Dhuuluu-Yala
Dhuuluu-Yala is a Wiradjuri phrase meaning ‘to talk straight’ and this book is straight talk about publishing Indigenous literature in Australia. It also includes broader issues that writers need to consider: engaging with readers and reviewers.
The book covers the period up to the mid-1900s, though some references are included up to 2000. Changes have been made since that date, however the issues identified in Dhuuluu-Yala remain current and to a large extent unresolved.
The history of defining Aboriginality in Australia and the experience of ‘being Aboriginal’ have both impacted on the production of Aboriginal writing today. These twin themes are the major focus of the book.
The pioneering roles of Aboriginal writers who have gone before and created a space has allowed for the growth of an Indigenous publishing industry. Indeed, a literary and publishing culture have developed also because of the increasing desire and need for an authentic Indigenous voice in Australian literature. Although funding and other mechanisms are in place and possibilities afforded Indigenous writers have improved, opportunities are still limited, leading to some authors choosing to self-publish.
Dhuuluu-Yala answers those questions about Aboriginal writing and publishing that we were afraid to ask, and those we didn’t even know we should. — Janice Fewin, Australian Publishers Association
An informative and intelligent look at Aboriginal literature. Its strength lies in its fascinating and thought provoking discussion of identity, Aboriginality and power. Reading it will challenge and transform how you perceive yourself and those around you.- Kateri Akiwenzie-Damm, Author and Publisher, Canada
Production Details
- Paperback
- 230mm x 155mm x 24mm
- 318pp
- Released August 2003
- ISBN 9780855754440
Contents
Preface
Acknowledgements
Part 1: Authorship
Chapter 1: Indigenous Writing and Identity
Chapter 2: The Effects of Identity on Writing
Chapter 3: Indigenous Discourse
Part 2 Editing and Publishing
Chapter 4: Publishing the Indigenous Word
Chapter 5: Editing Indigenous Literature
Chapter 6: Indigenous Cultural and Intellectual Property Rights
Part 3 Readership
Chapter 7: Selling Indigenous Literature to the Reader
Chapter 8: Recognition of Authors
Chapter 9: Festivals, Conferences and Awards
Part 4 Canadian First Nations’ Literature
Part 5 Maori Literature
Appendix A: Catalogue of Indigenous Literature
Appendix B: Select Bibliography of Canadian First Nations’ literature
Appendix C: Select Bibliography of Maori literature
End Notes
Bibliography
Index
About The Author
Anita Heiss is the award-winning author of non-fiction, historical fiction, commercial women’s fiction, children’s novels and travel articles. She is a proud member of the Wiradjuri Nation of central NSW, an Ambassador for the Indigenous Literacy Foundation, the GO Foundation and Worawa Aboriginal College. Anita is a board member of the State Library of Queensland, the University of Queensland Press and Circa. She is a Professor of Communications at the University of Queensland, and artist in residence at La Boite Theatre, adapting her novel Tiddas for the stage. Her novel Barbed Wire and Cherry Blossoms is the 2020 University of Canberra Book of the Year.