{"title":"Christmas Collection","description":"\u003cp\u003eGive the gift of stories this holiday season and enjoy 15% off our seasonal picks!\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom engaging picture books and stunning art to thought-provoking personal stories, the AIATSIS Shop has a book perfect for every bookshelf. Shop Aboriginal Studies Press titles and choose gifts that are filled with meaning, culture and knowledge.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShop our picks of gifts under \u003ca href=\"https:\/\/shop.aiatsis.gov.au\/collections\/gifts-under-30\" target=\"_blank\" title=\"Gifts under $30\" rel=\"noopener\"\u003e$30\u003c\/a\u003e and under \u003ca href=\"https:\/\/shop.aiatsis.gov.au\/collections\/gifts-under-60\" target=\"_blank\" title=\"Gifts under $60\" rel=\"noopener\"\u003e$60\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"australia-william-blandowskis-illustrated-encyclopaedia-of-aboriginal-australia","title":"Australia","description":"\u003cp\u003eWilliam Blandowski was an explorer, natural scientist and artist who led a Victorian government expedition to the junction of the Murray and Darling Rivers from 1856 to 1857.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAustralia\u003c\/em\u003e is the first publication in English of his nineteenth century illustrated encyclopaedia of Aboriginal life.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e290mm x 235mm x 15mm\u003c\/li\u003e\n\u003cli\u003e176pp\u003c\/li\u003e\n\u003cli\u003eReleased September 2010\u003c\/li\u003e\n\u003cli\u003eISBN 9780855757137\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eHardcover\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e305mm x 245mm x 30mm\u003c\/li\u003e\n\u003cli\u003e176pp\u003c\/li\u003e\n\u003cli\u003eReleased September 2010\u003c\/li\u003e\n\u003cli\u003eISBN 9780855757175\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eEditor’s note \u003cbr\u003eTime Separates People, Knowledge Binds People \u003cbr\u003eIntroduction \u003cbr\u003eAustralia in 142 photographic illustrations from 10 years’ experience William v Blandowski\u003cbr\u003ePostscript \u003cbr\u003eRemember How We See- The Island \u003cbr\u003eAboriginal people and languages of the Murray in the 1850s \u003cbr\u003eTimeline \u003cbr\u003eEndnotes \u003cbr\u003eReferences \u003cbr\u003eIndex\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003eHarry Allen teaches in the Department of Anthropology at Auckland University, New Zealand. He is a Research Associate at La Trobe University, Victoria.\u003cbr\u003e\u003cbr\u003eMark Dugay-Grist was State Heritage Adviser Aboriginal Affairs Victoria Department for Planning and Community Development at the time of writing, and is now working as an independent consultant. He belongs to the Wergaia, Wemba Wemba and Nyeri Nyeri [Yerri-Yerri] peoples. His work has included protecting Aboriginal heritage sites and returning Aboriginal remains to communities.\u003cbr\u003e\u003cbr\u003eBrook Andrew is a Wiradjuri interdisciplinary artist working in photography, neon, screen print, mixed media, public art and installation.\u003cbr\u003e\u003cbr\u003eLuise Hercus specialised in Aboriginal languages, and studied songs and mythologies, particularly in the Lake Eyre Basin.\u003cbr\u003e\u003cbr\u003eThomas A Darragh is a palaeontologist and historian of science, who has specialised in the study of German scientists and explorers in Australia, such as Blandowski, von Mueller and Leichhardt. He is an Emeritus Curator at Museum Victoria.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003cp\u003eFront cover: Domestic occupations of the summer season on the Lower Murray River. Composition by Mutzel based on Krefft and\/or Blandowski sketches and written accounts.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Hardcover","offer_id":33608284307592,"sku":"9780855757175","price":99.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/Australia_William_Blandowski_s_illustrated_encyclopaedia_of_Aboriginal_Australia_fafd8269-c079-41f3-9ec6-4df739aa9b5b.jpg?v=1776646311"},{"product_id":"convincing-ground-learning-to-fall-in-love-with-your-country","title":"Convincing Ground","description":"\u003cp\u003e\u003cem\u003eConvincing Ground\u003c\/em\u003e pulses with love of country. In this powerful, lyrical and passionate new work Bruce Pascoe asks us to fully acknowledge our past and the way those actions continue to influence our nation today, both physically and intellectually. \u003cem\u003eConvincing Ground\u003c\/em\u003e resonates with ongoing debates about identity, dispossession, memory and community.\u003c\/p\u003e\n\u003cp\u003ePascoe draws on the past through a critical examination of major historical works and witness accounts and finds uncanny parallels between the techniques and language used there to today’s national political stage. He has written \u003cem\u003eConvincing Ground\u003c\/em\u003e for all Australians, as an antidote to the great Australian inability to deal respectfully with the nation’s constructed Indigenous past.\u003c\/p\u003e\n\u003cp\u003eFor Pascoe, the Australian character was not forged at Gallipoli, Eureka and the back of Bourke, but in the furnace of Murdering Flat, Convincing Ground and Werribee. He knows we can’t reverse the past, but believes we can bring in our soul from the fog of delusion. Pascoe proposes a way forward, beyond shady intellectual argument and immature nationalism, with our strengths enhanced and our weaknesses acknowledged and addressed.\u003c\/p\u003e\n\u003cbr\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e230mm x 155mm x 20mm\u003c\/li\u003e\n\u003cli\u003e304pp\u003c\/li\u003e\n\u003cli\u003eReleased April 2007\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e9780855755492\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eAcknowledgments\u003cbr\u003ePreface\u003cbr\u003eIntroduction \u003cbr\u003eChapter One: Franks is Dead \u003cbr\u003eChapter two: History, How it Starts \u003cbr\u003eChapter three: The Lakes \u003cbr\u003eChapter four: Lady Macbeth’s Clean Hands \u003cbr\u003eChapter five: The Lie of the Land \u003cbr\u003eChapter six: The Psychology of the Frontier \u003cbr\u003eChapter seven: Brave Explorers \u003cbr\u003eChapter eight: Lake Corangamite \u003cbr\u003eChapter nine: The Raised Sword \u003cbr\u003eChapter ten: The Great Australian Forge \u003cbr\u003eChapter eleven: The Great Australian Face \u003cbr\u003eChapter twelve: Golden Boy \u003cbr\u003eChapter thirteen: Don’t Mention the War \u003cbr\u003eChapter fourteen: The Language of War \u003cbr\u003eChapter fifteen: The Language of Resistance \u003cbr\u003eChapter sixteen: Native Born \u003cbr\u003eChapter seventeen: True Hunter \u003cbr\u003eChapter eighteen: Germaine to the Problem \u003cbr\u003eChapter nineteen: The Whispering Land \u003cbr\u003eChapter twenty: Elbows on the Bar \u003cbr\u003eAppendices\u003cbr\u003eI Wathaurong Language Sample and map \u003cbr\u003eII Place Names of the Geelong–Ballarat Region \u003cbr\u003eIII Jillong Timeline \u003cbr\u003eNotes \u003cbr\u003eBibliography \u003cbr\u003eIndex\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003eBruce Pascoe is a widely published and award-winning writer, editor and anthologist, whose books include \u003cem\u003eShark\u003c\/em\u003e, \u003cem\u003eRuby-eyed Coucal\u003c\/em\u003e, \u003cem\u003eEarth\u003c\/em\u003e, \u003cem\u003eNightjar\u003c\/em\u003e\u003cem\u003e, Dark Emu and Loving Country\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003cp\u003eFront cover image: \u003cem\u003ewoorrkgnan- moorraka (birthplace- burial place), \u003c\/em\u003eVicki Couzens 2004, acrylic and paper on canvas. Tattered possum skin cloak with skeletal figure overlaid. The figure is symbolic of both how we were buried in the old days, and the resting places of our Ancestors- in the earth. The markings on the possum skin panels tells a story of the Land, the Laws, the Dance, the Songs. It is about how we are born of, and belong to, the land. We return to the Land; it is who we are.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33173490401416,"sku":"9780855755492","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Convincing_Ground_Learning_to_fall_in_love_with_your_country_be7ba978-a941-43ae-9b87-7e2a59c9a4bc.jpg?v=1589532224"},{"product_id":"little-red-yellow-black-book-4th-edition","title":"The Little Red Yellow Black Book","description":"\u003cdiv class=\"clear-fix\"\u003e\n\u003cp\u003eShortlisted for the Australian Publishers Association Educational Awards, 2009.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eOriginally published in 1994, \u003cem\u003eThe Little Red Yellow Black Book\u003c\/em\u003e has established itself as the perfect starting point for those who want to learn about the rich cultures and histories of Australia's First Peoples. Written from an Indigenous perspective, this highly illustrated and accessible introduction covers a range of topics from history, culture and the Arts, through to activism and reconciliation.\u003c\/p\u003e\n\u003cp\u003eIn this fourth edition, readers will learn about some of the significant contributions that Aboriginal and Torres Strait Islander peoples have made, and continue to make, to the Australian nation.\u003c\/p\u003e\n\u003cp\u003eCommon stereotypes will be challenged, and the many struggles and triumphs that we've experienced as we've navigated through our shared histories will be revealed. Readers will also learn about some of the key concepts that underpin Aboriginal and Torres Strait Islander worldviews including concepts such as the Dreaming, the significance of Ancestral Heroes and Country.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Little Red Yellow Black Book\u003c\/em\u003e is for readers of all backgrounds and provides an opportunity to discover more about the diverse, dynamic and continuing cultures of Australia's First Peoples.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e210mm x 135mm x 15mm\u003c\/li\u003e\n\u003cli\u003e228pp\u003c\/li\u003e\n\u003cli\u003eReleased September 2018\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e9780855750527\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eWelcome \u003cbr\u003eIntroduction \u003cbr\u003eWho we are\u003cbr\u003eHow we live\u003cbr\u003eOur achievements\u003cbr\u003eOur shared history\u003cbr\u003eOur leadership and activism\u003cbr\u003eLet's celebrate\u003cbr\u003eTimeline \u003cbr\u003eMaps \u003cbr\u003eReferences and further reading \u003cbr\u003eAcknowledgments \u003cbr\u003eIndex\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout the author\u003c\/h6\u003e\n\u003cp\u003eThe vision of the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) is that the cultures and knowledge of Australia’s Indigenous peoples are maintained, respected, celebrated, and valued throughout the nation and the world.\u003c\/p\u003e\n\u003cp\u003eThe Institute undertakes and encourages scholarly, ethical, community-based research, holds a priceless collection of films, photographs, video and audio recordings, and the world’s largest collections of printed and other resource materials for Indigenous Australian Studies, as well as having its own publishing house.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBruce Pascoe is a Yuin, Bunurong and Tasmanian man who lives in East Gippsland, Victoria. He published and edited \u003cem\u003eAustralian Short Stories\u003c\/em\u003e magazine from 1982 to 1999 and has received numerous awards for his fiction and non-fiction writing. He won the New South Wales Premier’s Book of the Year Award in 2016 for \u003cem\u003eDark Emu, Black Seeds: Agriculture or Accident\u003c\/em\u003e (2014) a history of Aboriginal agriculture, which was performed by Bangarra Dance Theatre in 2018.\u003c\/p\u003e\n\u003cp\u003eHis other non-fiction works include \u003cem\u003eConvincing Ground: learning to fall in love with your country \u003c\/em\u003eand \u003cem\u003ethe Little Red Yellow and Black Book,\u003c\/em\u003e in its 4th edition. Pascoe’s fiction writing is also acclaimed. He won the Prime Minister’s Literature Award for Young Adult fiction for \u003cem\u003eFog a Dox\u003c\/em\u003e (2012) in 2013. His children’s books \u003cem\u003eMrs Whitlam\u003c\/em\u003e (2016) and \u003cem\u003eYoung Dark Emu\u003c\/em\u003e (2019) were shortlisted in the Children’s Book Council of Australia Awards and the latter won the Booksellers Choice Award for 2020.\u003c\/p\u003e\n\u003cp\u003eHis other works include\u003cem\u003e Night Animals, Shark, Ocean, Cape Otway \u003c\/em\u003eand his recent novels are \u003cem\u003eBloke\u003c\/em\u003e (2009) and \u003cem\u003eChainsaw File\u003c\/em\u003e (2010). He was awarded the Lifetime Achievement in Literature Award by the Australia Council in 2018.\u003c\/p\u003e\n\u003ch6\u003eAbout the Cover\u003c\/h6\u003e\n\u003cp\u003eFront cover: (Left) Murray Island Dance Group members (l–r) Sarah Mabo, Suramina Tabo, Jezebel Gisu, Tanya Wailu and Lilimea Mabo perform at the opening of Cairns NAIDOC Week 2017 at Fogarty Park. Photo: Stewart McLean. (Right) Samuel Brazel,\u003cbr\u003eAnaiwan, Management\/Indigenous Consultant, Tyrone Bean, Kabi-Kabi\/Bindal,\u003cbr\u003eSecondary School Teacher and Liam Coe, Wiradjuri, Architecture Student. Photo courtesy of Samuel Brazel.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBack cover: (Left) Members of the Gumatj clan added a red V and the no. 37 to their\u003cbr\u003etraditional paint as a show of support for Adam Goodes at Garma 2015 in northeast\u003cbr\u003eArnhem Land. Courtesy Melanie Faith Dove\/Yothu Yindi Foundation. (middle) Nolia\u003cbr\u003eNapangati Ward burning. Photo: Dr Rachel Paltridge. (right) Bush tucker found in\u003cbr\u003eQueensland. Photo: Tourism Australia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33173492990088,"sku":"9780855750527","price":22.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/66f332aa-04b9-4cdc-88d0-1fd92efc0f9f.png?v=1764030862"},{"product_id":"melbourne-dreaming-a-guide-to-important-places-of-the-past-and-present-second-edition","title":"Melbourne Dreaming","description":"\u003cp\u003eWithin its busy urban presence, Melbourne has a rich and complex Aboriginal heritage. Amongst the city landscape lie layers of a turbulent history and an ongoing vibrant culture. But you need to know where to look.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMelbourne Dreaming\u003c\/em\u003e allows you to take guided tours, or to plan your own self-guided walk, from 30 minutes to a whole day.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe first edition of \u003cem\u003eMelbourne Dreaming\u003c\/em\u003e established itself as an informative and culturally appropriate guidebook. This new edition has been updated with new sites and illustrations. While it's an authoritative guidebook with clear maps, travelling instructions and stories and images of significant people and events, it's also an alternative social history, told through precincts of significance to the city's Aboriginal people.\u003c\/p\u003e\n\u003cp\u003eThe precincts include both physical and cultural sites. With their accompanying stories and photographs, they evoke an ancient past and a continuing present.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e240mm x 170mm x 12mm\u003c\/li\u003e\n\u003cli\u003e256pp\u003c\/li\u003e\n\u003cli\u003eReleased September 2014\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e9781922059710\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eDedication \u003cbr\u003eAbout the author \u003cbr\u003eAbout this book \u003cbr\u003eAcknowledgments \u003cbr\u003eAcknowledgments (1997 edition) \u003cbr\u003eIntroduction \u003cbr\u003ePrecincts\u003cbr\u003eCity centre \u0026amp; surrounds, sites 1–11\u003cbr\u003eEast, sites 12–17\u003cbr\u003eInner north, sites 18–22\u003cbr\u003eOuter north, site 23\u003cbr\u003eWest, sites 24–28\u003cbr\u003eSouth, sites 29–32\u003cbr\u003eMornington Peninsula, sites 33–36\u003cbr\u003eList of organisations \u003cbr\u003eGlossary \u003cbr\u003eReference list \u003cbr\u003eIndex\u003c\/p\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003eMeyer Eidelson lives in Melbourne. He is the author of seventeen books and documentaries. These include guide books, local history, children's books and biography. Meyer is also the owner of a walking tour company exploring the history, environment and Indigenous landscapes of Melbourne.  He is a member of several historical societies and active in a range of projects promoting natural and built heritage. He is also the Melbourne street artist known as 'Minime.' \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33173493219464,"sku":"9781922059710","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Melbourne_Dreaming_a_guide_to_important_places_of_the_past_and_present_second_edition_2ce8b5e3-f72b-447f-afc4-4c673228b70d.jpg?v=1593585717"},{"product_id":"old-mans-story-the-last-thoughts-of-kakadu-elder-bill-neidjie","title":"Old Man's Story","description":"\u003cp\u003eRight then,' he said with a sigh, and then turned to me with a grin.'I tell you story, eh!'\u003cbr\u003eThen he said something which really floored me: 'I been waiting for you. You been waiting for me.' And so began Bill Neidjie's relationship with English photographer, Mark Lang.\u003c\/p\u003e\n\u003cp\u003eKnown as 'Old Man' in this book, but often called 'Big Bill Neidjie' throughout his life because of his imposing height and strength, Bill Neidjie wanted to record aspects of his life for a younger generation of Gagadju, to help them look after their country and remember its stories - and for balanda, non-Aboriginal people.