football for almost 40 years, \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ereluctantly hanging up his boots only a few years ago. He has written about \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eAboriginal and Torres Strait Islander issues and extensively on Indigenous sport \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003esince the late 1990s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"5m7qv\"\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eDarren has held the roles of sports editor and sports reporter for\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eKoori Mail\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e, \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eTorres News\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eand\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eYamaji News\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e. This is his first book\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003eAbout the cover\u003c\/h6\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eCover design by Upside Creative. Cover photo: Redtails players (from left) \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eJayden Prior, Tyson Carmody, Caleb Hart, Reggie Smith and Bradley Turner \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ejubilant after defeating Darwin powerhouse club St Mary’s by four-points in \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003etheir NTFL Premier League debut match at Traeger Park in Mparntwe\/Alice \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eSprings. (Photo: Justin Brierty \/ Centralian Advocate, Tuesday 9 October 2012)\u003c\/span\u003e\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":43800931205256,"sku":"9780855752064","price":39.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/c8bef612-1226-4d16-92c1-262ab925b60c.jpg?v=1752126680"},{"product_id":"gija-goowoolem-doo-minybernem-gija-trees-and-grasses","title":"Gija Goowoolem doo Minybernem – Gija Trees and Grasses","description":"\u003cp style=\"text-align: left;\" class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eGija Goowoolem doo Minybernem \u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e– \u003ci\u003eGija Trees and Grasses\u003c\/i\u003e is both a work of art and an extraordinary ethnobotanical achievement. At its heart are 72 stunning paintings by award-winning artist Birrmarriya Shirley Purdie which feature the significant flora found in Gija Country in the East Kimberley region of Western Australia. The paintings are accompanied by Birrmarriya’s descriptions of each plant’s traditional properties and uses — for food, medicine and object making — as well as their place in Gija culture and history.\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eThe result is a rich botanical encyclopaedia informed by Ngarranggarni – ‘the Dreamtime’ or ‘creation time’ — which both preserves and shares traditional knowledge, now and into the future. Birrmarriya and co-author, linguist, artist and gardener Frances Kofod, share a love for Gija Country and its flora. They collaborated over many years to create this richly layered book which includes stories in both Gija and English, new maps of Gija Country and useful appendices containing plant descriptions, species names and photographs. Birrmarriya Shirley Purdie won the Blake Prize in 2007. The paintings in this book are part of the collection of the Museum of Contemporary Art, Sydney.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp style=\"text-align: left;\" class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\"This is a joyful thing. Warmun artist Shirley Purdie's cataloguing of Gija flora is a lifelong endeavour, translated here into a rich and intimate book. Her paintings of local trees and grasses, along with their stories, flower across the pages like a love letter to her Country. With her collaborator Frances Kofod, Purdie has created an impressive ecological archive, a legacy for future generations of Gija, and a generous gift to anyone who reads it.' \u003cbr\u003e- Professor John Carty, Professor of Museum and Curatorial Studies at Adelaide University\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp style=\"text-align: left;\"\u003e   \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e‘This is a beautiful and important publication for many reasons... The accumulation of such knowledge by community elder Birrmarriya Shirley Purdie is very revealing regarding the Gija trees and grasses of the East Kimberley in northern Western Australia and their importance to her extended family and local people. A major highlight is the inclusion of Birrmarriya’s 72 ochre paintings ... May it be enjoyed and treasured by many, many people such as ecologists, botanists, plant lovers and enthusiasts.’ \u003cbr\u003e- W. Rodger Elliot AM, Co-author of \u003cem\u003eThe Encyclopaedia of Australian Plants, suitable for cultivation\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003ch4 style=\"text-align: left;\"\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h4\u003e\n\u003cul style=\"text-align: left;\"\u003e\n\u003cli\u003e\u003cspan\u003eHardback\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: Muli; mso-bidi-font-family: Muli; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e250 x 230 mm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: Muli; mso-bidi-font-family: Muli; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e240pp + cover\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: Muli; mso-bidi-font-family: Muli; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eReleased \u003cspan style=\"font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: Muli; mso-bidi-font-family: Muli; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e1 April 2026\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: Muli; mso-bidi-font-family: Muli; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan style=\"font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: Muli; mso-bidi-font-family: Muli; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e9781922752086 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eePub \u003cspan style=\"font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: Muli; mso-bidi-font-family: Muli; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e9781922102898\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: left;\" class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h4\u003e\n\u003cp style=\"text-align: left;\"\u003eAbout the paintings and this book\u003cbr\u003eGija flora knowledge\u003cbr\u003eGija people and their country\u003cbr\u003eMaps\u003cbr\u003eGija language\u003cbr\u003eGija trees and grasses:\u003cbr\u003eTrees and plants that live on rocky hills\u003cbr\u003eTrees and plants that live between high places and water\u003cbr\u003eTrees and plants that live in or near water\u003cbr\u003eGija plant descriptions\u003cbr\u003eGija plants listed by scientific name\u003cbr\u003eGija place names mentioned in the book\u003cbr\u003eCatalogue of paintings\u003cbr\u003eBibliography\u003c\/p\u003e\n\u003ch4 style=\"text-align: left;\" class=\"p1\"\u003e\u003cb\u003eAbout the authors\u003c\/b\u003e\u003c\/h4\u003e\n\u003cp style=\"text-align: left;\" class=\"MsoNormal\"\u003e\u003cb\u003eBirrmarriya Shirley Purdie\u003c\/b\u003e is a Gija woman of Nangari skin who was born in 1947 at Gilban (Mabel Downs Station) in the East Kimblerley region of Western Australia. As a respected community elder and as part of her cultural responsibilities, Birrmarriya passes on her encyclopaedic knowledge of Gija language, cultural practices, the intrinsic ecological relationships of country, ethnobotanics, and flora and fauna identification with family, schools, seed collectors, scientists, environmentalists, miners, pastoralists and ranger groups. Birrmarriya has been painting since the early 1990s. She was awarded the Blake Prize for Religious Art in 2007 and her work is held in major national collections including at the Museum of Contemporary Art and the National Portrait Gallery.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" class=\"MsoNormal\"\u003e\u003cb\u003eFrances Kofod\u003c\/b\u003e was born in Sydney in 1948 and grew up there and in Armidale in northern New South Wales. In 1978, she completed her Master of Arts thesis on the Miriwoong language. Frances first met Birrmarrya Shirley Purdie in 1987 when working as a linguist in the Gija language program at Ngalangangpum School at Warrmarn. Frances’s first recordings of Birrmarriya relating the stories of her paintings date from this time. From the late 1980s to the present, Frances continues to work on many language projects involving Miriwoong, Gija and Gajirrabeng languages, and was the main compiler of the \u003ci\u003eGija Dictionary\u003c\/i\u003e (ASP, 2022).\u003c\/p\u003e\n\u003ch4 style=\"text-align: left;\"\u003eAbout the cover\u003c\/h4\u003e\n\u003cp style=\"text-align: left;\" class=\"MsoNormal\"\u003e\u003cspan data-teams=\"true\"\u003eBirrmarriya Shirley Purdie, \u003ci\u003eDayimbalji \/ Red-flowering kurrajong\u003c\/i\u003e, 2014, ochre on canvas, used with permission from the Museum of Contemporary Art, Sydney.\u003c\/span\u003e\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":44568042438792,"sku":"9781922752086","price":59.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/25_056_ASP_Gija_product_image_720x720px_300dpi.jpg?v=1776646385"}],"url":"https:\/\/shop.aiatsis.gov.au\/collections\/gifts-under-60.oembed","provider":"AIATSIS Shop","version":"1.0","type":"link"}