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTold in the old man's words, this beautifully nuanced, impressionistic account allows Neidjie to gently emphasise the issues of importance to him. \u003cem\u003eOld man's story\u003c\/em\u003e has a very personal inflection with Neidjie's words complemented by Lang's beautiful landscape photos. Structured in the cycle of the seasons, \u003cem\u003eOld man's story\u003c\/em\u003e provides readers with insights into the annual transformation of landscape that are so integral to Neidjie's life story.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOld Man's story\u003c\/em\u003e contains many tales of growing up on country. Neidjie always emphasised his passion for the land and the significance of traditional practices, hoping that culture would flourish and be passed on. The book is a powerful contribution to the history of northern Australia told by an iconic figure. Bill Neidjie is perhaps best known for being central to the opening up of his land which led to the creation of the world-heritage listed\u003cbr\u003eKakadu National Park and for recommending it be leased to the Commonwealth Government for it to be managed as a resource for all Australians.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOld Man's story\u003c\/em\u003e includes tales about many aspects of Aboriginal life and culture. Recognising that he was the last remaining speaker of Gaagudju language, Neidjie broke with tradition and committed his knowledge to print. This is his third book.\u003cbr\u003eHis key message in this book -one for all Australians-  not just Aboriginal people, is:\u003cbr\u003eYou look after country... Country he look after you.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e230mm x 170mm x 13mm\u003c\/li\u003e\n\u003cli\u003e222pp\u003c\/li\u003e\n\u003cli\u003eReleased July 2015\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e9781922059949\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eTHE FIRST STORY\u003cbr\u003eTHE DRY SEASON\u003cbr\u003eTHE WET SEASON\u003cbr\u003eBACK TO THE DRY\u003c\/p\u003e\n\u003ch6\u003eAbout the Author\u003c\/h6\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eBill Neidjie’s previous books include: Gagudju Man and Story about feeling.\u003c\/p\u003e\nRenowned landscape photographer Lang includes parts of his own personal story about working for three years with Bill Neidjie but never lets it get in the way of the old man’s. www.marklangscapes.com\/\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003cp\u003eFront cover: Bill Neidjie. Back cover: Heart- shaped rock at Ubirr. Photographs by Mark Lang.\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33173493416072,"sku":"9781922059949","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Old_Man_s_story_the_last_thoughts_of_Kakadu_Elder_Bill_Neidjie_4164d896-9492-44f4-8e12-d47e8cf67c91.jpg?v=1593585718"},{"product_id":"our-mob-served","title":"Our mob served","description":"\u003cp\u003e\u003cem\u003eOur Mob Served\u003c\/em\u003e presents a moving and little-known history of Aboriginal and Torres Strait Islander war time and defence service, told through the vivid oral histories and treasured family images of Aboriginal and Torres Strait Islander people.\u003c\/p\u003e\n\u003cp\u003eThis unique book shares lively and compelling stories of war, defence service and the impact on individuals, families and communities, sometimes for the first time.\u003c\/p\u003e\n\u003cp\u003eAboriginal and Torres Strait Islander people have not forgotten their involvement in the national histories of war and service.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\"The 180 stories are diverse, but they frequently have a common core. Enlistment was often difficult, though once achieved was met with equality and mateship rather than discrimination. Post-conflict treatment was far less equitable. However, most have a very favourable memory of their defence service.\u003cbr\u003e- Mike O’Brien, The Royal United Services Institute of Victoria\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e230mm x 170mm x 25mm\u003c\/li\u003e\n\u003cli\u003e320pp\u003c\/li\u003e\n\u003cli\u003eReleased February 2019 \u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e9780855750718\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eAcknowledgments\u003cbr\u003eContributors\u003cbr\u003eMaps\u003cbr\u003eAbbreviations\u003cbr\u003eChapter 1: It starts with stories- by Allison Cadzow and Mary Anne Jebb\u003cbr\u003eChapter 2: Conflicts and wars – an overview- by Allison Cadzow and Mary Anne Jebb\u003cbr\u003eChapter 3: Opportunity\u003cbr\u003eChapter 4: Mates\u003cbr\u003eChapter 5: Equal\u003cbr\u003eChapter 6: Country\u003cbr\u003eChapter 7: Taken away\u003cbr\u003eChapter 8: Identities\u003cbr\u003eChapter 9: Healing\u003cbr\u003eChapter 10: Found, told and treasured\u003cbr\u003eChapter 11: Recognition\u003cbr\u003eNotes\u003cbr\u003eArchival Sources\u003cbr\u003eName Index\u003c\/p\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003eAllison Cadzow is an historian and researcher. She has co-authored several works including Rivers and Resilience: Aboriginal people on Sydney’s Georges River (2009) with Heather Goodall and co-edited and contributed chapters for Nelson Aboriginal Studies (2013) with John Maynard and Brokers and Boundaries: Colonial Exploration in Indigenous Territory (2016) with Tiffany Shellam, Maria Nugent and Shino Konishi.\u003c\/p\u003e\n\u003cp\u003eAllison has worked at University of Technology, Sydney developing a website, community history exhibition and publications about cultural diversity and park use. She has also worked in curatorial at the National Museum of Australia, Canberra and was a research associate and research fellow at the Australian National University.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"column\"\u003eMary Anne Jebb has written, edited and compiled several historical works of non-fiction, including the award-winning book Blood Sweat and Welfare: A History of White Bosses and Aboriginal Pastoral Workers, (2002 reprinted 2014) which received the Hancock Award for History and was short listed for several literature awards.\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003eShe edited and compiled Emerarra: A Man of Merarra published in 1996 and Mowanjum: Fifty Years Community History in 2008. She is known for her histories of inclusion that reinterpret and enrich written historical records through collaborative oral history. She is an Honorary Research Fellow in History at the Australian National University and the Australian Institute of Aboriginal and Torres Strait Islander Studies.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"column\"\u003eCover image: 'The Last Stand' by Lee Anthony Hampton\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33173493842056,"sku":"9780855750718","price":54.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Our_Mob_Served_34e9e515-c588-4dfe-a334-fdd506e25fc2.jpg?v=1593585718"},{"product_id":"pictures-from-my-memory-my-story-as-a-ngaatjatjarra-woman","title":"Pictures from my Memory","description":"\u003cp\u003eI want our past to be recorded for future generations to read and know and understand how life was for us desert Aboriginal people and how we live our lives now. The Whiteman and the things that he brought with him hugely influenced the changes that occurred in our lives and in our society.\u003c\/p\u003e\n\u003cp\u003eI am a person that experienced these changes and I want to share, from my perspective, these experiences with my people and with all these persons around the world that show a great interest in Aboriginal people, and with all those who continually keep asking me the same old questions.'- Lizzie Marrkilyi Ellis.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePictures from my memory\u003c\/em\u003e is a compelling and accessible autobiographical account of Lizzie Marrkilyi Ellis's life as a Ngaatjatjarra woman from the Australian Western Desert. Born in the bush at the time of first contact between her family and White Australians, Ellis's vivid personal reflections offer both an historical record and profound emotional insight into her unique experience of being woven between cultures - her Aboriginal community and the Western worlds.\u003c\/p\u003e\n\u003cp\u003eEllis shares her first memories as an Aboriginal child living in communities, through her schooling years on the reserves and the progressive culture changes that her family experienced, to her work as a renowned linguist and interpreter for judges and politicians. Preceded by an introduction and followed by an anthropological overview of Ngaatjatjarra culture by anthropologist Laurent Dousset, \u003cem\u003ePictures from my memory\u003c\/em\u003e provides important insights into the intricacies of a traditional Aboriginal culture, but also describes in a vivid and expressive way the complexities of navigating two worlds. \u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e230mm x 155mm x 10mm\u003c\/li\u003e\n\u003cli\u003e176pp\u003c\/li\u003e\n\u003cli\u003eReleased May 2016\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e9780855750350\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eList of illustrations \u003cbr\u003ePreface \u003cbr\u003eIntroduction \u003cbr\u003eChapter 1: Pictures from my memory \u003cbr\u003eChapter 2: Moving to missions and reserves \u003cbr\u003eChapter 3: The world was bigger than I thought \u003cbr\u003eChapter 4: Back closer to our country \u003cbr\u003eChapter 5: Yirara College \u003cbr\u003eChapter 6: Learning a profession \u003cbr\u003eChapter 7: Settling in as a family \u003cbr\u003eChapter 8: Belief systems \u003cbr\u003eChapter 9: Working and sharing \u003cbr\u003eChapter 10: Aboriginal nights \u003cbr\u003eChapter 11: Language, identity and culture \u003cbr\u003eChapter 12: Breaking down and getting up again \u003cbr\u003eAppendices\u003cbr\u003eExtract of Lizzie’s family tree \u003cbr\u003eGlossary of Ngaatjatjarra words used \u003cbr\u003eA brief overview of the Ngaatjatjarra- speaking people\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003eLizzie Marrkilyi Ellis is a Ngaatjatjarra educator, interpreter and linguist from the Western Desert. She is currently an Australian Research Council Discover Indigenous Fellow at the Australian National University where she is working on a project documenting Western Desert speech styles and changing modes of communication across generations.\u003c\/p\u003e\n\u003cp\u003eLaurent Dousset is Professor of Anthropology at the EHESS (Advanced School for the Social Sciences, France) and Director of the CREDO (Centre for Research and Documentation on Oceania). He has been doing fieldwork in the Western Desert for more than twenty years and has published numerous scientific papers and several books.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003cp\u003eFront cover: Lizzie Ellis, Photo by Graham Tidy, 2015. Courtesy Fairfax\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33173494300808,"sku":"9780855750350","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Pictures_from_my_memory_my_story_as_a_Ngaatjatjarra_woman_1cda1652-d67d-4884-bba0-c410eb78e4c7.jpg?v=1593585719"},{"product_id":"aboriginal-sydney-a-guide-to-important-places-of-the-past-and-present-second-edition","title":"Aboriginal Sydney","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDespite its bustling urban presence, Sydney has a rich and complex Aboriginal heritage. Hidden within its burgeoning city landscape, lie layers of a vibrant culture and a turbulent history. But, you need to know where to look.\u003c\/p\u003e\n\u003cp\u003eThis book supplies the information. The popular first edition established itself as both authoritative and informative; it is both a guide book and an alternative social history, told through precincts of significance to the city's Indigenous people.\u003c\/p\u003e\n\u003cp\u003eThe sites within the precincts, and their accompanying stories and photographs, evoke Sydney's ancient past, and allow us all to celebrate the living Aboriginal culture of today.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e240mm x 170mm x 15mm\u003c\/li\u003e\n\u003cli\u003e200pp\u003c\/li\u003e\n\u003cli\u003eReleased November 2010\u003c\/li\u003e\n\u003cli\u003eEnglish edition ISBN \u003cspan\u003e9780855757120\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eChinese edition ISBN\u003cspan\u003e \u003c\/span\u003e\u003cspan mce-data-marked=\"1\"\u003e9781922059482\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eAbout the authors \u003cbr\u003eAbout this book \u003cbr\u003eForeword to first edition, Russell Taylor \u003cbr\u003eAcknowledgments from first edition \u003cbr\u003eSeeing the past in the present \u003cbr\u003e\u003cstrong\u003eTHE CENTRAL BUSINESS DISTRICT SITES 1–8\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003eOTHER SITES\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAROUND THE HARBOUR SITES 9–16\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003eBalls Head Reserve sites 10–11\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003eSydney Harbour National Park sites 12–14\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003eNORTH OF SYDNEY SITES 17–21\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003eKu-ring-gai Chase National Park sites 18–20 \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eINNER SOUTH SITES 22–26 \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eRedfern sites 22–23 73\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eOTHER SITES\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSOUTH OF SYDNEY SITES 27–34 \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eKamay Botany Bay National Park, Kurnell Peninsuala sites 27-29\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eLa Perouse sites 30–34\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eWEST OF SYDNEY SITES 35–42 \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eParramatta sites 35–36\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eParramatta Park sites 37–38\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eOld Blacktown sites 39–40\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSOUTH-WEST OF SYDNEY SITES 43–45\u003c\/strong\u003e\u003cbr\u003eOrganisations \u003cbr\u003eReferences \u003cbr\u003eIndex\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003eWiradjuri\/Ngunnawal photographer, Alana Harris was born in Penrith, Sydney in 1966 and raised in Cowra NSW. She completed her Higher School Certificate at Cowra High School and went on to receive a Diploma in Photography at the ACT Institute of TAFE in 1988.\u003c\/p\u003e\n\u003cp\u003eIn 1989 Harris became the Senior Photographer at the Australian Institute of Aboriginal Studies in Canberra. Harris is quoted in her artist statement in the Narragunnawali catalogue saying that “as an Aboriginal photographer I feel it is important to portray Aboriginal Australia whether it be in portraits, landscapes or documentary photography as I know it to be.” She was the Senior Photographer with the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) for 12 years and has worked as the Access Manager in the Archives and Production Program with AIATSIS. \u003c\/p\u003e\n\u003cp\u003eMelinda Hinkson is an associate professor of anthropology at the Alfred Deakin Institute for Citizenship and Globalisation, Deakin University. She also directs the independent Institute of Postcolonial Studies, Melbourne. Much of Melinda’s work is informed by longstanding research relationships with Warlpiri people.\u003c\/p\u003e\n\u003cp\u003eShe has published widely on Aboriginal visual culture and the politics of representation, the life work of WEH Stanner, the contested cultural politics of the Northern Territory Intervention, and processes of displacement and practices of place-making.\u003c\/p\u003e\n\u003cp\u003eAmong Melinda’s publications are \u003cem data-mce-fragment=\"1\"\u003eSee How We Roll: Enduring Exile Between Desert and Urban Australia\u003c\/em\u003e (forthcoming, 2021), \u003cem data-mce-fragment=\"1\"\u003eRemembering the Future: Warlpiri Life Through the Prism of Drawing\u003c\/em\u003e (Aboriginal Studies Press, 2014), \u003cem data-mce-fragment=\"1\"\u003eCoercive Reconciliation: Stabilise, Normalise, Exit Aboriginal Australia\u003c\/em\u003e (co-edited with Jon Altman, 2007) and \u003cem data-mce-fragment=\"1\"\u003eAboriginal Sydney: A Guide to Important Places of the Past and Present\u003c\/em\u003e (with photographs by Alana Harris, 2001). .\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003cp\u003eFront cover: (top from left) see p. 21, p. xix and p.4; (bottom from left) see p.147 and p.13.\u003c\/p\u003e\n\u003cp\u003eBack cover: (from left) Sydney Opera House, Tourism Australia and see p.58.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"English","offer_id":34238487658632,"sku":"9780855757120","price":29.95,"currency_code":"AUD","in_stock":true},{"title":"Chinese","offer_id":34238487691400,"sku":"9781922059482","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Aboriginal_Sydney__a_guide_to_important_places_of_the_past_and_present_second_edition.jpg?v=1593585720"},{"product_id":"black-pearls","title":"Black Pearls","description":"\u003cp\u003eEvonne Goolagong, Cathy Freeman, Nova Peris, Lionel Rose, Artie Beetson, Polly Farmer are just a few of our Australian sporting heroes who, since the mid-1880s, have helped shape Australia's identity as a great sporting nation. They, along with 261 other individual sporting greats, are showcased here in this new edition of the \u003cem\u003eAboriginal and Islander Sports Hall of Fame\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eSpanning 36 sports across a period of 166 years, \u003cem\u003eBlack Pearls\u003c\/em\u003e presents some of our Olympic heroes, superb sportswomen, football giants, boxing legends, lightning sprinters and more - from darts champions to world class weightlifters and woodchoppers.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlack Pearls\u003c\/em\u003e is more than a sports book. It reveals a history of inclusion and exclusion, about Aboriginal determination in the face of enormous obstacles, and resilience in overcoming remoteness, discriminatory laws, incarceration on isolated reserves, and opponents in a variety of sports arenas.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e272mm x 208mm x 25mm\u003c\/li\u003e\n\u003cli\u003e400pp\u003c\/li\u003e\n\u003cli\u003eReleased May 2018\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e9781925302950\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eForeword: Craig Ritchie, Chief Executive Officer, AIATSIS\u003cbr\u003eThanks\u003cbr\u003eChapter 1: The Hall of Fame\u003cbr\u003eChapter 2: Singular Sports\u003cbr\u003eChapter 3: Athletics\u003cbr\u003eChapter 4: Australian Football\u003cbr\u003eChapter 5: Badminton\u003cbr\u003eChapter 6: Basketball\u003cbr\u003eChapter 7: Boxing\u003cbr\u003eChapter 8: Cricket\u003cbr\u003eChapter 9: Darts\u003cbr\u003eChapter 10: Disabled Sports\u003cbr\u003eChapter 11: Hockey\u003cbr\u003eChapter 12: Horse Sports\u003cbr\u003eChapter 13: Netball\u003cbr\u003eChapter 14: Powerlifting\u003cbr\u003eChapter 15: Rugby League\u003cbr\u003eChapter 16: Rugby Union\u003cbr\u003eChapter 17: Soccer\u003cbr\u003eChapter 18: Softball\u003cbr\u003eChapter 19: Squash\u003cbr\u003eChapter 20: Tennis\u003cbr\u003eChapter 21: Touch Football\/Oztag\u003cbr\u003eChapter 22: Volleyball\u003cbr\u003eChapter 23: Water Polo\u003cbr\u003eChapter 24: Woodchopping\u003cbr\u003eChapter 25: Wrestling\u003cbr\u003eAddendum I: Olympic and Commonwealth Games Representatives\u003cbr\u003eAddendum II: Hall of Fame Members\u003cbr\u003eAddendum III: The Eras of Achievement\u003cbr\u003eGeneral Index\u003cbr\u003eIndex of Aboriginal and Islander Sportspeople\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003eCOLIN TATZ was born and educated in South Africa. He has PhD in Aboriginal administration and was Professor of Politics at the University of New England and Macquarie Universities.\u003c\/p\u003e\n\u003cp\u003eHe is the author of 25 books including \u003cem\u003eObstacle Race: Aborigines in Sport\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003ePAUL TATZ was born in South Africa and raised in Australia where he studied as a professional photographer at the Sydney School of Arts.\u003c\/p\u003e\n\u003cp\u003eHe is the co-author of two books with Colin Tatz; \u003cem\u003eBlack Diamonds\u003c\/em\u003e (Allen \u0026amp; Unwin, 1996) and \u003cem\u003eBlack Gold: The Aboriginal and Islander Sports Hall of Fame\u003c\/em\u003e (Aboriginal Studies Press).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003cp\u003eFront cover: Catherine (Cathy) Freeman (courtesy of John Fairfax Holdings) and Peter Matera (News Limited).\u003c\/p\u003e\n\u003cp\u003eBack cover: Tony Mundine (John Fairfax Group).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33598505058440,"sku":"9781925302950","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Black_Pearls.jpg?v=1589532243"},{"product_id":"calling-the-shots","title":"Calling the Shots","description":"\u003cp\u003eAboriginal photographies focuses on the interactions between photographer and Indigenous people, and the living meanings the photos have today. The result is a fresh perspective on Australia's past, and on present-day Indigenous identities.\u003c\/p\u003e\nThe book includes researchers who are using this rich cultural archive to explore Aboriginal history, to identify relatives, and to reclaim culture.\u003cmeta charset=\"utf-8\"\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e230mm x 155mm x 20mm\u003c\/li\u003e\n\u003cli\u003e256pp\u003c\/li\u003e\n\u003cli\u003eReleased April 2014\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e9781922059598\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eAcknowledgments \u003cbr\u003eContributors \u003cbr\u003eLanguage and style \u003cbr\u003eChapter 1: Introduction: the photographic encounter \u003cbr\u003e\u003cstrong\u003eTASMANIA\u003c\/strong\u003e\u003cbr\u003eChapter 2: Forgotten lives — the first photographs of Tasmanian Aboriginal people\u003cbr\u003e\u003cstrong\u003eNEW SOUTH WALES\u003c\/strong\u003e\u003cbr\u003eChapter 3: Photographing Indigenous people in New South Wales\u003cbr\u003eChapter 4: Picture who we are- representations of identity and the appropriation of photographs into a Wiradjuri oral history tradition\u003cbr\u003e\u003cstrong\u003eVICTORIA\u003c\/strong\u003e\u003cbr\u003eChapter 5: Photographing Kooris- photography and exchange in Victoria\u003cbr\u003e\u003cstrong\u003eQUEENSLAND\u003c\/strong\u003e\u003cbr\u003eChapter 6: Aboriginal people and four early Brisbane photographers\u003cbr\u003e\u003cstrong\u003eSOUTH AUSTRALIA\u003c\/strong\u003e\u003cbr\u003eChapter 7: Photographing South Australian Indigenous people- ‘far more gentlemanly than many’\u003cbr\u003eChapter 8: ‘It’s that reflection’- photography as recuperative practice, a Ngarrindjeri perspective\u003cbr\u003e\u003cstrong\u003eWESTERN AUSTRALIA\u003c\/strong\u003e\u003cbr\u003eChapter 9: Photographing Aboriginal Australians in West Australia\u003cbr\u003e\u003cstrong\u003eNORTHERN TERRITORY\u003c\/strong\u003e\u003cbr\u003eChapter 10: Photographing the outback: the last frontier?\u003cbr\u003eChapter 11: The ‘Myalls’ ultimatum’- photography and Yolŋu in Eastern Arnhem Land, 1917\u003cbr\u003eIndex\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJane \u003c\/span\u003eLydon is a Professor and the Wesfarmers Chair of Australian History at The University of Western Australia. Her research centres upon Australia’s colonial past and its legacies in the present. She is interested in the ways that popular and especially visual culture has shaped ideas and debates about race, identity and culture that persist today.\u003c\/p\u003e\n\u003cp\u003eIn particular, she is concerned with the history of Australia’s engagement with anti-slavery, humanitarianism, and ultimately human rights. Her books include \u003cem data-mce-fragment=\"1\"\u003eEye Contact: Photographing Indigenous Australians\u003c\/em\u003e (2005), \u003cem data-mce-fragment=\"1\"\u003ePhotography, Humanitarianism, Empire\u003c\/em\u003e (2016), and the edited \u003cem data-mce-fragment=\"1\"\u003eCalling the Shots: Aboriginal \u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003ePhotographies\u003c\/em\u003e (2014) and \u003cem data-mce-fragment=\"1\"\u003eVisualising Human Rights\u003c\/em\u003e (2018).\u003c\/p\u003e\n\u003cp\u003eFrom 2011 she has led the \u003cem data-mce-fragment=\"1\"\u003eReturning Photos\u003c\/em\u003e project aiming to re-connect historic photograph archives held in European anthropological museums with Aboriginal and Torres Strait Islander descendants and relatives in Australia.\u003c\/p\u003e\n\u003cp\u003eContributors include Julie Gough, Jane Lydon, Sari Braithwaite, Shauna Bostock-Smith, Lawrence Bamblett,  Michael Aird, Karen Hughes and Aunty Ellen Trevorrow, Donna Oxenham, Laurie Baymarrwangga and Bentley James. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003cp\u003eFront cover: Aboriginal man of Pooninde, Ambrotype. With the permission of Special Collections, University of Bristol Library, Papers of Mathew Blagden Hale, DM130\/239.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33598505844872,"sku":"9781922059598","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Calling_The_Shots.jpg?v=1593585722"},{"product_id":"country-women-and-the-colour-bar","title":"Country women and the colour bar","description":"\u003cp\u003e\u003cem\u003eCountry women and the colour bar\u003c\/em\u003e is a timely corrective to established ideas about race relations in rural New South Wales. It reveals the untold story of grassroots efforts by Aboriginal and white women working together to make significant gains for Aboriginal communities prior to Aboriginal people's widespread access to citizen's rights.\u003c\/p\u003e\n\u003cp\u003eIn the 1950s and 1960s, in towns across New South Wales, specially created Aboriginal branches of the Country Women's Association were established. \u003cem\u003eCountry women and the colour bar\u003c\/em\u003e offers insights into the experience of ordinary Aboriginal and white rural women as they participated in beauty contests, cookery, handicraft lessons and baby contests. It reveals how Aboriginal assimilation policy met everyday reality as these rural women broke the rural colour bar in an unprecedented fashion and fostered cooperative campaigns for meaningful change in race-relations.\u003c\/p\u003e\n\u003cp\u003eSome prominent Australians feature in these extraordinary stories: Jessie Street, Charles Perkins, Rachel Mundine and Purth Moorhouse.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e230mm x 1955mm x 15mm\u003c\/li\u003e\n\u003cli\u003e248pp\u003c\/li\u003e\n\u003cli\u003eReleased October 2015\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e9781925302967\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eIllustrations\u003cbr\u003eMap \u003cbr\u003eGlossary\u003cbr\u003eAcknowledgments\u003cbr\u003eIntroduction\u003cbr\u003eChapter 1: The colour bar in Queensland and New South Wales\u003cbr\u003eChapter 2: Boggabilla- Overcoming Aboriginal isolation \u003cbr\u003eChapter 3: Kempsey- Segregation and CWA baby shows \u003cbr\u003eChapter 4: Taree- Supporting self-help \u003cbr\u003eChapter 5: Nowra- Differing ideas of leadership \u003cbr\u003eChapter 6: Grafton- Shared goals across class and race \u003cbr\u003eChapter 7: Griffith- International days\u003cbr\u003eConclusion: It was time \u003cbr\u003eNotes \u003cbr\u003eBibliography \u003cbr\u003eIndex\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003eJennifer Jones is a lecturer in Australian Indigenous Studies at La Trobe University, Australia. Her research interests include Indigenous Australian history and biography, Indigenous Australian Literature, cross cultural collaboration, rural and religious history and histories of education.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003cp\u003eFront Cover: Mrs Tilly Bloomfield with other Country Women's Association representatives at the Murrumbidgee- Lachlan handcraft exhibition, 1962. Courtesy Country Women's Association Griffith Branch.\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33598512070792,"sku":"9781925302967","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Country_Women_and_the_Colour_Bar.jpg?v=1593585729"},{"product_id":"dont-ask-for-stories","title":"don't ask for stories","description":"\u003cp\u003eThis collection of histories, in both written and illustrative form tells the story from 'first missionary coming', atomic bomb tests in 1950 to commercial success in the 1990s. The beautiful batiks from Ernabella are exhibited throughout the world and the artists are sought after as teachers in Australia and internationally.\u003c\/p\u003e\n\u003cp\u003eErnabella Arts is one of the oldest centres of contemporary Aboriginal art, best known for its distinctive design and its use of new and innovative media, like textile art. When asked to explain their designs by those who are unaware of their non-representational nature, the artists say\u003cem\u003e 'don't ask for stories'.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e270mm x 210mm x 7mm\u003c\/li\u003e\n\u003cli\u003e88pp\u003c\/li\u003e\n\u003cli\u003eReleased January 1999\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e9780855753108\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eHow this project came into being\u003cbr\u003eList of contributors\u003cbr\u003eCompiler’s note\u003cbr\u003eMaps\u003cbr\u003eChapter 1: Living in the Bush\u003cbr\u003eChapter 2: White Man is Coming (Nura Rupert’s story)\u003cbr\u003eChapter 3: About Mission Times\u003cbr\u003eChapter 4: The Story of Ernabella Arts\u003cbr\u003eChapter 5: Our Lives as Artists\u003cbr\u003eGlossary of terms\u003c\/p\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003eThe publication of this book is timely as the art centre at Ernabella celebrated its 50th anniversary in 1998. With its beginning in the drawing class of the first mission school, which had opened in 1940, and the foundation of the craftroom in 1949 (incorporated in 1974), the Ernabella women’s art school is one of the longest established centres of contemporary Aboriginal art in Australia. It is best known for its outstanding and pioneering achievements in the batik medium, a technique that artists from Ernabella have taught in other Aboriginal communities in isolated areas.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003cp\u003ePhotocollage by Nyuwara Tapaya\u003c\/p\u003e\n\u003cp\u003eKey to front cover illustration\u003cbr\u003e1. Hooked floor rug by Nyukana Baker, 1990s (Ernabella Arts collection)\u003cbr\u003e2. Gouache on canvas, by Alison Carroll, 1990s (Michelle Swanborough collection, photograph Ute Eickelkamp)\u003cbr\u003e3. Painting, acrylic on canvas by Unurupa Kulyuru, late 1980s or early 1990s (Ernabella Arts collection)\u003cbr\u003e4. Silk painting (detail), by Alison Carroll, 1995 (Ernabella Arts collection, photograph Ute Eickelkamp)\u003cbr\u003e5. Recent acrylic painting on paper, by Tjunkaya Tapaya (Ernabella Arts collection, photograph Ute Eickelkamp)\u003cbr\u003e6. Acrylic painting on board, by Makinti Minutjukur, late 1960s or early 1970s (Ernabella church collection, photograph Ute Eickelkamp)\u003cbr\u003e7. Acrylic painting on board, by Makinti Minutjukur, late 1960s or early 1970s (Presbyterian Church Trust Corporation collection, Victoria, photograph Ute Eickelkamp) \u003cbr\u003e8. Silk batik, by Margaret Dagg, 1994 (photograph Ernabella Arts)\u003cbr\u003e9. Batik by Atipalku Intjalki, 1993 (National Museum of Australia collection)\u003cbr\u003e10. Batik by Nyukana Baker, 1989\u003cbr\u003e11. Batik by Nungalka Stanley, 1989 (Ernabella Arts collection)\u003cbr\u003e12. Batik, artist unknown\u003cbr\u003e13. Birds, feathers and nests\/Tjulpuku nyalpu munu manngu, by Nyuwara Tapaya, offset lithographic print on paper (Ernabella Arts collection)\u003cbr\u003e14. Old man waiting for the rain to stop\/Tjilpi ngurangka nyinanyi kapiku patara, by Elsie Taylor, offset lithographic print on paper\u003cbr\u003e(Ernabella Arts collection)\u003cbr\u003e15. Night-time, by Elsie Taylor, offset lithographic print on paper (Ernabella Arts collection )\u003cbr\u003e16. My best design\/Ngayuku walka wirunya, by Angkuna Kulyuru, 1990s, lithographic offset print on paper (Ernabella Arts collection)\u003cbr\u003e(Most works created in 1989 and 1996 with the exception of 6 and 7, which were probably done in the early 1970s.)\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33598513610888,"sku":"9780855753108","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Don_t_Ask_for_Stories.jpg?v=1593585730"},{"product_id":"stars-of-tagai","title":"Stars of Tagai","description":"\u003cp\u003e\u003cem\u003eStars of Tagai\u003c\/em\u003e describes life among the blue-water people of the Torres Strait Islands. It explores the changing life of these sea people: their creation and re-creation of identity, and their unique sea culture, rich in meaning and custom.\u003c\/p\u003e\n\u003cp\u003eTraversing the period from the mid-nineteenth century until today, \u003cem\u003eStars of Tagai\u003c\/em\u003e is the first book to examine the social issues involved in the Mabo case, and to give a picture of life of the Meriam people of the Murray Island.\u003c\/p\u003e\n\u003cp\u003eThe title is drawn from the story of Tagai, which belongs to all Torres Strait Islanders.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e240mm x 162mm x 20mm\u003c\/li\u003e\n\u003cli\u003e321pp\u003c\/li\u003e\n\u003cli\u003eReleased January 1993\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e9780855752385\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eList of Illustrations\u003cbr\u003ePreface\u003cbr\u003eAcknowledgements\u003cbr\u003eList of Abbreviations\u003cbr\u003e\u003cstrong\u003ePart I\u003c\/strong\u003e\u003cbr\u003eIntroduction- Stars of Tagai I\u003cbr\u003eChapter 1: Themes of Encounter in Magani Kes-Magani Malu and Torres' Strait\u003cbr\u003e\u003cstrong\u003ePart II\u003c\/strong\u003e\u003cbr\u003eChapter 2: The Flower of Meriam Identities- Linking Circles of Life among the Meriam\u003cbr\u003eChapter 3: Originality and Continuity\u003cbr\u003e\u003cstrong\u003ePart III\u003c\/strong\u003e\u003cbr\u003eChapter 4: The Cross as Sign\u003cbr\u003eChapter 5: Kole\u003cbr\u003eChapter 6: From Mai to Pearl Shell\u003cbr\u003e\u003cstrong\u003ePart IV\u003c\/strong\u003e\u003cbr\u003eChapter 7: Striking Back\u003cbr\u003eChapter 8: Stars of Tagai II\u003cbr\u003eEpilogue- Reflections upon the Stars\u003cbr\u003eNotes\u003cbr\u003eBibliography \u003cbr\u003eGlossary\u003cbr\u003eIndex\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout The Author\u003c\/h6\u003e\n\u003cp\u003eAnthropologist \u003cstrong\u003eNonie Sharp\u003c\/strong\u003e is an honorary research fellow in the Anthropology Program of the School of Social Sciences, La Trobe University. For many years she has worked with northern Australia's coastal indigenous people and is an authority on communities of the Torres Strait Islands.\u003c\/p\u003e\n\u003cp\u003eAfter obtaining her PhD from La Trobe University in 1995, Nonie went on to teach sociology and anthropology. Additionally, a five-year Australian Research Fellowship enabled her to travel to the Pacific islands, parts of coastal Europe, Canada and the United States, and write a book about people and their relationship to the sea. The book is titled\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSaltwater people: the waves of memory\u003c\/i\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003eAbout The Cover\u003c\/h6\u003e\n\u003cp\u003eCover based upon a watercolour by Lieutenant George Tobin; colour negative ZPXA 563f76 courtesy of Mitchell Library, State library of New South Wales, and drawings of the Tagai constellation by Gizu and Mariget of Mabuiag (Haddon 1908,4).\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":33598536515720,"sku":"9780855752385","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/Stars_of_Tagai.jpg?v=1589532285"},{"product_id":"the-dhurga-dictionary","title":"The Dhurga Dictionary and Learner's Grammar","description":"\u003cp\u003e\u003cem\u003eThe Dhurga Dictionary and Learners Grammar: A South-East Coast NSW Aboriginal Language\u003c\/em\u003e is an overdue and extremely valuable resource for the Dhurga speaking people of Yuin Country and of any person wanting to learn the traditional language.\u003c\/p\u003e\n\u003cp\u003eThe Dhurga language is spoken from south of Nowra to Narooma and west to Braidwood and Araluen. This publication is the most concise compilation of the Dhurga language to date with over 730 words including informant and recorder details as validation of authenticity. The dictionary is user-friendly for all literacy levels and readers, it is the very first of its kind and in high demand.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003ch6\u003e\u003c\/h6\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e240mm x 170mm x 20mm\u003c\/li\u003e\n\u003cli\u003e128pp\u003c\/li\u003e\n\u003cli\u003eReleased June 2020 \u003c\/li\u003e\n\u003cli\u003eISBN 9781925302608\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContents\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eAcknowledgements\u003cbr data-mce-fragment=\"1\"\u003eChapter 1: Introduction- Kerry Boyenga and Jane Simpson\u003cbr data-mce-fragment=\"1\"\u003eChapter 2: Yuin People and the South-East Coast Languages- Patricia Ellis\u003cbr data-mce-fragment=\"1\"\u003eChapter 3: Using this Dictionary- Eleanor Jorgensen\u003cbr data-mce-fragment=\"1\"\u003eChapter 4: Dhurga Pronunciation and Spelling\u003cbr data-mce-fragment=\"1\"\u003eChapter 5: Guide to Parts of Speech\u003cbr data-mce-fragment=\"1\"\u003eChapter 6: How to Make a Sentence\u003cbr data-mce-fragment=\"1\"\u003eChapter 7: How to Find the Sources of Words in the Dictionary\u003cbr data-mce-fragment=\"1\"\u003eChapter 8: Dhurga to English Dictionary \u003cbr data-mce-fragment=\"1\"\u003eChapter 9: English to Dhurga Word Finder\u003cbr data-mce-fragment=\"1\"\u003eChapter 10: English to Dhurga Word Finder by Categories\u003cbr data-mce-fragment=\"1\"\u003eChapter 11: Author Biographies\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout The Author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eSiblings Patricia Ellis, Kerry Boyenga and Waine Donovan are all teachers with over 80 years’ experience collectively in the education system. All three have been teaching the Dhurga language since early 2000.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThey are extremely passionate and proud of their Aboriginal culture and language and have worked tirelessly in their efforts to see the publication of \u003cem\u003eThe Dhurga Dictionary and Learners Grammar: A South-East Coast NSW Aboriginal Language\u003c\/em\u003e. This is their gift to their language community.\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout The Cover\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eCover art: Waine Donovan \u003c\/p\u003e\n\u003ch6\u003e\u003c\/h6\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":34063861285000,"sku":"9781925302608","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/25_025-ASP_shop-product-image-Dhurga_720x720px.jpg?v=1742428003"},{"product_id":"sorry-and-beyond","title":"Sorry and Beyond","description":"\u003cp\u003eBrian Butler’s grandmother was taken from her family by government officials in 1910. She was 12 years old. Twenty years later her daughter, Brian’s mother, was also taken.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e‘Sorry and Beyond tells important truths, \u003c\/span\u003e\u003cspan\u003ebut it also contains a message of hope. \u003c\/span\u003e\u003cspan\u003eWe can all be agents of change.’\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Kevin Rudd\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eThousands of Aboriginal and Torres Strait Islander families, like Brian Butler’s, have been coping with the impact of child removal for more than a century. \u003cem\u003eSorry and Beyond\u003c\/em\u003e describes the growth of the grassroots movement that exposed the truth about Australia’s removal policies and worked for healing and justice.\u003c\/p\u003e\n\u003cp\u003eBorn in Aboriginal and Torres Strait Islander communities, the movement was joined by nearly a million non-Indigenous Australians in the 1998 Sorry Day and Journey of Healing campaigns, which paved the way for the Federal Parliament’s unanimous apology in 2008. \u003c\/p\u003e\n\u003cp\u003eAs the Journey of Healing campaign has shown, community initiatives have played a vital part in overcoming the immense damage done.\u003c\/p\u003e\n\u003cp\u003eThe journey isn’t over. \u003cem\u003eSorry and Beyond\u003c\/em\u003e is a call to continue the work of healing this national trauma.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eHere is a committed history of understanding and fighting for the Stolen Generations over the last 50 years. Read of the battle for recognition in the teeth of half a dozen obdurate Ministers for Aboriginal Affairs. And the state of play today: unfinished business.\u003cbr\u003eYou’ll find not a word of theoretical jargon in this passionate narrative by two of the leading players working right at the coalface. This is one ripping yarn.\u003c\/p\u003e\n\u003cp\u003e- Professor Peter Read, co-founder, Link-Up Nsw Aboriginal Corporation\u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eProduction details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e230mm x 152mm\u003c\/li\u003e\n\u003cli\u003e240pp\u003c\/li\u003e\n\u003cli\u003eReleased 1 May 2021\u003c\/li\u003e\n\u003cli\u003eISBN 9781925302745\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003e1. Why were they removed?\u003cbr data-mce-fragment=\"1\"\u003e2. Aboriginal fight-back\u003cbr data-mce-fragment=\"1\"\u003e3. The National Inquiry\u003cbr data-mce-fragment=\"1\"\u003e4. The Sorry Day Committee\u003cbr data-mce-fragment=\"1\"\u003e5. The Journey of Healing\u003cbr data-mce-fragment=\"1\"\u003e6. The bridge walks\u003cbr data-mce-fragment=\"1\"\u003e7. The buzz-word of the Sydney Olympics\u003cbr data-mce-fragment=\"1\"\u003e8. Rabbit-Proof Fence\u003cbr data-mce-fragment=\"1\"\u003e9. The struggle for a memorial\u003cbr data-mce-fragment=\"1\"\u003e10. A national day of healing\u003cbr data-mce-fragment=\"1\"\u003e11. Canadian First Nations support\u003cbr data-mce-fragment=\"1\"\u003e12. The Apology\u003cbr data-mce-fragment=\"1\"\u003e13. Since the Apology\u003cbr data-mce-fragment=\"1\"\u003e14. A programme for healing\u003cbr data-mce-fragment=\"1\"\u003e15. A relationship of mutual respect\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\" data-mce-style=\"padding-left: 30px;\"\u003eAfterword by John Bond\u003cbr data-mce-fragment=\"1\"\u003eAppendix 1: Seven steps of an apology – Kevin Rudd\u003cbr data-mce-fragment=\"1\"\u003eAppendix 2: Text of Stolen Generations memorial, Canberra\u003cbr data-mce-fragment=\"1\"\u003eBibliography\u003cbr data-mce-fragment=\"1\"\u003eIndex\u003cbr\u003e\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eBrian Butler\u003c\/strong\u003e is from central Australia and, since his teens, has devoted himself to reuniting families separated by the removal policies, and healing the harm caused. He was the first Director of South Australia’s Aboriginal Child Care Agency, and for 15 years chaired the Secretariat of National Aboriginal and Islander Child Care. He was an ATSIC Commissioner for South Australia, and was nominee for Senior Australian of the Year in South Australia. He has served on the boards of many Aboriginal organisations,\u003cbr data-mce-fragment=\"1\"\u003eand is a consultant to South Australia’s Commissioner for Aboriginal Children and Young People.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eJohn Bond\u003c\/strong\u003e has worked in 30 countries, written for many publications,\u003cbr data-mce-fragment=\"1\"\u003eand has been a member of the Institute of Journalists UK. He served as Secretary of Initiatives of Change International, which tackles injustice and works for peace and reconciliation in more than 50 countries. He served as Secretary of the National Sorry Day Committee from 1998 to 2006 and was awarded the Medal of the Order of Australia for his work on the committee.\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the cover\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eCover design by Design By Committee\u003c\/p\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":39276032950408,"sku":"9781925302745","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/20_081Sorry_BeyondShopifyCoverImage_720x720px.jpg?v=1622046899"},{"product_id":"nomad-girl","title":"Nomad Girl","description":"\u003cp\u003e‘There are so many stories to tell of my life, and sometimes I think they are not of importance, but they are, because often it is the little details that are the most important. I still remember every detail. [Like] Oodnadatta Country – I can still see it, in my mind’s eye, exactly as it was back in my time. The Country still calls me back to where I was born, a very exposed and stony land, but I still love it. That’s where my spirit is.’\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e'An inspiring, sprawling family story told by a remarkable woman in a time of extraordinary change.'\u003cbr\u003e- Rachel Perkins\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eKanakiya Myra Ah Chee was born at Oodnadatta in remote South Australia in 1932. When her mother tragically died Myra was only eight. Her grieving father gathered up the remaining family and walked north – away from her childhood home. They spent years as nomads, travelling with the camels that were her father’s livelihood, up and down the Finke River. Her father sought work where and when he could, while he looked after his children, teaching them about the bush, their culture and life. It was a childhood of freedom, bush tucker, bush games, fires, stories at night and sleeping under the stars – at times idyllic but, at other times, terrifying and tragic. Myra’s father was a safe and reassuring presence, but when he decided education was the key to his children’s future, Myra’s life was changed forever.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e‘My family pulled all their strengths together from the bush life and from school education. We have shown how it is possible to be successful in life, bringing both sides of our cultures into line. We managed to do it. I’ve straddled the old life and the new.’ \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e'Told through the powerful words of Kanakiya Myra Ah Chee\u003cbr\u003eNomad Girl is a moving story of strength and resilience. Recounted in meticulous detail, this story follows the life of a woman born on the Oodnadatta in remote south Australia through her education on Country, to the western class, to her life as a translator of various Western Desert languages and founder the Institute for Aboriginal Development Interpreter Training program and a well-known artist. This is a story that the nation needs to read.'\u003cbr\u003e- Associate Professor Jeanine Leane, The University of Melbourne, Wiradjuri writer, poet and academic\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cp\u003e 'From the lively child travelling with her father and siblings along the Lhere Pirnte (Finke) river, to the proud grandmother, artist and interpreter of today, the robust, engaging voice of Myra Ah Chee braids together the many strands of a wonderfully well-lived life. This is, more than anything, a story of family – of a father caring for his motherless children, of older siblings caring for younger, of a web of relationships that nurture and protect and mitigate the impacts of racism and inequity. It is also the story of how family is woven into country, and different ethnicities are subsumed into an all-embracing Aboriginal identity.\u003cbr data-mce-fragment=\"1\"\u003eIt’s a book for our times, and an important addition to the growing literature of Indigenous storytelling.'\u003cbr data-mce-fragment=\"1\"\u003e- Kim Mahood\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003ch6\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e230mm x 153mm\u003c\/li\u003e\n\u003cli\u003e256pp (16 pages colour)\u003c\/li\u003e\n\u003cli\u003eReleased 1 November 2021\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-922059-83-3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContents\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eList of Illustrations\u003cbr\u003ePrologue\u003cbr\u003eChapter 1: My Desert Rivers People\u003cbr\u003eChapter 2: Growing up in Stone Country\u003cbr\u003eChapter 3: Everything Changes\u003cbr\u003eChapter 4: Walking with Camels\u003cbr\u003eChapter 5: Big Country, Big Family\u003cbr\u003eChapter 6: Colebrook Home Days\u003cbr\u003eChapter 7: Getting out in the World\u003cbr\u003eChapter 8: Return to the Centre\u003cbr\u003eChapter 9: It is all Tjukur\u003cbr\u003eChapter 10: Last Words\u003cbr\u003eNotes\u003cbr\u003eMy Family\u003cbr\u003eAfterword by Linda Rive\u003cbr\u003eAcknowledgments\u003cbr\u003eAbout Kanakiya Myra Ah Chee\u003cbr\u003eAbout Linda Rive\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout The Author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cstrong\u003eKanakiya Myra Ah Chee\u003c\/strong\u003e was born in the Australian Inland Mission Hospital in Oodnadatta in 1932 and grew up living in a watuti (lean-to) on the fringes of Oodnadatta township. Fluent in her language – Matuntjara – Myra is an interpreter and translator of the various dialects of the Western Desert Language, and worked for many years training interpreters. She is an artist, inspired by her unique life amongst the gibber plains, sand dunes, river systems and stony deserts of her father’s, mother’s and grandparents’ traditional country. Myra has just turned 89 years old and is now retired. She has three grandchildren and lives in Alice Springs.\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout The Cover\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eFront cover photos: Myra aged nineteen at Morialta Falls in the Adelaide Hills, c. 1951. (AI-0110234, Myra Ah Chee collection); gibber country in the Oodnadatta region (Photo: Jocelyn McConnell, AI-0109967, Jocelyn McConnell Collection); small image of Myra’s father Dick Taylor and his second wife Maggie and their son Robert with camels at Titjikala, 1957 (AI-0110358, Myra Ah Chee Collection).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBack cover photos: Photo of Myra taken for her 21st birthday, 1953 (AI-0110390); and Fred Ah Chee with his Indian motorbike and sidecar with friend George Tongerie riding pillion and his wife Maude in sidecar with son Peter, early 1950s (AI-0174119) (both Myra Ah Chee collection).\u003c\/p\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":39511763058824,"sku":"9781922059833","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/22_065-Nomad-Girl-Shopify-Cover-Image_720x720px_acbc502b-516c-47a6-82d6-4c4a8f14c435.jpg?v=1776728679"},{"product_id":"ngirramanujuwal","title":"Ngirramanujuwal","description":"\u003cp\u003eNgirramanujuwal is one who adds colour.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWalmajarri man Jimmy Pike (c. 1940–2002) manifests colour as strokes of ink on paper: the saturated hues of the desert sky at dusk, and the glimmers of the sun on the water’s surface. His vivid and exceptional drawing, painting and printing skills reveal the desert as a place teeming with colourful life, history and stories.\u003cbr\u003e\u003cem\u003eNgirramanujuwal: The Art and Country of Jimmy Pike\u003c\/em\u003e is a specially curated selection of the internationally renowned artist’s work from the Australian Institute of Aboriginal and Torres Strait Islander Studies collection. It invites the reader to journey through the Great Sandy Desert, experiencing the Walmajarri seasons – makurra, parranga, yitilal and jutalkarra – as revealed through Pike’s art and intimate relationship with Country.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLonglisted for the 2023 Mar\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"ui-provider ga b c d e f g h i j k l m n o p q r s t u v w x y z ab ac ae af ag ah ai aj ak\" dir=\"ltr\" data-mce-fragment=\"1\"\u003egaret and Colin Roderick Literary Award\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003ch6\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003eHardback\u003c\/li\u003e\n\u003cli\u003e279 x 240 mm\u003c\/li\u003e\n\u003cli\u003e144pp\u003c\/li\u003e\n\u003cli\u003eReleased 1 April 2022\u003c\/li\u003e\n\u003cli\u003eISBN 9781922752000 (hb)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eForeword by Craig Ritchie, Chief Executive Officer, AIATSIS\u003cbr\u003eYarringarnujangka: praise\u003cbr\u003eYirrawu: Look out\u003cbr\u003eKurntikujarra Jimmy Pike by Pat Lowe\u003cbr\u003eNgurrara\u003cbr\u003eMakurra\u003cbr\u003eParranga\u003cbr\u003eYitilal\u003cbr\u003eJurtalykarra\u003cbr\u003eList of illustrations\u003cbr\u003eSelected Walmajarri and Juwaliny wordlist\u003cbr\u003eFurther reading and references\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eSince its founding in 1964, the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) has developed and cared for the most contextualised collection of Aboriginal and Torres Strait Islander materials in the world.\u003cbr\u003eAs custodian of these materials, AIATSIS documents the cultural practices, expressions, histories, lives, and experiences of Australia’s First Nations peoples. Through our collections, research, education and publications we tell the stories of Aboriginal and Torres Strait Islander peoples and create opportunities for all to encounter, engage and be transformed by that story.\u003c\/p\u003e\n\u003ch6\u003eAbout the cover\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eInspired by the colourful work of Jimmy Pike.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":39964709781640,"sku":"9781922752000","price":49.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/22_003-Jimmy-Pike-Shopify-Cover-Image_720x720px_D02.jpg?v=1645058112"},{"product_id":"g-is-for-gugunyal","title":"G is for gugunyal","description":"\u003cp\u003e\u003cem\u003eG is for gugunyal: A Dhurga alphabet book\u003c\/em\u003e helps new speakers pronounce the 24 sounds used in Dhurga language. It complements The Dhurga Dictionary and Learner’s Grammar: A south-east coast NSW Aboriginal language.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDhurga is one of four traditional languages of the south coast of New South Wales. It was spoken by Yuin (Yuwinj) people between Nowra and Narooma, and as far inland as Braidwood and Araluen. Our language connects us to our people and our physical world. Traditional languages are being reclaimed and spoken across Australia. Fragments of Dhurga were kept by Elders and in books. Dhurga was sleeping; but is now being taught, learned and spoken by Yuin people.\u003c\/p\u003e\n\u003cp\u003eThe beautiful illustrations help readers learn the 24 Dhurga sounds. They also introduce important land and marine animals, and other creatures of the south coast that are part of local creation and dreaming stories, and Lore.\u003c\/p\u003e\n\u003cp\u003eA QR code allows readers to hear the book’s Dhurga sounds and words spoken by Aunty Patricia Ellis.\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e250mm x 250mm\u003c\/li\u003e\n\u003cli\u003e32pp\u003c\/li\u003e\n\u003cli\u003eReleased May 2022\u003c\/li\u003e\n\u003cli\u003eISBN 9781922102805\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eDhurga sounds and words \u0026amp; QR code\u003cbr\u003eDhurga sounds and words in this book [list]\u003cbr\u003eAbout Dhurga people and language\u003cbr\u003eAbout the author and illustrator\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout The Author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eLeanne Brook is a proud Murramarang Yuin woman living in Ulladulla, New South Wales. She is a contemporary artist, illustrator and author, and uses her art to connect with her culture, land, people and language.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLeanne began learning Dhurga after starting work at Ulladulla Local Aboriginal Land Council. She felt she was regaining something that had been missing, for her, her community and especially for her mother and Dhurga Elders. ‘Now I feel a sense of responsibility and a calling to help my community restore and teach our native tongue,’ says Leanne.\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout The Cover\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eIllustration by Leanne Brook.\u003cbr\u003e\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":40148525940872,"sku":"9781922102805","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/22_004-ASP-Gugunyal-Shopify-Cover-Image_720x720px_D01.jpg?v=1648103662"},{"product_id":"luwa-tara-luwa-waypa","title":"luwa tara luwa waypa","description":"\u003cblockquote\u003eniyakara is leaving the village to hunt tara, kangaroo.On his mind is the chief’s daughter, tuminana, who is at the water with the women, collecting shells and working.  But down on the beach, niyakara hears three thuds...boom boom boom\u003c\/blockquote\u003e\n\u003cp\u003eWith rhythmic intensity, \u003cem\u003eluwa tara luwa waypa\u003c\/em\u003e tells the captivating story of niyakara’s journey from boy to man, a story of courage and transformation.\u003c\/p\u003e\n\u003cp\u003eDave mangenner Gough’s powerful words and Samantha Campbell’s expressive artwork bring to vivid life the ancestral spirit and enduring strength of the palawa people of Tasmania.\u003c\/p\u003e\n\u003cp\u003eHear the author read the book via the QR code.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYou may also be interested in the accompanying \u003c\/span\u003e\u003ca href=\"https:\/\/shop.aiatsis.gov.au\/products\/luwa-tara-luwa-waypa-teacher-s-notes-and-learning-sequence\" title=\"https:\/\/shop.aiatsis.gov.au\/products\/luwa-tara-luwa-waypa-teacher-s-notes-and-learning-sequence\"\u003eteaching resource\u003c\/a\u003e\u003cspan\u003e, aligned with the Australian Curriculum (version 9) area of Humanities and Social Science for Years 4 and 5.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e‘Gough and Campbell have created an important book that plays a part in bringing all Australians together using vivid and evocative storytelling.’ – Kids’ Book Review\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eProduction details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003eHardback\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003esize\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e32pp\u003c\/li\u003e\n\u003cli\u003eReleased July 2022\u003c\/li\u003e\n\u003cli\u003eISBN 9781922752062\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEbook is available on Amazon and other online booksellers:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRRP $14.95\u003c\/li\u003e\n\u003cli\u003eISBN 9781922752079 \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eQR code to author reading luwa tara luwa waypa\u003c\/p\u003e\n\u003cp\u003eluwa tara luwa waypa\u003c\/p\u003e\n\u003cp\u003ePalawa word list and sounds in book\u003c\/p\u003e\n\u003cp\u003eAbout the author and illustrator\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eDave mangenner Gough\u003c\/strong\u003e is a celebrated artist, curator and cultural practitioner dedicated to practising and demonstrating Tasmanian Aboriginal culture for all Australian people, to bring communities together and preserve our traditional culture.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs a proud trawlwoolway — descended from Bungana (chief), manalargenna’s oldest daughter, \u003cspan\u003eworetemoeteyenner\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eof north-east Tasmania — Dave has a strong personal connection to lutruwita Tasmania and its people.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs an artist, he has exhibited nationally and internationally. He has also curated a number of significant exhibitions. With Dave as writer, director, producer, performer, luwa tara luwa waypa has been performed in Tasmania as part of mapali dawn gathering, launching the 2021 Ten Days on The Island art festival.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSamantha Campbell\u003c\/strong\u003e grew up in the Northern Territory and lives in Alice Springs. She is descended from the Dagoman people from Katherine and as a child lived in remote communities across the Top End. Her first book, Alfred’s War, written by Rachel Bin Salleh, was shortlisted for the NSW Premier’s Literary Awards and the\u003cbr\u003eSpeech Pathology Australia Awards. Her other books include Aunty’s Wedding by Miranda Tapsell and Joshua Tyler, Brother Moon by Maree McCarthy Yoelu and Freedom Day by Rosie Smiler and Thomas Mayor.\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the cover\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eIllustration by Samantha Campbell.\u003cbr\u003e\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":40212052377736,"sku":"9781922752062","price":26.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/22_008-ASP-Luwa-Tara-Shopify-Cover-Image_720x720px_D01_1.jpg?v=1652780294"},{"product_id":"mooies-stories","title":"Mooie's Stories","description":"\u003ch4 data-pm-slice=\"0 0 []\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eDja Dja Wurrung Ancestors’ stories as told to me by my mother, my grandmother, my great-grandmother and my great-great-grandmother before her.\u003cbr\u003eHow did Wabbee, the freshwater crayfish, get its bright red spots? Why does Wehla, the ringtail possum, have a curly tail?\u003cbr\u003eHow were Waripi Yaluk, the backwaters of Bulatjal Yaluk Woodlar, the Loddon River, formed? Why does Yern, the moon, light up the night sky? Bunjil, the all-powerful, knows the answers.\u003cbr\u003e‘BurWhela’ Ros Kneebone-Dodson learned these kiki – these stories of Malamiyayu Gurang, the Dreamtime – from her mother, Mooie. BurWhela’s words and images bring to vivid life these stories of her Ngurar Gurrk, her Ancestors, from Djandak, the Country of the Loddon River of Central Victoria.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e‘Our storytelling teaches how to live in harmony, how to care for and preserve the land and all living on it. It is lore for living’.\u003cbr\u003e– ‘Burwhela’ Ros Kneebone-Dodson\u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003ch6\u003e Production details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003eHardback\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e250mm x 230mm\u003c\/li\u003e\n\u003cli\u003e32pp (colour)\u003c\/li\u003e\n\u003cli\u003eReleased May 2023\u003c\/li\u003e\n\u003cli\u003eISBN 9780855751258\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout the author\u003c\/h6\u003e\n\u003cp\u003eRos Dodson ‘BurWhela’ is a descendant of the Bpangarang and Dja Dja Wurrung peoples of Victoria and the Worrimi and Birripi peoples of the lakes district of NSW.\u003cbr\u003eAs a child, Ros’s family called her ‘Possum’ in Dja Dja Wurrung language – this means ‘Whela’. Once becoming a mother, Ros took on the kin name of ‘BurWhela’ meaning ‘mother possum’.\u003cbr\u003e‘Being able to know my oral history through the privilege of storytelling, passing this historic account from my “Apical Ancestors” to my children and grandchildren, I have been entrusted to preserve our “Cultural Stories” as told to me by my mother and my grandmother before and her mother before in the passage of time.’\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003eAbout the cover\u003c\/h6\u003e\n\u003cp\u003eIllustration technique: acrylic on canvas\u003cbr\u003eCover and text design: Joanna Hunt\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":41063439433864,"sku":"9780855751258","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/23_003ASPMooie_sStoriesShopifyCoverImage_720x720px.jpg?v=1677200228"},{"product_id":"auntie-rita-revised-edition","title":"Auntie Rita","description":"\u003cp\u003e\u003cem\u003eAuntie Rita\u003c\/em\u003e, written by Rita and her daughter Jackie Huggins, is a revised edition of the bestselling and award-winning memoir of Aboriginal woman Rita Huggins first published in 1994. Rita battled dispossession, poverty, personal tragedy and racism to create a rich meaningful life, lived out during the momentous changes of the 20th century.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e‘Most people call me Auntie Rita, whites as well as Aboriginal people. Auntie is a term of respect of our older woman folk. You don’t have to be blood-related or anything. Everyone is kin. That’s a beautiful thing because in this way, no one is ever truly alone, they always have someone they can turn to.’\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRita Huggins was born on Bidjara\/Bidyara country at Carnarvon Gorge in central Queensland. As a child in the 1920s, she met white men for the first time: troopers who forced her family into cattle trucks and drove them south to Barambah, later Cherbourg Aboriginal Reserve. At Cherbourg ‘we had to stay in one place now, while the white men could roam free.’\u003cbr\u003eThere were some happy times, but the only way out of Cherbourg for First Nations people was work. Rita worked as a housekeeper all over Queensland before meeting and marrying Jack Huggins. After Jack’s untimely death, Rita struggled with grief and the challenges of being a single parent to three young children, and caring for extended family and community. As the 1960s unfolded, Rita watched the rise of First Nations activism — the 1967 Referendum, the Freedom Rides, new Aboriginal political organisations — and knew she wanted to make something better for herself, her family and for all Indigenous people. She joined Queensland’s One People of Australia League and was an active member till her death in 1996.\u003cbr\u003eIn Auntie Rita, Rita’s words — interspersed with reflections from her daughter Jackie — reveal a life shaped by personal tragedy, the dramatic changes of the twentieth century and personal resilience. This moving memoir has been enjoyed by readers around the world since it was first published in 1994.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch6\u003eProduction Details\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e230mm x 150mm\u003c\/li\u003e\n\u003cli\u003e200pp\u003c\/li\u003e\n\u003cli\u003eReleased May 2023\u003c\/li\u003e\n\u003cli\u003eISBN 9780855751128\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003eContents\u003c\/h6\u003e\n\u003cp\u003eForeword by Lillian Holt\u003cbr\u003eForeword by Alison Ravenscroft\u003cbr\u003eWriting the book\u003cbr\u003eChapter 1. Don’t cry, gunduburries\u003cbr\u003eChapter 2. Growing up Cherbourg\u003cbr\u003eChapter 3. Servitude or slavery?\u003cbr\u003eChapter 4. Summertime\u003cbr\u003eChapter 5. The Grand experience\u003cbr\u003eChapter 6. The Natives are getting restless\u003cbr\u003eChapter 7. Coming back to Earth\u003cbr\u003eChapter 8. The Old Rugged Cross\u003cbr\u003eChapter 9. Journeying\u003cbr\u003eChapter 10. Barambah gone now\u003cbr\u003eChapter 11. Brand new day\u003cbr\u003eChapter 12. The gathering of the clan\u003cbr\u003eHaving the last say\u003cbr\u003eAfterword by Jackie Huggins\u003cbr\u003eGlossaries\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003ch6\u003eAbout the author\u003c\/h6\u003e\n\u003cp\u003e\u003cstrong\u003eRita Huggins\u003c\/strong\u003e was a Bidjara\/Bidyara woman from the Carnarvon Gorge\/Springsure area of central Queensland. As a young girl she was forcibly removed to Cherbourg Aboriginal Mission. At 14 years of age, she was sent to work on cattle stations as a domestic. She continued this work in Brisbane after receiving an exemption certificate. She married Jack Huggins and they moved to Ayr, North Queensland, where the last three of her five children were born. After Jack’s early death in 1958 she returned to Brisbane and became active in Aboriginal affairs. She lived out her days, until her death in 1996, as a wise and deeply respected Elder, loved by black and white alike.\u003cbr\u003e\u003cstrong\u003eJackie Huggins\u003c\/strong\u003e is a Bidjara\/Birri Gubba Juru woman from Queensland. She is a historian and author, and has worked in Aboriginal Affairs for over four decades in areas of reconciliation, history, the arts, environment, literature, leadership, education, prison reform, domestic and family violence, and many other social justice initiatives. She has held many leading positions including on the Stolen Generations Inquiry, and at Queensland State Library, AIATSIS and University of Queensland. Her previous books are Sister Girl and Jack of Hearts QX11954 (UQP).\u003c\/p\u003e\n\u003ch6\u003eAbout the cover\u003c\/h6\u003e\n\u003cp\u003eCover photograph of Auntie Rita by Angela Bailey; cover photograph of Carnarvon Gorge by Dominic Carmody\/Alamy.\u003c\/p\u003e\n\u003cp\u003eCover design by Peter Long.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":41096235253896,"sku":"9780855751128","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/products\/23_036ASPAuntieRita_ShopifyCoverImage_720x720px_D01.jpg?v=1776646279"},{"product_id":"ngargee","title":"ngargee","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli; mso-bidi-font-family: 'Times New Roman'; color: black; mso-fareast-language: EN-AU;\"\u003eAboriginal art in southeast Australia is dynamic, innovative and powerful. The diverse artworks featured in this book celebrate contemporary artists and their continuation of Ancestral knowledge. With each chapter the result of an intercultural collaboration, this volume speaks to globally resonant themes in First Nations art, storytelling and sovereignty.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eEach contribution prioritises learning with and about First Nations artists to support their knowledge systems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW67323435 BCX8\"\u003e\n\u003cblockquote\u003e\n\u003cp class=\"Paragraph SCXW67323435 BCX8\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW67323435 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW67323435 BCX8\"\u003eThe depth of criticality, historical and cultural detail in the conversation-based chapters are breathtaking insights into our survival as \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW67323435 BCX8\"\u003eBlakfullas\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW67323435 BCX8\"\u003e through colonisation and into \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW67323435 BCX8\"\u003ethrival\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW67323435 BCX8\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW67323435 BCX8\" data-ccp-props=\"{}\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW67323435 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW67323435 BCX8\"\u003e- Dr Paola Balla, \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW67323435 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW67323435 BCX8\"\u003eWemba-Wemba and Gunditjmara artist, curator, academic, writer\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW67323435 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW67323435 BCX8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli; mso-bidi-font-family: 'Times New Roman'; color: black; mso-fareast-language: EN-AU;\"\u003eA guiding theme is the creative practice of internationally renowned artist Maree Clarke (Mutti Mutti\/Wamba Wamba\/Yorta Yorta\/Boonwurrung), who is both a co-editor and an inspiration.\u003cspan style=\"mso-spacerun: yes;\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli; mso-bidi-font-family: 'Times New Roman'; color: black; mso-fareast-language: EN-AU;\"\u003eBringing together thoughtful analysis and lush illustrations, \u003ci\u003engargee\u003c\/i\u003e gives southeast Australian Aboriginal art the long overdue attention that it richly deserves. \u003ci\u003engargee\u003c\/i\u003e will be a welcome addition and an indispensable resource for all Australian museums and galleries, and indeed anyone who wants to learn more about southeast Australia, the richness of its art practices, and the continuity and innovation of First Nations knowledge-transmission and culture-making across time and place.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli; mso-bidi-font-family: 'Times New Roman'; color: black; mso-fareast-language: EN-AU;\"\u003engargee means coming together to celebrate in Boonwurrung language, where celebrations are accompanied and demonstrated through the act of making art. Just as art and culture cannot be separated, neither can celebration and art-making.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli; mso-bidi-font-family: 'Times New Roman'; color: black; mso-fareast-language: EN-AU;\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW67323435 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW67323435 BCX8\"\u003e\u003cspan class=\"TextRun Highlight SCXW162352058 BCX8\" lang=\"EN-AU\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW162352058 BCX8\"\u003eAccessible, richly \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW162352058 BCX8\"\u003eillustrated\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW162352058 BCX8\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW162352058 BCX8\"\u003eand \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW162352058 BCX8\"\u003einspiring,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW162352058 BCX8\"\u003e this book\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW162352058 BCX8\"\u003e is \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW162352058 BCX8\"\u003ea must\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW162352058 BCX8\"\u003e read for anyone interested in \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW162352058 BCX8\"\u003eI\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW162352058 BCX8\"\u003endigenous art \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP SCXW162352058 BCX8\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW162352058 BCX8\" lang=\"EN-AU\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW162352058 BCX8\"\u003e- Professor Khadija von \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW162352058 BCX8\"\u003eZin\u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW162352058 BCX8\"\u003enenbu\u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW162352058 BCX8\"\u003erg\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW162352058 BCX8\"\u003e Carroll, Central European University, Vienna\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP SCXW162352058 BCX8\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW197823827 BCX8\"\u003e\n\u003cblockquote\u003e\n\u003cp class=\"Paragraph SCXW197823827 BCX8\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW197823827 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW197823827 BCX8\"\u003eThis body of work speaks to the strength of southeastern First Peoples living cultures and the enduring legacy of our Ancestors. It shares with us the power of regeneration of knowledge, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW197823827 BCX8\"\u003ememory\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW197823827 BCX8\"\u003e and spirit and in doing so highlights the generosity of First Peoples in their lives and intercultural practice and \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW197823827 BCX8\"\u003emethodology\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW197823827 BCX8\"\u003e.\u003cbr\u003e- \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW197823827 BCX8\" data-ccp-props=\"{}\"\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW197823827 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW197823827 BCX8\"\u003eKimberley Moulton, Yorta \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW197823827 BCX8\"\u003eYorta\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW197823827 BCX8\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW197823827 BCX8\"\u003ecurator\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW197823827 BCX8\"\u003e and writer\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW197823827 BCX8\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003ch6\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePaperback\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e276 x 245 mm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e224 pp\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eReleased 18 November 2024\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan\u003e978-1-922752-02-4 (pb)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eForeword by Tina Baum\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eAbout the contributors\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eNote to the reader\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eMap\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e1)\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eIntroduction: Southeast Australian Aboriginal art: a living story activating the past in the present \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003efor future generations by Frances Edmonds, Sabra Thorner and Maree Clarke\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e2)\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eCollapsed histories by Peter Waples-Crowe and megan evans\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e3)\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eArtists, archives and Ancestral connections: an Aboriginal collection between Australia and \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eBerlin by Anna Weinreich, Vicki Couzens, Eileen Alberts and Titta Secombe\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e4)\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eBiganga bayiya (singing the possum): reclaiming Indigenous knowledge in the academy by Tiriki \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eOnus, Sally Treloyn, Megan McPherson and Reuben Brown\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e5)\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eReconfiguring institutional spaces by privileging Indigenous place by Brian Martin and Charlotte \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eDay\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e6)\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eInclusion at The Living Pavilion: institutions making space for Indigenous peoples and other \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003ehornets’ nests by Zena Cumpston and Rimi Khan\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e7)\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eBackyard manifesto: a piece of art in the gallery is only one part of the story to see by Mitch \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eMahoney and Amélie Ward\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e8)\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eTwenty years of the Ngukurr News \/ Nyus: exploring the interconnectivity and influence of a \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eremote Indigenous community through the archive by Kate Senior, Richard Chenhall and Daphne \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eDaniels\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e9)\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e‘Walking in the path of those before us’: truth telling through creating, a response to colonial \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003ecollecting by Julie Gough, Vicki West, Maree Clarke and Frances Edmonds\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eReferences\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eIndex\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eAcknowledgements\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the authors\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eMaree Clarke\u003c\/span\u003e\u003c\/strong\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e(Yorta Yorta\/Wamba Wamba\/Mutti Mutti\/Boonwurrung) is an artist and curator who \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003egrew up in Mildura (northwest Victoria), on the banks of the Murray River, and who has been living \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eand working in Melbourne for over 30 years. She has become a pivotal figure in the revitalisation of \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003esoutheast Australian Aboriginal art and cultural practices. This includes possum skin cloaks, kangaroo \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eteeth necklaces, eel traps, kopi mourning caps and much more – in both traditional materials and \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003econtemporary, such as glass and 3D printing. Her practice includes lenticular prints, 3D photographs \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eand photographic holograms, as well as painting, sculpture and video installation. The through line \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eof her work is to facilitate intercultural dialogue and collaboration about the ongoing effects of \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003ecolonisation, while simultaneously providing space for Aboriginal people and communities to engage \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003ewith and mourn the impact of dispossession and loss. She is deeply committed to transmitting \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eknowledge to younger generations (and anyone else who is willing to learn). Clarke has exhibited her \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003ework widely in Australia and beyond, and her work is held by the Koorie Heritage Trust, Museums \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eVictoria and the National Gallery of Australia. In 2021, her work was featured in a major \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eretrospective, Ancestral Memories, at the National Gallery of Victoria.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e\u003cstrong\u003eFrances Edmonds\u003c\/strong\u003e is an interdisciplinary scholar working mainly in the field of anthropology. Her work is collaborative, participatory and community based. Her research interests include art and wellbeing; decolonising methodologies; the creative use of digital technologies; visual studies; oral history and storytelling; cultural revitalisation and the archival and ethnographic record; and the intersection between Indigenous and Western knowledge systems. She was the senior research fellow on the Australian Research Council (ARC) Indigenous Discovery Project, ‘Storytelling and the Living Archive of Aboriginal Knowledge’ (2020–24). Between 2014 and 2017, she worked closely with First Nations young people at Korin Gamadji Institute, Melbourne, supporting collaborative research throughout the ARC Linkage project ‘Aboriginal Young People and Digital Storytelling’.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e\u003cstrong\u003eSabra Thorner\u003c\/strong\u003e is a cultural anthropologist who has worked with Indigenous Australians for more than twenty years, focusing on photography, digital technologies and archiving as forms of cultural activism. In the past few years, her work has increasingly turned towards collaborative and decolonising methodologies in both research\/writing and in teaching\/learning. She is especially interested in contemporary arts and cultural production, matriarchal forms of knowledge transmission, and storytelling as an expression of Indigenous sovereignty. She’s held fellowships from AIATSIS, Fulbright, Mellon, the Smithsonian and Wenner-Gren, and has published her work in Museum Anthropology, AnthroVision, The Journal of Material Culture, Oceania and Visual Anthropology Review. She is an assistant professor at Mount Holyoke College.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003eAbout the cover\u003c\/h6\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli; mso-bidi-font-family: 'Times New Roman'; color: black; mso-fareast-language: EN-AU;\"\u003eThe cover artwork is \u003ci\u003eseeing the invisible\u003c\/i\u003e (2024) by Maree Clarke (Yorta Yorta\/ Wamba Wamba\/Mutti Mutti\/Boonwurrung) and Mitch Mahoney (Boonwurrung\/Barkindji).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli; mso-bidi-font-family: 'Times New Roman'; color: black; mso-fareast-language: EN-AU;\"\u003eArtwork story by Maree Clarke:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli; mso-bidi-font-family: 'Times New Roman'; color: black; mso-fareast-language: EN-AU;\"\u003eThe cover of this book features an original artwork telling a visual story of the rivers that connect us all. This includes past, present, and future generations of my family, the Clarkes. My great-nephew Mitch collaborated with me, creating the outline for the winding waterway. The two red symbols depict men and women, designs I have now handed down to my nieces and nephews to use in their own art practices. The six blue wavy\/rectangular shapes along the top represent different generations of our family, and have recently been incorporated and adapted by Mitch in multiple mediums. The pink and yellow backdrop to the blue river is a much enlarged and colour saturated microscopic image of a river reed, one of a series of 297 individual photographs comprising a composite work, \u003ci\u003enow you see me: seeing the invisible #1\u003c\/i\u003e (2023). This series revealed an inner beauty and strength of the river reeds, symbolising the resilience and continuation of our connections to Country.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":42930548473992,"sku":"9781922752024","price":59.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/24_080-ASP-ngargee-digital-suite_shop-product-Image_720x720px_FA.jpg?v=1776645895"},{"product_id":"yawulyu","title":"Yawulyu","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Muli;\"\u003eLong listed for the 2026 Margaret and Colin Roderick Literary Award\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"fdtbh\"\u003eWarlpiri people commemorate and maintain their relationship with their ancestors and the natural order of the cosmos by re-enacting the events of the Jukurrpa (the Dreaming). They do this, in part, by painting up while singing pertinent songs, as well as performing dances and ritual actions sanctioned by the Jukurrpa.\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW214742915 BCX8\"\u003e\n\u003cblockquote\u003e\n\u003cp class=\"Paragraph SCXW214742915 BCX8\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW214742915 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003e“\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003ea magnificent\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003ebook\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003e...\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003eas much about art as it is about song\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003e.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003e” \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW214742915 BCX8\" data-ccp-props=\"{}\"\u003e - \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW214742915 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003eAndrew Ford, The Music Show, ABC R\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW214742915 BCX8\"\u003eadio National\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"ebmkg\"\u003eFrom May 1981 to June 1982, ethnochoreologist Megan Morais lived in Willowra in the Northern Territory, working with the Warlpiri community. The Warlpiri women and Megan worked as an impromptu team documenting their dances as performed in yawulyu – women’s ceremony – as well as documenting traditional movement patterns.\u003c\/p\u003e\n\u003cp data-block-key=\"bg26v\"\u003eWarlpiri women in Willowra generously and with trust, shared their music, songs, dances, designs and associated knowledge of yawulyu which is now being returned to them.\u003c\/p\u003e\n\u003cp data-block-key=\"67p90\"\u003eA recent collaboration between Megan and musicologist Myfany Turpin and the Willowra community has resulted in this book which provides the means for current and future generations to access the knowledge shared by the Warlpiri women.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp data-block-key=\"67p90\"\u003e\u003cspan data-contrast=\"none\" lang=\"EN-AU\" class=\"TextRun SCXW267790507 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW267790507 BCX8\"\u003e‘An excellent book. These ladies are the backbone of some of our Warlpiri \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW267790507 BCX8\"\u003eyawulyu\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW267790507 BCX8\"\u003e\u003cspan\u003e \u003c\/span\u003eperformances in years gone by and they should be well remembered by all.’ -\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-AU\" class=\"TextRun SCXW267790507 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW267790507 BCX8\"\u003eWarren Williams,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-AU\" class=\"TextRun SCXW267790507 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW267790507 BCX8\"\u003eWarlpiri, Chair Central Land Council\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW267790507 BCX8\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp data-block-key=\"fu8ii\"\u003eWomen of land-owning groups who have inherited sovereignty, and other important women in the community, have granted permission to publish the designs, songs and jukurrpa stories in this book. More than that, they urged publication so they would have a resource to teach their children and grandchildren. The co-authors each contributed to the book according to their authority, knowledge and strengths.\u003c\/p\u003e\n\u003cp data-block-key=\"24c3d\"\u003eProceeds from sales of the book will be returned to the Warlpiri community.\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW192252979 BCX8\"\u003e\n\u003cblockquote\u003e\n\u003cp class=\"Paragraph SCXW192252979 BCX8\"\u003e\u003cspan class=\"TextRun SCXW192252979 BCX8\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003eFirst Nations women's strength in c\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW192252979 BCX8\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003eultural preservation shines through in the groundbreaking new book \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW192252979 BCX8\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW192252979 BCX8\"\u003eYawulyu\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003e: Art and song in Warlpiri women's ceremony\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW192252979 BCX8\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003e. This powerful collaboration between the late Lucy \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW192252979 BCX8\"\u003eNampijinpa\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003e Martin, eleven other Warlpiri women with cultural authority, and \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW192252979 BCX8\"\u003eethnochoreologist\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003e Megan Morais \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003edemonstrates\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003e how women's knowledge systems continue to be \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003emaintained\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003e and strengthened through innovative approaches.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":false,\"134233118\":false,\"335559738\":0,\"335559739\":0}' class=\"EOP SCXW192252979 BCX8\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW192252979 BCX8\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW192252979 BCX8\"\u003e- Wiyi\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003e Yani U \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW192252979 BCX8\"\u003eThangani\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW192252979 BCX8\"\u003e Institute for First Nations Gender Justice’s newsletter, ANU\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP SCXW192252979 BCX8\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003ch6\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eHardback\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e250x210mm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e336pp\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eReleased \u003cspan\u003e15 April 2025\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-922102-81-2\u003c\/li\u003e\n\u003cli\u003eePub \u003cspan\u003e9781922102829\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eForeword\u003cbr\u003eList of figures, tables and maps\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart 1. Warlpiri Country and People\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. Situating the Warlpiri\u003cbr\u003e2. The performance of ceremony\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePart 2. Yawulyu art and song\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e3. Yawulyu for country\u003cbr\u003e4. Yawulyu for ancestral beings\u003cbr\u003e5. Yawulyu for events\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePart 3. Yawulyu for the future\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e6. Conclusion\u003cbr\u003e\u003cbr\u003eAppendix – country, owners and jukurrpa\u003cbr\u003eAppendix B – songs and archival material held at AIATSIS\u003cbr\u003eAppendix C – additional information to the designs\u003cbr\u003eGlossary\u003cbr\u003eNotes\u003cbr\u003eBibliography\u003cbr\u003eIndex\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the authors\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp data-block-key=\"yqamv\"\u003e\u003cb\u003eMegan Morais\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis an ethnochoreologist and teacher of dance and religion. Through various grants, she has documented dances of several Indigenous Australian groups, including Nunggubuyu, Wanindilyaugwa (Anindilyakwa), Antikirinya, Yanyuwa and Warlpiri. She was a visiting researcher at the University of New England and The University of Sydney and has published several articles in academic journals and encyclopedias.\u003c\/p\u003e\n\u003cp data-block-key=\"d7t75\"\u003eThe late\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eLucy Nampijinpa Martin\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003ewas an integral part of the women’s business (ritual ceremony and activity) documented in 1981-82. She has been essential in the repatriation of materials to the community. As one of the leading business women in Willowra she was the one who knew the songs, designs and dances. Lucy’s work features throughout this book – it includes the designs she drew from 1981-82 and the songs she sang then, and sang later for recording purposes. Sadly, Lucy passed away in 2024. Her legacy lives on in the ceremonial knowledge she has shared in this book\u003c\/p\u003e\n\u003cp data-block-key=\"5m7qv\"\u003e\u003cb\u003eMyfany Turpin\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis a musicologist, linguist and associate professor at The University of Sydney where she conducts fieldwork on languages and songs of Central Australia. She has published extensively on Aboriginal song-poetry and publishes in the fields of music, linguistics and ethnobiology. She is the co-author of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eYaru! Gudjal learner’s guide and dictionary\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(Aboriginal Studies Press 2023).\u003c\/p\u003e\n\u003ch6\u003eAbout the cover\u003c\/h6\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000; font-family: Muli;\"\u003eFront cover photo: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #000000; font-family: Muli;\"\u003eHilda Napaljarri, Cathy Nangala Sampson, Millie Nangala and Maudie Nungarrayi (left to right) during a women's ceremony at Pawu. Photo by Megan Jones Morais.\u003cb\u003e©\u003c\/b\u003e\u003cstrong\u003e \u003c\/strong\u003eat AIATSIS: DAIL_JONES.M01.CS-000075202_RW F157\u003cbr\u003e\u003cstrong\u003eBack cover images:\u003c\/strong\u003e Yawulyu designs. Top: Pirnki, Lungkarda. Bottom: Ngurlu, Ngatijirri.\u003c\/span\u003e\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":43226720174216,"sku":"9781922102812","price":59.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/YAWULYU_COVER_FINAL_2.jpg?v=1784006987"},{"product_id":"redtails","title":"Redtails in the Sunset","description":"\u003cp data-block-key=\"24c3d\"\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eRedtails in the Sunset follows the story of an Aussie rules football team from \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eCentral Australia fighting to enter the game’s final frontier and play in the \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ePremier League in Darwin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"24c3d\"\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eThis book tells the gripping tale of a mighty four-year effort to take a rag-tag \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ebunch of footy part-timers and community Countrymen head-to-head against \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003etheir semi-professional city-cousin counterparts. Coming up against the \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e‘butterfly effect’ of a rising bloc of South Asian nations, a footy chief whose \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003einbox was redlining, flight timetable changes and a Red Centre ‘jewel’ that sat \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eso close yet so agonisingly far, local representative football has never been so \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ethrilling.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW54822294 BCX8\"\u003e\n\u003cblockquote\u003e\n\u003cp class=\"Paragraph SCXW54822294 BCX8\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW54822294 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW54822294 BCX8\"\u003e‘A snapshot of the Northern Territory in all its glory, power plays and contradictions is found in\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW54822294 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW54822294 BCX8\"\u003eRedtails in the Sunset\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW54822294 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW54822294 BCX8\"\u003e\u003cspan\u003e \u003c\/span\u003ean entertaining and revealing examination of football and life.’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW54822294 BCX8\" data-ccp-props=\"{}\"\u003e - \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW54822294 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW54822294 BCX8\"\u003eBarry Nicholls, The\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW54822294 BCX8\"\u003eFooty Almanac\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW54822294 BCX8\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"24c3d\"\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eWadjarri-Tharrgari man and long-time sportswriter Darren Moncrieff brings together his journalistic skills, love for Australian rules football and keen eye for humour to tell the inspiring story of the Redtails. To this day, the Redtails legacy lives on through the Redtails Pinktails Right Tracks Foundation, which mentors and helps young people in Alice Springs, Tennant Creek and remote communities gain employment and become community leaders. Now a Central Australian success story, this is where its story began.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW222896454 BCX8\"\u003e\n\u003cblockquote\u003e\n\u003cp class=\"Paragraph SCXW222896454 BCX8\"\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW222896454 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW222896454 BCX8\"\u003e‘An\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW222896454 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW222896454 BCX8\"\u003eoutstanding book on the importance of grassroots football to Aboriginal community inspiration and wellbeing.’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW222896454 BCX8\" data-ccp-props='{\"134233117\":false,\"134233118\":false,\"335559738\":0,\"335559739\":0}'\u003e - \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW222896454 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW222896454 BCX8\"\u003eJohn Maynard\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW222896454 BCX8\"\u003e, historian,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW222896454 BCX8\"\u003eauthor\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW222896454 BCX8\"\u003e\u003cspan\u003e \u003c\/span\u003eand Emeritus Prof\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW222896454 BCX8\"\u003eessor\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW222896454 BCX8\"\u003e\u003cspan\u003e \u003c\/span\u003eat the University of Newcastle\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW222896454 BCX8\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003ch6\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003epaperback\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e230 mm x 152mm,\u003c\/li\u003e\n\u003cli\u003e272 pp + cover\u003c\/li\u003e\n\u003cli\u003eReleases 1 September 2025\u003c\/li\u003e\n\u003cli\u003eISBN 9780855752064\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003eChapter 1: Something good must come of this\u003cbr\u003eChapter 2: They might be Giants\u003cbr\u003eChapter 3: Forks in the road\u003cbr\u003eChapter 4: Adapting to colonisation\u003cbr\u003eChapter 5: Building a blueprint\u003cbr\u003eChapter 6: ‘Show me the money!’\u003cbr\u003eChapter 7: Big Sky Country\u003cbr\u003eChapter 8: Football’s seismic shifts\u003cbr\u003eChapter 9: The ‘Code Wars’ – A condensed history\u003cbr\u003eChapter 10: Putting the hard word on Darwin\u003cbr\u003eChapter 11: Key personnel\u003cbr\u003eChapter 12: Redtails’ First 22\u003cbr\u003eChapter 13: Televising the Revolution\u003cbr\u003eChapter 14: A happy afterglow\u003cbr\u003eChapter 15: Scores on the board\u003cbr\u003eChapter 16: Show-cause just because\u003cbr\u003eChapter 17: Survey surprise\u003cbr\u003eChapter 18: Charting a new flight path\u003cbr\u003eChapter 19: Cricket schmicket\u003cbr\u003eChapter 20: Bloc of Nations\u003cbr\u003eChapter 21: Erasure\u003cbr\u003eChapter 22: The ‘Butterfly Effect’\u003cbr\u003eChapter 23: Top End — The Sequel\u003cbr\u003eChapter 24: Roll up! Roll up!\u003cbr\u003eChapter 25: These numbers don’t run\u003cbr\u003eChapter 26: Fingers pointing in all directions\u003cbr\u003eChapter 27: Credence\u003cbr\u003eChapter 28: Touching the Sun\u003cbr\u003eChapter 29: What impact did Right Tracks have?\u003cbr\u003eChapter 30: Regrets? There’s been a few\u003cbr\u003eChapter 31: When those stars align\u003cbr\u003eAppendixes with scoreboards, goal kicking ladder boards and more.\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp data-block-key=\"5m7qv\"\u003e\u003cstrong\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eDarren Moncrieff\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eis a Wadjarri-Tharrgari man and a long-time sportswriter \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003efrom Western Australia. He had a front-row seat to the Redtails phenomenon as \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ethe sportswriter for the\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eNational Indigenous Times\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ecovering the Northern \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eTerritory, and as an Aussie rules player, in the NTFL in Darwin at the same time \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eas the Redtails’ presence in the Top End.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"5m7qv\"\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eA lifelong footy fan, Darren has played Aussie rules football for almost 40 years, \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ereluctantly hanging up his boots only a few years ago. He has written about \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eAboriginal and Torres Strait Islander issues and extensively on Indigenous sport \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003esince the late 1990s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"5m7qv\"\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eDarren has held the roles of sports editor and sports reporter for\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eKoori Mail\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e, \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eTorres News\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eand\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eYamaji News\u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003e. This is his first book\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003eAbout the cover\u003c\/h6\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eCover design by Upside Creative. Cover photo: Redtails players (from left) \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eJayden Prior, Tyson Carmody, Caleb Hart, Reggie Smith and Bradley Turner \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003ejubilant after defeating Darwin powerhouse club St Mary’s by four-points in \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003etheir NTFL Premier League debut match at Traeger Park in Mparntwe\/Alice \u003c\/span\u003e\u003cspan dir=\"ltr\" role=\"presentation\"\u003eSprings. (Photo: Justin Brierty \/ Centralian Advocate, Tuesday 9 October 2012)\u003c\/span\u003e\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":43800931205256,"sku":"9780855752064","price":39.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/c8bef612-1226-4d16-92c1-262ab925b60c.jpg?v=1752126680"},{"product_id":"giwang","title":"giwang","description":"\u003cp class=\"MsoNormal\"\u003eThe dry central western region of New South Wales is Wiradjuri Country. Here, the landscape slips from one weather cycle into another as hot, dry and windy times soften into crisp chill.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMeet the animals you can find on Wiradjuri Country in this intricately illustrated introduction to the Wiradjuri Language by two Wiradjuri creatives.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIn\u003ci\u003e giwang, \u003c\/i\u003eWiradjuri animals are shown along with Wiradjuri Language and English translations. Belinda Bridge’s words weave an unpredictable cycle onto the page against beautiful paintings by Wiradjuri artist Peta-Joy Williams.  \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThis evocative resource speaks to readers of all ages. It is rich with cultural meaning and is a significant Wiradjuri title to add to bookshelves\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW96148789 BCX8\"\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW96148789 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e‘\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003eHere, you can meet the animals that \u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW96148789 BCX8\"\u003ecall\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e Wiradjuri Country home, and this is a glorious, illustrated introduction to Wiradjuri language by Belinda Bridge and Peta-Joy Williams.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW96148789 BCX8\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW96148789 BCX8\"\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW96148789 BCX8\"\u003egiwang\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW96148789 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003eis a brilliant introduction to the six weather cycles that people experience \u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW96148789 BCX8\"\u003eon\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e Wiradjuri Country, and the animal\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003es\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e seen there.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW96148789 BCX8\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW96148789 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003eExperience fantastic Wiradjuri art by Peta-Joy Williams in a fabulous language and weather resource for primary schools, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003echildren\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e and language learners. And the best thing? This book, \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW96148789 BCX8\"\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW96148789 BCX8\"\u003egiwang\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW96148789 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e, has been written b\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003ey\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e a Wiradjuri Language teacher who loves sharing her language.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW96148789 BCX8\" data-ccp-props=\"{}\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW96148789 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW96148789 BCX8\"\u003e- Ashleigh Meikle, The Book Muse \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW96148789 BCX8\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW184259501 BCX8\"\u003e\n\u003cblockquote\u003e\n\u003cp class=\"Paragraph SCXW184259501 BCX8\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW184259501 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW184259501 BCX8\"\u003e‘For those who are focused on a future of walking together, and who are developing their own First Nations collections mindfully, this is an extremely valuable resource.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW184259501 BCX8\"\u003eIt’s\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW184259501 BCX8\"\u003e\u003cspan\u003e \u003c\/span\u003ea fabulous book conceived and executed with skill by two Wiradjuri creators … outstanding.’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW184259501 BCX8\" data-ccp-props='{\"134233117\":false,\"134233118\":false,\"201341983\":0,\"335559738\":0,\"335559739\":160,\"335559740\":276}'\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW184259501 BCX8\" data-ccp-props='{\"134233117\":false,\"134233118\":false,\"201341983\":0,\"335559738\":0,\"335559739\":160,\"335559740\":276}'\u003e- \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW184259501 BCX8\"\u003e\u003cspan class=\"NormalTextRun SCXW184259501 BCX8\"\u003eKids’ Book Review\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW184259501 BCX8\" data-ccp-props='{\"134233117\":false,\"134233118\":false,\"201341983\":0,\"335559738\":0,\"335559739\":160,\"335559740\":276}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch6\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003ePicture book, softcover\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e213 mm x 276 mm (portrait)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e32pp + cover\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eReleases \u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e1 November 2025 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e9781922752031\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"Tabletext\"\u003e\u003cspan style=\"mso-bidi-font-size: 10.0pt;\"\u003eFront matter introducing the Wiradjuri Cycle\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Tabletext\"\u003e\u003cspan style=\"mso-bidi-font-size: 10.0pt;\"\u003e14 spreads of fully illustrated pages featuring original art of 18 Australian animals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Tabletext\"\u003e\u003cspan style=\"mso-bidi-font-size: 10.0pt;\"\u003eGlossary of Wiradjuri words used\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003eBack matter about Wiradjuri language and people\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the author\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBelinda Bridge\u003c\/strong\u003e is a proud Wiradjuri woman living in Western Sydney, with strong Matriarchal lines across Wiradjuri Country. She is a mother always learning more of her Language and Culture.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAs a teacher, Belinda shares that knowledge — teaching Wiradjuri Language at TAFE and across all age groups. She has a degree in Creative Writing and Professional Writing and a postgraduate qualification in Wiradjuri Language, Heritage, and Culture.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBelinda’s inspiration to learn and speak Wiradjuri Language comes from her family and a deep desire to stay connected to her Ancestors.\u003c\/p\u003e\n\u003ch6 class=\"p1\"\u003e\u003cb\u003eAbout the Illustrator \u003c\/b\u003e\u003c\/h6\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePeta-Joy Williams\u003c\/strong\u003e is a proud Wiradjuri Yinaa (woman), born in Sydney, whose identity bridges the inland rivers of her ancestors and the saltwater cultures of the place she calls home. Drawing inspiration from both, PJ creates artwork that reflects the richness and diversity of her ancestry.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eEncouraged by her Wiradjuri grandmother Eileen, she began painting Aboriginal art early in life and has since formalised her practice with a Certificate IV in Aboriginal Art and Cultural Practices and a Diploma in Fine Arts. Formerly a cultural arts teacher, PJ is now a full-time artist and the founder of Wiradjuri Wave.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eHer work has been exhibited in major galleries across Australia, and her large-scale murals feature throughout New South Wales.\u003c\/p\u003e\n\u003ch6\u003eAbout the cover\u003c\/h6\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli;\"\u003eCover\/text design: Keisha Leon, Cause\/Affect\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli;\"\u003eIllustrator: Peta-Joy Williams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: Muli;\"\u003eIllustration technique: Acrylic paint on canvas with sand from Wambuul \u003c\/span\u003e\u003cspan style=\"font-family: Muli;\"\u003e(Macquarie River) and water from both the river and Goan waterhole near \u003c\/span\u003e\u003cspan style=\"font-family: Muli;\"\u003eTrangie mixed into the paint.\u003c\/span\u003e\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":43802790887560,"sku":"9781922752031","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/be8c4007-13e6-40d0-bd30-db593cb7ee92.jpg?v=1752187699"},{"product_id":"gija-goowoolem-doo-minybernem-gija-trees-and-grasses","title":"Gija Goowoolem doo Minybernem – Gija Trees and Grasses","description":"\u003cp style=\"text-align: left;\" class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eGija Goowoolem doo Minybernem \u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e– \u003ci\u003eGija Trees and Grasses\u003c\/i\u003e is both a work of art and an extraordinary ethnobotanical achievement. At its heart are 72 stunning paintings by award-winning artist Birrmarriya Shirley Purdie which feature the significant flora found in Gija Country in the East Kimberley region of Western Australia. The paintings are accompanied by Birrmarriya’s descriptions of each plant’s traditional properties and uses — for food, medicine and object making — as well as their place in Gija culture and history.\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eThe result is a rich botanical encyclopaedia informed by Ngarranggarni – ‘the Dreamtime’ or ‘creation time’ — which both preserves and shares traditional knowledge, now and into the future. Birrmarriya and co-author, linguist, artist and gardener Frances Kofod, share a love for Gija Country and its flora. They collaborated over many years to create this richly layered book which includes stories in both Gija and English, new maps of Gija Country and useful appendices containing plant descriptions, species names and photographs. Birrmarriya Shirley Purdie won the Blake Prize in 2007. The paintings in this book are part of the collection of the Museum of Contemporary Art, Sydney.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp style=\"text-align: left;\" class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\"This is a joyful thing. Warmun artist Shirley Purdie's cataloguing of Gija flora is a lifelong endeavour, translated here into a rich and intimate book. Her paintings of local trees and grasses, along with their stories, flower across the pages like a love letter to her Country. With her collaborator Frances Kofod, Purdie has created an impressive ecological archive, a legacy for future generations of Gija, and a generous gift to anyone who reads it.' \u003cbr\u003e- Professor John Carty, Professor of Museum and Curatorial Studies at Adelaide University\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp style=\"text-align: left;\"\u003e   \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e‘This is a beautiful and important publication for many reasons... The accumulation of such knowledge by community elder Birrmarriya Shirley Purdie is very revealing regarding the Gija trees and grasses of the East Kimberley in northern Western Australia and their importance to her extended family and local people. A major highlight is the inclusion of Birrmarriya’s 72 ochre paintings ... May it be enjoyed and treasured by many, many people such as ecologists, botanists, plant lovers and enthusiasts.’ \u003cbr\u003e- W. Rodger Elliot AM, Co-author of \u003cem\u003eThe Encyclopaedia of Australian Plants, suitable for cultivation\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003ch4 style=\"text-align: left;\"\u003e\u003cb\u003eProduction Details\u003c\/b\u003e\u003c\/h4\u003e\n\u003cul style=\"text-align: left;\"\u003e\n\u003cli\u003e\u003cspan\u003eHardback\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: Muli; mso-bidi-font-family: Muli; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e250 x 230 mm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: Muli; mso-bidi-font-family: Muli; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e240pp + cover\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: Muli; mso-bidi-font-family: Muli; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eReleased \u003cspan style=\"font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: Muli; mso-bidi-font-family: Muli; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e1 April 2026\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: Muli; mso-bidi-font-family: Muli; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eISBN \u003cspan style=\"font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: Muli; mso-bidi-font-family: Muli; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e9781922752086 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eePub \u003cspan style=\"font-size: 10.0pt; line-height: 110%; font-family: Muli; mso-fareast-font-family: Muli; mso-bidi-font-family: Muli; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;\"\u003e9781922102898\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"text-align: left;\" class=\"p1\"\u003e\u003cb\u003eContent\u003c\/b\u003e\u003c\/h4\u003e\n\u003cp style=\"text-align: left;\"\u003eAbout the paintings and this book\u003cbr\u003eGija flora knowledge\u003cbr\u003eGija people and their country\u003cbr\u003eMaps\u003cbr\u003eGija language\u003cbr\u003eGija trees and grasses:\u003cbr\u003eTrees and plants that live on rocky hills\u003cbr\u003eTrees and plants that live between high places and water\u003cbr\u003eTrees and plants that live in or near water\u003cbr\u003eGija plant descriptions\u003cbr\u003eGija plants listed by scientific name\u003cbr\u003eGija place names mentioned in the book\u003cbr\u003eCatalogue of paintings\u003cbr\u003eBibliography\u003c\/p\u003e\n\u003ch4 style=\"text-align: left;\" class=\"p1\"\u003e\u003cb\u003eAbout the authors\u003c\/b\u003e\u003c\/h4\u003e\n\u003cp style=\"text-align: left;\" class=\"MsoNormal\"\u003e\u003cb\u003eBirrmarriya Shirley Purdie\u003c\/b\u003e is a Gija woman of Nangari skin who was born in 1947 at Gilban (Mabel Downs Station) in the East Kimblerley region of Western Australia. As a respected community elder and as part of her cultural responsibilities, Birrmarriya passes on her encyclopaedic knowledge of Gija language, cultural practices, the intrinsic ecological relationships of country, ethnobotanics, and flora and fauna identification with family, schools, seed collectors, scientists, environmentalists, miners, pastoralists and ranger groups. Birrmarriya has been painting since the early 1990s. She was awarded the Blake Prize for Religious Art in 2007 and her work is held in major national collections including at the Museum of Contemporary Art and the National Portrait Gallery.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" class=\"MsoNormal\"\u003e\u003cb\u003eFrances Kofod\u003c\/b\u003e was born in Sydney in 1948 and grew up there and in Armidale in northern New South Wales. In 1978, she completed her Master of Arts thesis on the Miriwoong language. Frances first met Birrmarrya Shirley Purdie in 1987 when working as a linguist in the Gija language program at Ngalangangpum School at Warrmarn. Frances’s first recordings of Birrmarriya relating the stories of her paintings date from this time. From the late 1980s to the present, Frances continues to work on many language projects involving Miriwoong, Gija and Gajirrabeng languages, and was the main compiler of the \u003ci\u003eGija Dictionary\u003c\/i\u003e (ASP, 2022).\u003c\/p\u003e\n\u003ch4 style=\"text-align: left;\"\u003eAbout the cover\u003c\/h4\u003e\n\u003cp style=\"text-align: left;\" class=\"MsoNormal\"\u003e\u003cspan data-teams=\"true\"\u003eBirrmarriya Shirley Purdie, \u003ci\u003eDayimbalji \/ Red-flowering kurrajong\u003c\/i\u003e, 2014, ochre on canvas, used with permission from the Museum of Contemporary Art, Sydney.\u003c\/span\u003e\u003c\/p\u003e","brand":"AIATSIS","offers":[{"title":"Default Title","offer_id":44568042438792,"sku":"9781922752086","price":59.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0309\/1565\/7864\/files\/25_056_ASP_Gija_product_image_720x720px_300dpi.jpg?v=1776646385"}],"url":"https:\/\/shop.aiatsis.gov.au\/collections\/holiday-collection.oembed?page=2","provider":"AIATSIS Shop","version":"1.0","type":"link"}